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Art and Design A comprehensive guide for creative artists - Aaltodoc

Art and Design A comprehensive guide for creative artists - Aaltodoc

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Inset: halftone<br />

dots obtained<br />

from a section<br />

of smooth<br />

tones on a<br />

shoe surface.<br />

Here are some other ways dots can be used:<br />

• Dots can be used to create a line<br />

• Different sizes of dots can project movement<br />

• Dot-strokes can <strong>for</strong>m textures in visual direction<br />

• Dots can also be used to depict distance within a<br />

perspective.<br />

How newspapers use dots<br />

A closer look at newspaper photographs reveals a range of<br />

shades made up of combinations of black or coloured dots.<br />

In the dark areas, dots are large <strong>and</strong> they are combined that<br />

almost none of the white paper shows through. In lighter<br />

areas of a photograph dots are tiny <strong>and</strong> they are surrounded<br />

by large expanses of white.<br />

The continuously varying shades of colour dots in a<br />

photograph convert into a pattern of different-sizes (of<br />

dots) with a method known as halftone. Most newspapers<br />

use a fairly loose texture of dots to reproduce pictures on<br />

st<strong>and</strong>ard newsprint paper.<br />

If dots are seen from a (monitor) screen, it may portray them<br />

in 2 to 3 lines per millimetre <strong>and</strong> when it comes out of the<br />

printer the attained results will show the same number of<br />

dots per millimetre.<br />

The whole idea about dots <strong>and</strong> the way they <strong>for</strong>m<br />

photographs is almost identical to what is known as dpi<br />

(dot per inch)—induced by scanners <strong>and</strong> printers.<br />

Dpi defines the levels of intensity, sharpness—from a computer-procreated<br />

image. Certainly, the display screen<br />

measures the number of pixels across <strong>and</strong> down; to<br />

represent the actual resulting effect by using dots.<br />

Mass, Volume <strong>and</strong> Space<br />

These are elements of three dimensional art <strong>and</strong> design<br />

such as sculpture. In Mujjuzi's (2010, 113) article about<br />

Exploration of organic materials <strong>for</strong> sculpture production, he<br />

explains how “... ring wires, binding wires <strong>and</strong> wire mesh”<br />

can be used to generate “a solid body with mass <strong>and</strong><br />

volume” <strong>for</strong> a three dimensional shape from plant materials.<br />

Distinctly, then, volume gives the impression of height,<br />

length, width <strong>and</strong> depth on three dimensional <strong>for</strong>ms. Wood<br />

or stone disclose mass because they exist in solid <strong>for</strong>m,<br />

while a snail shell appears as space volume.<br />

Michael et al (2007, 186) are more enlightening: “Mass refers<br />

to volume or bulk of an object in a work of art <strong>and</strong> space<br />

refers to the areas surrounded by mass.” Surely, a <strong>creative</strong><br />

artist can use the perception of <strong>for</strong>m to create three-dimensional<br />

objects on two-dimensional surfaces by using<br />

shadows or tones.<br />

Space is an important element of art <strong>and</strong> design. Two<br />

dimensional <strong>artists</strong> mainly refer to real white space as<br />

breathing-space. Such space is predominantly used on<br />

lay-outs. Space reveals depth in a receding background. In<br />

Trevallion et al.'s (2003, 18) <strong>Design</strong> <strong>and</strong> Technology; “Space is<br />

an element, which when arranged according to the design<br />

principles creates unity.” It also helps other aspects in a<br />

design to exist.<br />

Types of spaces<br />

Creative <strong>artists</strong> execute artworks from more than two<br />

types of spaces. L<strong>and</strong>a (2000, 76) believes, “Underst<strong>and</strong>ing<br />

positive <strong>and</strong> negative space is crucial to designing ...” Here<br />

are some of the ways in which negative <strong>and</strong> positive space<br />

can provide scope <strong>for</strong> <strong>creative</strong> designers to execute design<br />

artworks:<br />

a) Negative space produces a silhouette of a contrasting<br />

image. That is to say, a negative space is the<br />

unoccupied area. It lies within the inhabited shapes of<br />

spaces.<br />

b) Positive space is usually found in areas that are<br />

occupied by an image. It dominates our sense of<br />

sight on a design. On three-dimensional artworks like<br />

sculpture, positive spaces functions together with<br />

negative spaces to cause a worthwhile display of <strong>for</strong>ms.<br />

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