Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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Wet in wet<br />
Diluting<br />
<strong>and</strong> mixing<br />
watercolour<br />
paints<br />
Minimal<br />
palettes<br />
The surface or paper is used when it is<br />
already wet. According to Blake (1997, 91)<br />
“wet-in-wet ... is sometimes called the wet<br />
paper method.” It is not so easy to use.<br />
What makes the wet method so difficult<br />
is that a brush-load of colour is supposed<br />
to be applied to a sopping wet surface.<br />
Sometimes watercolour generally runs off<br />
in some unpredictable direction.<br />
This is a watercolour method of painting<br />
where the artist applies a thick, heavy,<br />
opaque paint on a surface as it comes<br />
from the tube. And at the stage of creating<br />
pale colours, the paints are heavily diluted<br />
with water. The good point about this<br />
type of painting is the range of colour<br />
effects it produces from the separate paint<br />
consistencies.<br />
This is a method of watercolour painting.<br />
Where by, the artist uses a small range<br />
of colours during painting. For instance,<br />
a watercolour painting can be created<br />
by using the basic three primary colours<br />
along with white <strong>and</strong> black. On the other<br />
h<strong>and</strong>, painting with minimal pallets<br />
is often enhanced by under drawing<br />
markings of a pen or ink.<br />
c) Encaustic painting is executed by mixing (paint)<br />
pigments with hot “beeswax not oil” Elkins (1999,<br />
132). Encaustic is suitable <strong>for</strong> painting on wooden<br />
surfaces <strong>and</strong> hard paper. Painters who use encaustic<br />
to produce painting artworks; do that, by sculpting or<br />
modelling a mixture of paints with heated beeswax<br />
to hold together onto a surface. For the <strong>creative</strong> artist<br />
to achieve the desired learning outcomes, special<br />
tools as well as skills may be required to execute this<br />
experimental aspiration. For example, a palette knife,<br />
bee waxes as well as ground pigments. Thus, mix<br />
powder paints or acrylic paint with hot bee wax <strong>and</strong><br />
where necessary add linseed oil so that the paint paste<br />
changes into a semi translucent—fresh pigment. Then,<br />
start to paint.<br />
d) Mosaic painting deal with a number of hard colourful<br />
materials, <strong>for</strong> example glass, wood, tiles, metal, stone<br />
<strong>and</strong> plastic. These can be arranged together to <strong>for</strong>m<br />
various variegated patterns.<br />
The process <strong>and</strong> techniques of artwork execution<br />
generally depends on the type of material the artist has<br />
chosen. Mosaic paintings are good <strong>for</strong> decorating walls,<br />
roofs <strong>and</strong> floors <strong>for</strong> houses.<br />
e) Fresco painting is a technique of applying<br />
water-based colour pigment to wet (lime) plaster/<br />
mortar on a wall surface or a ceiling. When the colour<br />
pigments are combined with plaster, they diffuse into<br />
the wet paint plaster—not to peel when exposed to<br />
humidity <strong>and</strong> wetness. That is to say, the colours in<br />
fresco penetrate the plaster <strong>and</strong> they become fixed<br />
as it dries. Working with fresco requires the painter to<br />
work quickly <strong>and</strong> to be attentive to potential problems<br />
since mistakes are not easy to be undone. Michelangelo,<br />
Giotto, Masaccio used this method of painting in most<br />
of their work.<br />
f) Fresco secco is a technique of painting used on dry<br />
plaster. Firstly, the (paint) pigments are mixed in water<br />
be<strong>for</strong>e applying them on a dry wall. The fresco secco<br />
approach puts on display brilliant colours than fresco.<br />
In this method the process of working involves using<br />
“the plastered surface of a wall soaked with slaked lime<br />
... Secco colours dry lighter than their tone at the time<br />
of application, producing the pale, mat, chalky quality<br />
of a distempered wall ... ” (Encyclopaedia Britannica)<br />
g) Pastel painting works as a pure <strong>for</strong>m of pigment; it<br />
can be applied onto a surface directly. Using pastels<br />
requires no medium or vehicle such as oil or water<br />
except if the painting artist has chosen to paint by<br />
using a mixed media technique—combining several<br />
media <strong>and</strong> various materials within a single painting<br />
artwork. Ultimately, pastel painting is capable of<br />
generating greater intensities of hues than most<br />
painting mediums.<br />
h) Egg tempera painting is a method of creating<br />
artworks with a water base paint mixed with an egg<br />
yolk (as a binder) <strong>and</strong> water. It is easy to prepare <strong>and</strong><br />
it is usually fit <strong>for</strong> use on an already primed surfaces<br />
(to prevent paint absorption). A painting done with<br />
egg tempera has got to be protected from harmful<br />
<strong>and</strong> damaging insects once it looses its wetness.<br />
Mill <strong>for</strong> a meal.<br />
A pastel painting<br />
with trimmed<br />
corners.<br />
Materials: Pastel<br />
on bark cloth.<br />
Size: 20cm × 14cm<br />
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