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Art and Design A comprehensive guide for creative artists - Aaltodoc

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CHAPTER ELEVEN<br />

They made “clay representations of animals on granaries” in<br />

figurative two or three-dimensional art <strong>for</strong>ms. Ultimately,<br />

Sculpture<br />

today sculpture is used <strong>for</strong> very many purposes. Hence<br />

Sculpture is the art of creating two or three dimensional<br />

the reason why sculpture artworks are commonly found<br />

<strong>for</strong>ms that occupy or interact with real space.<br />

in public spaces or places such as inside <strong>and</strong> outside<br />

Creative functional artworks of sculpture can be produced<br />

community buildings like hotels, schools <strong>and</strong> churches.<br />

in various <strong>for</strong>ms such as abstract, real-life <strong>and</strong> relief. Yet gain,<br />

Elements <strong>and</strong> principles of sculptural design<br />

nearly all kinds of sculpture artworks can be produced by<br />

A successful artwork of sculpture is more than <strong>for</strong>ms. Just<br />

using materials like wood, stone, iron, metal, cement <strong>and</strong> very<br />

like every other artwork. Sculpture is produced on suitable<br />

many other recycled <strong>and</strong> natural materials.<br />

<strong>guide</strong>lines of elements <strong>and</strong> principles of design. Mujjuzi<br />

Apart from that, sculpture artworks can be <strong>creative</strong>ly<br />

(2009; 19) comments, “Space, mass, volume, line, texture,<br />

executed by using techniques like carving, assembling,<br />

light <strong>and</strong> movement are included in elements of sculpture”<br />

welding, patching, modelling <strong>and</strong> casting et cetera.<br />

as a way of achieving the most delightful designs of<br />

In Africa, sculpture was done <strong>for</strong> magical worships,<br />

rituals <strong>and</strong> other social customs. It was mainly decorative,<br />

sometimes smooth or textured, carved from wood or<br />

clay. Levin (2005, 111), offers a rational explanation: “Until<br />

sculpture artworks.<br />

Let us have a brief analysis of the basic practical in<strong>for</strong>mation<br />

concerning elements <strong>and</strong> principles of design <strong>and</strong> how they<br />

can be used on a sculpture artwork:<br />

colonial times, when a tourist market <strong>for</strong> art was developed,<br />

a. Lines <strong>and</strong> contours are imaginary elements of design<br />

almost all African sculpture had—<strong>and</strong> still has—religious or<br />

used to enhance structural interconnections of <strong>for</strong>ms<br />

magical purposes.”<br />

on a sculpture. Line <strong>and</strong> contour are <strong>guide</strong>d by outer<br />

Besides, most of the sculptural artworks found in the<br />

<strong>and</strong> inner line <strong>for</strong>mations that give movement <strong>and</strong><br />

various parts of Africa are linked to the locale of the<br />

vitality to the sculpture. “Movement patterns may be<br />

executing material, as well as the environment <strong>and</strong> people's<br />

curved, angular, geometric <strong>and</strong> so on.” (Peck 2007, 43)<br />

ways of life. For instance “most West African sculptures are<br />

carved in wood, but superb bronze <strong>and</strong> iron figures are<br />

also produced, while some funerary figures are created<br />

in terracotta <strong>and</strong> mud. The strange <strong>and</strong> uncompromising<br />

<strong>for</strong>ms found in West African sculpture are rarely the unique<br />

creations of an inspired artist—the sculptures have always<br />

been made to fulfil specific functions.” (Ham 2009, 69) notes<br />

b. Mass is counterbalanced with solid. We can briefly<br />

say that solid affects space created by a supporting<br />

material used to execute a sculpture artwork. On the<br />

other h<strong>and</strong> mass is the solid material of a sculpture. It<br />

fills up in the space. Both mass <strong>and</strong> solid—in the actual<br />

world, exist in three-dimensional space.<br />

Clearly, then, as <strong>creative</strong> artist <strong>and</strong> learners of sculpture, it is<br />

c. Colour is by large a natural occurrence of sculpture. It<br />

important to learn more about sculpture <strong>and</strong> its functions<br />

is usually determined by the type of materials used to<br />

from African tribal people—their various ways of making<br />

execute a distinct sculpture artwork. Several materials<br />

useful sculpture from obtainable materials especially wood<br />

in which sculptures are done can be finished without<br />

<strong>and</strong> basing on reasons such as easy harvest, abundance<br />

adding colour on their surfaces. Reason being, surfaces<br />

<strong>and</strong> availability—in sufficient large quantities; adequate <strong>for</strong><br />

of sculpture artworks can still appear well without<br />

producing sculpture artworks.<br />

adding any colour pigments. Peck (2007, 78) discerns<br />

Trowell et al. (1953, 117) affirm that in Ug<strong>and</strong>a “... The Bamba<br />

carved wooden figures” in addition to “the Bahutu <strong>and</strong><br />

Kiga.” The “Banyoro did carving” as well as “modelling.”<br />

Furthermore, “Carved figures” were also found “among the<br />

Lango.”<br />

this point: “the use of colour is, of course, a matter of<br />

personal preference.” For the reason that, sometimes<br />

through experiments, surfaces of sculpture artworks<br />

are decorated with paints.<br />

182 183

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