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Art and Design A comprehensive guide for creative artists - Aaltodoc

Art and Design A comprehensive guide for creative artists - Aaltodoc

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Wet in wet<br />

Diluting<br />

<strong>and</strong> mixing<br />

watercolour<br />

paints<br />

Minimal<br />

palettes<br />

The surface or paper is used when it is<br />

already wet. According to Blake (1997, 91)<br />

“wet-in-wet ... is sometimes called the wet<br />

paper method.” It is not so easy to use.<br />

What makes the wet method so difficult<br />

is that a brush-load of colour is supposed<br />

to be applied to a sopping wet surface.<br />

Sometimes watercolour generally runs off<br />

in some unpredictable direction.<br />

This is a watercolour method of painting<br />

where the artist applies a thick, heavy,<br />

opaque paint on a surface as it comes<br />

from the tube. And at the stage of creating<br />

pale colours, the paints are heavily diluted<br />

with water. The good point about this<br />

type of painting is the range of colour<br />

effects it produces from the separate paint<br />

consistencies.<br />

This is a method of watercolour painting.<br />

Where by, the artist uses a small range<br />

of colours during painting. For instance,<br />

a watercolour painting can be created<br />

by using the basic three primary colours<br />

along with white <strong>and</strong> black. On the other<br />

h<strong>and</strong>, painting with minimal pallets<br />

is often enhanced by under drawing<br />

markings of a pen or ink.<br />

c) Encaustic painting is executed by mixing (paint)<br />

pigments with hot “beeswax not oil” Elkins (1999,<br />

132). Encaustic is suitable <strong>for</strong> painting on wooden<br />

surfaces <strong>and</strong> hard paper. Painters who use encaustic<br />

to produce painting artworks; do that, by sculpting or<br />

modelling a mixture of paints with heated beeswax<br />

to hold together onto a surface. For the <strong>creative</strong> artist<br />

to achieve the desired learning outcomes, special<br />

tools as well as skills may be required to execute this<br />

experimental aspiration. For example, a palette knife,<br />

bee waxes as well as ground pigments. Thus, mix<br />

powder paints or acrylic paint with hot bee wax <strong>and</strong><br />

where necessary add linseed oil so that the paint paste<br />

changes into a semi translucent—fresh pigment. Then,<br />

start to paint.<br />

d) Mosaic painting deal with a number of hard colourful<br />

materials, <strong>for</strong> example glass, wood, tiles, metal, stone<br />

<strong>and</strong> plastic. These can be arranged together to <strong>for</strong>m<br />

various variegated patterns.<br />

The process <strong>and</strong> techniques of artwork execution<br />

generally depends on the type of material the artist has<br />

chosen. Mosaic paintings are good <strong>for</strong> decorating walls,<br />

roofs <strong>and</strong> floors <strong>for</strong> houses.<br />

e) Fresco painting is a technique of applying<br />

water-based colour pigment to wet (lime) plaster/<br />

mortar on a wall surface or a ceiling. When the colour<br />

pigments are combined with plaster, they diffuse into<br />

the wet paint plaster—not to peel when exposed to<br />

humidity <strong>and</strong> wetness. That is to say, the colours in<br />

fresco penetrate the plaster <strong>and</strong> they become fixed<br />

as it dries. Working with fresco requires the painter to<br />

work quickly <strong>and</strong> to be attentive to potential problems<br />

since mistakes are not easy to be undone. Michelangelo,<br />

Giotto, Masaccio used this method of painting in most<br />

of their work.<br />

f) Fresco secco is a technique of painting used on dry<br />

plaster. Firstly, the (paint) pigments are mixed in water<br />

be<strong>for</strong>e applying them on a dry wall. The fresco secco<br />

approach puts on display brilliant colours than fresco.<br />

In this method the process of working involves using<br />

“the plastered surface of a wall soaked with slaked lime<br />

... Secco colours dry lighter than their tone at the time<br />

of application, producing the pale, mat, chalky quality<br />

of a distempered wall ... ” (Encyclopaedia Britannica)<br />

g) Pastel painting works as a pure <strong>for</strong>m of pigment; it<br />

can be applied onto a surface directly. Using pastels<br />

requires no medium or vehicle such as oil or water<br />

except if the painting artist has chosen to paint by<br />

using a mixed media technique—combining several<br />

media <strong>and</strong> various materials within a single painting<br />

artwork. Ultimately, pastel painting is capable of<br />

generating greater intensities of hues than most<br />

painting mediums.<br />

h) Egg tempera painting is a method of creating<br />

artworks with a water base paint mixed with an egg<br />

yolk (as a binder) <strong>and</strong> water. It is easy to prepare <strong>and</strong><br />

it is usually fit <strong>for</strong> use on an already primed surfaces<br />

(to prevent paint absorption). A painting done with<br />

egg tempera has got to be protected from harmful<br />

<strong>and</strong> damaging insects once it looses its wetness.<br />

Mill <strong>for</strong> a meal.<br />

A pastel painting<br />

with trimmed<br />

corners.<br />

Materials: Pastel<br />

on bark cloth.<br />

Size: 20cm × 14cm<br />

72 73

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