Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Inset: halftone<br />
dots obtained<br />
from a section<br />
of smooth<br />
tones on a<br />
shoe surface.<br />
Here are some other ways dots can be used:<br />
• Dots can be used to create a line<br />
• Different sizes of dots can project movement<br />
• Dot-strokes can <strong>for</strong>m textures in visual direction<br />
• Dots can also be used to depict distance within a<br />
perspective.<br />
How newspapers use dots<br />
A closer look at newspaper photographs reveals a range of<br />
shades made up of combinations of black or coloured dots.<br />
In the dark areas, dots are large <strong>and</strong> they are combined that<br />
almost none of the white paper shows through. In lighter<br />
areas of a photograph dots are tiny <strong>and</strong> they are surrounded<br />
by large expanses of white.<br />
The continuously varying shades of colour dots in a<br />
photograph convert into a pattern of different-sizes (of<br />
dots) with a method known as halftone. Most newspapers<br />
use a fairly loose texture of dots to reproduce pictures on<br />
st<strong>and</strong>ard newsprint paper.<br />
If dots are seen from a (monitor) screen, it may portray them<br />
in 2 to 3 lines per millimetre <strong>and</strong> when it comes out of the<br />
printer the attained results will show the same number of<br />
dots per millimetre.<br />
The whole idea about dots <strong>and</strong> the way they <strong>for</strong>m<br />
photographs is almost identical to what is known as dpi<br />
(dot per inch)—induced by scanners <strong>and</strong> printers.<br />
Dpi defines the levels of intensity, sharpness—from a computer-procreated<br />
image. Certainly, the display screen<br />
measures the number of pixels across <strong>and</strong> down; to<br />
represent the actual resulting effect by using dots.<br />
Mass, Volume <strong>and</strong> Space<br />
These are elements of three dimensional art <strong>and</strong> design<br />
such as sculpture. In Mujjuzi's (2010, 113) article about<br />
Exploration of organic materials <strong>for</strong> sculpture production, he<br />
explains how “... ring wires, binding wires <strong>and</strong> wire mesh”<br />
can be used to generate “a solid body with mass <strong>and</strong><br />
volume” <strong>for</strong> a three dimensional shape from plant materials.<br />
Distinctly, then, volume gives the impression of height,<br />
length, width <strong>and</strong> depth on three dimensional <strong>for</strong>ms. Wood<br />
or stone disclose mass because they exist in solid <strong>for</strong>m,<br />
while a snail shell appears as space volume.<br />
Michael et al (2007, 186) are more enlightening: “Mass refers<br />
to volume or bulk of an object in a work of art <strong>and</strong> space<br />
refers to the areas surrounded by mass.” Surely, a <strong>creative</strong><br />
artist can use the perception of <strong>for</strong>m to create three-dimensional<br />
objects on two-dimensional surfaces by using<br />
shadows or tones.<br />
Space is an important element of art <strong>and</strong> design. Two<br />
dimensional <strong>artists</strong> mainly refer to real white space as<br />
breathing-space. Such space is predominantly used on<br />
lay-outs. Space reveals depth in a receding background. In<br />
Trevallion et al.'s (2003, 18) <strong>Design</strong> <strong>and</strong> Technology; “Space is<br />
an element, which when arranged according to the design<br />
principles creates unity.” It also helps other aspects in a<br />
design to exist.<br />
Types of spaces<br />
Creative <strong>artists</strong> execute artworks from more than two<br />
types of spaces. L<strong>and</strong>a (2000, 76) believes, “Underst<strong>and</strong>ing<br />
positive <strong>and</strong> negative space is crucial to designing ...” Here<br />
are some of the ways in which negative <strong>and</strong> positive space<br />
can provide scope <strong>for</strong> <strong>creative</strong> designers to execute design<br />
artworks:<br />
a) Negative space produces a silhouette of a contrasting<br />
image. That is to say, a negative space is the<br />
unoccupied area. It lies within the inhabited shapes of<br />
spaces.<br />
b) Positive space is usually found in areas that are<br />
occupied by an image. It dominates our sense of<br />
sight on a design. On three-dimensional artworks like<br />
sculpture, positive spaces functions together with<br />
negative spaces to cause a worthwhile display of <strong>for</strong>ms.<br />
26 27