Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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CHAPTER SIX<br />
Collage<br />
The word collage comes from a “French word coller meaning<br />
to glue or paste.”(Jenkins 1980, 108)<br />
According to Annette (1982), “collage is an arrangement of<br />
several different shapes, cut or torn from various materials,<br />
which <strong>for</strong>m a pleasing combination of shapes, textures<br />
<strong>and</strong> colours when glued onto a sheet of paper to make a<br />
permanent picture.” Obviously, then, collage art is made up<br />
of various collections of things.<br />
Nevertheless, working to produce a collage artwork is<br />
governed by serious creativity supported by “pasting” <strong>and</strong><br />
“assembling.” It is the “maximum diversity of source material,<br />
to produce a coherent artist synthesis.” (Ashwin 1982, 63)<br />
By analysis, collage art is well made with arrangements of<br />
thrown away objects, which work as basic materials of its<br />
different <strong>for</strong>ms.<br />
We can also see this from Kyeyune's (2003, 215) <strong>Art</strong> in Ug<strong>and</strong>a<br />
in the 20th Century denoting this excellent statement:<br />
“Ssengendo produced a richly colourful imitation style from<br />
a collection of things lying about in an untidy mass <strong>and</strong> that<br />
their portrayal was made easy by a clear physical display<br />
of shapes in distinct tones <strong>and</strong> texture, with ridges of fibre<br />
<strong>and</strong> feathers.” Here we see that a collage artwork can be<br />
constructed <strong>and</strong> defined by analysing shapes, colours <strong>and</strong><br />
textures of different things.<br />
Walther (2000, 46) reminds us that “it was not until Picasso<br />
discovered the technique of collage, or 'papier colle,' that<br />
he started thinking about sculpture ... Sticking papers<br />
onto a picture, ... a step beyond the strict two dimensional<br />
character of painting. And when he begun to use other<br />
materials such as card board, tins, wood, string <strong>and</strong> wire his<br />
pictures changed more <strong>and</strong> more ... ”<br />
Distinctly, then, learners should be made aware that collage<br />
art is interdisciplinary, it combines other disciplines of art<br />
<strong>and</strong> design like sculpture, painting, pottery <strong>and</strong> drawing.<br />
We can conclude with Janis et al.'s (1967, 145) reasonable<br />
explanation: “Collage brought the world into art <strong>and</strong> then<br />
art moved into the world ...”<br />
Thereby, <strong>creative</strong> <strong>artists</strong> should be encouraged to use<br />
nature as the main source of useful materials. And it can<br />
as well be a source of inspiration from whence designs of<br />
collage artwork can be made.<br />
The table below examines the different parts of plants,<br />
which can assist to provide remarkable basic materials<br />
necessary <strong>for</strong> creating collage art:<br />
In our environment there are plenty of plants, which can<br />
provide necessary glue <strong>for</strong> use on collage <strong>and</strong> other crafted<br />
artworks. Trowell (1951, 26) suggests, “if you know any tree<br />
which gives out a sticky transparent juice, you should try to use<br />
it as a glue medium.” Here we see that it is important <strong>for</strong> the<br />
learner to have the right kind of glue <strong>for</strong> the different materials<br />
available to make a collage artwork.<br />
As an example, boiled cassava paste; made by mixing hot water<br />
with cassava flour <strong>for</strong>ms a thick paste necessary <strong>for</strong> fastening<br />
like glue. During stove preparations, keep the substance<br />
moderately solid <strong>for</strong> better bonding results.<br />
Here below is a proposed list of supplementary craft glues<br />
<strong>and</strong> colouring dyes, which are obtainable from plants. Some<br />
of them can be used to carry out experiments <strong>for</strong> scarce art<br />
materials:<br />
In their book Forest Climbing plants of West Africa; Bongers et<br />
al. (2005, 171-172) suggested some of these climber species—of<br />
plants, which can be used <strong>for</strong> crafting purposes:<br />
Alchornea cordifolia; the leaves of this plant can procreate an<br />
indigo colouring material.<br />
Cryptolepis sanguinolenta; from its roots <strong>and</strong> the bark. We can<br />
extract a yellow colouring material <strong>for</strong> dyeing fabric.<br />
Lonchocarpus cyanescens (lonchocarpus); the seeds <strong>and</strong><br />
leaves of this plant can produce an indigo colouring.<br />
Morinda morindoides (Rubiaceae); the roots <strong>and</strong> the bark<br />
produce a yellow colouring.<br />
Oncinotis pontyi; extract liquids from its stem, add lemon juice<br />
then boil. Strong glue will be attained. Fit <strong>for</strong> repairing broken<br />
pots.<br />
Rhigiocarya racemifera (Menispermaceae); produces glue from<br />
its fruits.<br />
Uvaia; a yellow colouring dye can be squeezed from the roots<br />
<strong>and</strong> the bark of this plant.<br />
Canarium schweinfurthii (Mpafu tree); the bark of the tree (on<br />
the stem) when opened <strong>and</strong> left <strong>for</strong> some time it will produce a<br />
white citron scented gum.<br />
Other types of craft glue can be purchased. These may include;<br />
sticker glue, wallpaper paste, glue stick, royal icing, glitter glue,<br />
tacky glue, white glue, powdered glue <strong>and</strong> wood glue.<br />
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