Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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Signpost<br />
It is a display used to <strong>guide</strong> road users.<br />
Occasionally, signposts are set out to show<br />
in<strong>for</strong>mation such as; the location <strong>and</strong> name of a<br />
place. They are found on road-sides, crossroads,<br />
paths, or streets to lead users to specified<br />
destinations with clear text, or illustrations. Some<br />
signposts display additional contact in<strong>for</strong>mation<br />
like the address, phone <strong>and</strong> email.<br />
- Does your school have a signpost?<br />
- Compare a signpost with a road sign <strong>and</strong> state<br />
their differences.<br />
We can make our conclusion with Smith's (1993, 58) Basic<br />
graphic design to summarise visual <strong>and</strong> identification<br />
symbols; “The graphic requirements ... may not need many<br />
images. The design is possibly intended to clarify <strong>and</strong><br />
organise with a concern <strong>for</strong> continued reader interest ...”<br />
All this must be carefully understood by learners be<strong>for</strong>e<br />
embarking on any new graphic design artwork, task or<br />
assignment.<br />
How to design a card<br />
There are so many types of cards; some cards are made with<br />
decorative borders in small sizes <strong>and</strong>/or sometimes in larger<br />
sizes. However, nearly all st<strong>and</strong>ard cards display a single<br />
side or double sides containing meaningful messages,<br />
illustrations <strong>and</strong> in<strong>for</strong>mation intended <strong>for</strong> various set out<br />
aims.<br />
Thereby, cards are different <strong>and</strong> they are created <strong>for</strong> very<br />
many purposes. For example business or visiting cards,<br />
greetings cards <strong>and</strong> Christmas cards. We can take a double<br />
page success card as our example. Such a card will display<br />
two sides just like book covers.<br />
Success cards show messages <strong>and</strong> many of them are<br />
designed to display relevant or connected colours as well<br />
as illustrations; basing on functions <strong>and</strong> purposes they are<br />
meant to serve.<br />
Accordingly, inside a success or a greeting card, messages are<br />
usually evocative. That is to say, the message written in a<br />
card is expected to bring strong memories or feelings to the<br />
beneficiary or receiver. And outside on the cover of a card,<br />
the message is usually (or supposed to be) brief <strong>and</strong> precise,<br />
sincere <strong>and</strong> well-expressed.<br />
Even though illustrations are routinely found on the<br />
front part of a card, the ultimate methods of executing a<br />
successful design is up to the inventiveness or creativity<br />
of the designer. Above all, some <strong>creative</strong> designers use<br />
approaches of collage art to produce cards.<br />
In general, read <strong>and</strong> underst<strong>and</strong> all instructions stated <strong>for</strong><br />
a specified card task or theme. The most important thing<br />
<strong>for</strong> the designer is to pay attention to the title (theme)<br />
of the card. For, it will <strong>guide</strong> you to determine a suitable<br />
Illustration, colours <strong>and</strong> text. Then make decisions <strong>for</strong> the<br />
most appropriate orientation. A card can be designed in<br />
vertical or longitudinal orientations.<br />
At an appropriate stage of incorporating text Galbreath<br />
(2008, 37) suggests, “the <strong>for</strong>mal character of centred text<br />
also makes it appropriate <strong>for</strong> wedding invitations, ... <strong>and</strong> the<br />
type of verse that appears inside greeting cards.” Here we<br />
see that the appropriate way of presenting messages in a<br />
card, is by placing it in the middle. At this stage a designer is<br />
expected to assess the suitability of calligraphy writing <strong>for</strong> a<br />
card in plan.<br />
In a subsequent way, compare the executed design with<br />
other types of cards, which may be reasonably similar to the<br />
one you are making. Then, do necessary changes.<br />
As you work to execute a card, take the sketch to various<br />
concerned people <strong>for</strong> more advice, opinions; exchange<br />
views about your design plan. It does not matter even<br />
if they do not have rational ideas about the card. The<br />
discussions or critiques can help the learner to see errors,<br />
thus minimise misinterpretations.<br />
Considering that everything is properly done, finish <strong>and</strong><br />
make the card ready <strong>for</strong> display.<br />
How to design a poster<br />
Posters are sometimes referred to as billboards. To a bigger<br />
extent, posters are habitually used <strong>for</strong> outdoor advertising.<br />
Posters can be produced by ways of—photography,<br />
lithography, silk screen printing, block printing as well as<br />
digital printing on large-<strong>for</strong>mat printers.<br />
The main purpose of a poster is to visually communicate<br />
printed or written message.<br />
As a consequence of that, posters are typically displayed<br />
in public places. They are expected to be striking <strong>and</strong><br />
noticeable. A poster is considered to be among the<br />
most suitable means of making announcements <strong>and</strong><br />
advertisements intended to in<strong>for</strong>m the general public.<br />
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