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Art and Design A comprehensive guide for creative artists - Aaltodoc

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Scanty waters.<br />

Acrylic painting<br />

Size: 30cm × 50cm,<br />

on a hard board.<br />

CHAPTER FOUR<br />

Painting<br />

Painting is a method of executing artworks using colour<br />

pigments known as paints on distinctive enduring surfaces.<br />

By painting, <strong>artists</strong> can <strong>creative</strong>ly decorate surfaces to make<br />

them appear like differing objects or images <strong>and</strong> sometimes<br />

both. Ssegantebuka (2003, 34) defines painting as “the art of<br />

using colour to express ideas, feelings or mood in pictorial<br />

<strong>for</strong>ms.”<br />

Elkins (1999, 193) uses a different explanation: “Painting is<br />

a fine art: not merely because it“ allows painting <strong>artists</strong> to<br />

depict artistic images like “trees <strong>and</strong> faces <strong>and</strong> lovely things<br />

to see ...”using paint—owing to the fact that sometimes<br />

such painted objects are taken to be approaches of a<br />

freshman's painting.<br />

More so than anything else, the first known African<br />

paintings are believed to have been painted by the San<br />

people. Curtis (2006, 196) affirms, “Rock paintings were<br />

believed to be the first painted works of art mostly done by<br />

the cave people. They painted using their fingers <strong>and</strong> soft<br />

coloured clay on rock surfaces following examples of claw<br />

marks made by animals.”<br />

Clearly, then, a well-known ideal source of paint material<br />

used on rocks came from coloured soils obtained from<br />

organic (living matter) <strong>and</strong> inorganic (not from natural<br />

growth). In other words, “red” paints were obtained from<br />

“iron oxide, black paints were executed from inorganic<br />

compounds such as manganese dioxide, as well as pine<br />

carbons.” (Curtis 2006, 18)<br />

Thus, the paints used by <strong>creative</strong> <strong>artists</strong> to produce painting<br />

artworks can also be obtained by mixing ground colour<br />

pigments <strong>and</strong> they may be added with various types<br />

of cohesive substances such as gum to bind them on a<br />

planned surface. In the same manner, fine powder colour<br />

can be used to make paintings after mixing it with water<br />

to be trans<strong>for</strong>med into a proper consistence of paint (in a<br />

paste mixture). Feisner (2006, 26) adds, “The various paint<br />

pigments have different mixing properties <strong>and</strong> they require<br />

diverse types of binders to trans<strong>for</strong>m them into workable<br />

tools.”<br />

<strong>Art</strong>ists can <strong>creative</strong>ly do painting by using local materials<br />

such as solid dyes from natural or synthetic substances.<br />

Such materials should be capable of causing colour (to<br />

appear) on a preferred surface <strong>for</strong> example tea, squeezed<br />

plants, roots or leaves. Almost always, “artificial pigments<br />

can be obtained by dry distillation (burning) of various<br />

substances such as charcoal, peat soil <strong>and</strong> fossils.” (Feisner<br />

2006, 26)<br />

Let us make our conclusion with Kyeyune's (2003, 47) brief<br />

record of fact: “rock paintings found at Nyero <strong>and</strong> Kakoro<br />

in eastern Ug<strong>and</strong>a, as well as Lolui isl<strong>and</strong> in the east of<br />

Lake Victoria“ are of undisputed origin that belong to the<br />

past <strong>and</strong> “the significance of these paintings is yet to be<br />

interpreted.” In general, the art of painting is considered to<br />

be extant—it is the oldest <strong>and</strong> it is still surviving.<br />

Uses of painting<br />

As Jenkins (1980, 131) has remarked, “painting” is a<br />

“special value to a child. It is “a <strong>for</strong>m of relaxation” <strong>and</strong> it<br />

is a “communication.” It can also be used as a means <strong>for</strong><br />

releasing emotions. Indeed, through painting we can<br />

explain, interpret hidden meanings <strong>and</strong> in<strong>for</strong>mation, words,<br />

or actions represented as colourful images (of animals,<br />

still-life <strong>and</strong> nature, symbols <strong>and</strong> signs, texts or words).<br />

Here is a brief discussion about other benefits of painting:<br />

• Painting attaches our daily life to the aesthetics of<br />

colours.<br />

• Through painting <strong>artists</strong> attain imitated <strong>creative</strong><br />

styles—to supplement with their attained skills of<br />

colour use.<br />

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