Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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Here is an itemised set of methods used to decorate fabrics:<br />
a. Stencil printing is a technique done by cutting out<br />
a design from a thin sheet of paper, film, cardboard,<br />
plastic <strong>and</strong> sometimes metal. Kipphan (2001, 412)<br />
reminds us that “the correct screen tension is an<br />
important factor in achieving good print quality ...<br />
cutting films on base materials available <strong>for</strong> h<strong>and</strong>-cut<br />
stencil ... <strong>and</strong> stuck to the screen.” That is to say, the<br />
design used on a film is obtained from a roughly<br />
sketched drawing <strong>and</strong> later, it is transferred by using a<br />
cut out stencil. Then ink or paint is squeezed through<br />
cut out spaces during printing. This process has been<br />
clearly explained in a section about screen-printing.<br />
b. Screen printing (serigraphy) decorates fabrics after<br />
a motif or a design has been created. According to<br />
Kipphan (2001, 55) “screen printing is a process in which<br />
ink is <strong>for</strong>ced through a screen ... a fine fabric made of<br />
natural silk, plastic, or metal fibers/threads.”<br />
With the assistance of a squeegee, ink is <strong>for</strong>ced through<br />
the unblocked parts of a screen (<strong>guide</strong>d by a stencil) to<br />
<strong>for</strong>m (positive) designs against (negative) empty spaces<br />
on the surface of a fabric.<br />
In general, the motif of a design works like a stencil<br />
during printing. Sometimes it is shaped with<br />
supporting points commonly known as ‘bridges or ties’<br />
<strong>for</strong> holding together the various components which<br />
shape a desired design.<br />
c. Block printing is a primitive way of decorating fabrics.<br />
It is well liked by decorators who print with various<br />
obtainable blocks like wood, rubber <strong>and</strong> even from<br />
old slippers or shoes soles. Kafka (1973,1) explains block<br />
printing as a“method employed when carved blocks of<br />
wood, or other substances are charged with paints or<br />
dyes <strong>and</strong> then imprinted onto the fabric.”<br />
Block printing can also be done with other tools <strong>and</strong><br />
materials such as rubber-stamping as well as printing<br />
with a press machine. To cut a necessary wood block<br />
<strong>for</strong> fabric decoration, the artist is supposed to have<br />
small tools like knives, chisels, a mallet, a small piece of<br />
well-made wood, printing ink <strong>and</strong> a gouge.<br />
Photo emulsion<br />
This is another method of screen printing. It works with<br />
photosensitive substances, which are coated on a mesh<br />
to dry—inside a very dark place, <strong>for</strong> the reason that the<br />
substances of photo emulsion are light-sensitive.<br />
Whenever light is needed inside a darkroom, use only<br />
illuminated red (safe light). Close all the doors <strong>and</strong> any other<br />
small holes, which may bring or show light inside the room.<br />
Turn on the red light be<strong>for</strong>e applying photo emulsion <strong>and</strong><br />
most importantly, read instructions on a tin. Also, remember<br />
to wear gloves during working.<br />
After dispensing emulsion on a mesh, spread it evenly<br />
on the surface of a mesh <strong>and</strong> then, allow it to dry. Then,<br />
attach a well prepared design—printed on a film—on the<br />
underside (coated with emulsion) of a mesh.<br />
When exposure light is turned on, it will penetrate through<br />
the design to reach the emulsion area, to burn away<br />
(positive) exposure parts. The impact of this can only be<br />
seen at a stage of washing—a mesh.<br />
It is in actual fact necessary to consult from experts be<strong>for</strong>e<br />
going ahead with any process of photo emulsion.<br />
Type of printing meshes<br />
A mesh is another name <strong>for</strong> a screen. The main purpose of a<br />
mesh is to support an ink blocking stencil during printing.<br />
Board (2002, 3) is more enlightening; the word “screen<br />
mesh“ is used as an explanation <strong>for</strong> a fabric that we stretch<br />
on a frame. “Silk was the original material used, hence the<br />
name” silk screening, “although the word is rarely used<br />
today ... Multi-filament <strong>and</strong> mono filament polyester are the<br />
products used, mono filament being the most popular.”<br />
Let us have a brief look at a few types of meshes:<br />
a. Silk mesh, fabric decorators trust the silk mesh <strong>for</strong> it<br />
has got high quality <strong>and</strong> high precision. Indeed, the<br />
word silk screen printing came as a result of using<br />
this mesh. It looks like fine silk gauze stretched over<br />
a frame. A silk mesh can print on any fabric material,<br />
ceramic tiles, advertisement, glass, shoes <strong>and</strong> h<strong>and</strong>bags<br />
et cetera.<br />
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