Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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CHAPTER ELEVEN<br />
They made “clay representations of animals on granaries” in<br />
figurative two or three-dimensional art <strong>for</strong>ms. Ultimately,<br />
Sculpture<br />
today sculpture is used <strong>for</strong> very many purposes. Hence<br />
Sculpture is the art of creating two or three dimensional<br />
the reason why sculpture artworks are commonly found<br />
<strong>for</strong>ms that occupy or interact with real space.<br />
in public spaces or places such as inside <strong>and</strong> outside<br />
Creative functional artworks of sculpture can be produced<br />
community buildings like hotels, schools <strong>and</strong> churches.<br />
in various <strong>for</strong>ms such as abstract, real-life <strong>and</strong> relief. Yet gain,<br />
Elements <strong>and</strong> principles of sculptural design<br />
nearly all kinds of sculpture artworks can be produced by<br />
A successful artwork of sculpture is more than <strong>for</strong>ms. Just<br />
using materials like wood, stone, iron, metal, cement <strong>and</strong> very<br />
like every other artwork. Sculpture is produced on suitable<br />
many other recycled <strong>and</strong> natural materials.<br />
<strong>guide</strong>lines of elements <strong>and</strong> principles of design. Mujjuzi<br />
Apart from that, sculpture artworks can be <strong>creative</strong>ly<br />
(2009; 19) comments, “Space, mass, volume, line, texture,<br />
executed by using techniques like carving, assembling,<br />
light <strong>and</strong> movement are included in elements of sculpture”<br />
welding, patching, modelling <strong>and</strong> casting et cetera.<br />
as a way of achieving the most delightful designs of<br />
In Africa, sculpture was done <strong>for</strong> magical worships,<br />
rituals <strong>and</strong> other social customs. It was mainly decorative,<br />
sometimes smooth or textured, carved from wood or<br />
clay. Levin (2005, 111), offers a rational explanation: “Until<br />
sculpture artworks.<br />
Let us have a brief analysis of the basic practical in<strong>for</strong>mation<br />
concerning elements <strong>and</strong> principles of design <strong>and</strong> how they<br />
can be used on a sculpture artwork:<br />
colonial times, when a tourist market <strong>for</strong> art was developed,<br />
a. Lines <strong>and</strong> contours are imaginary elements of design<br />
almost all African sculpture had—<strong>and</strong> still has—religious or<br />
used to enhance structural interconnections of <strong>for</strong>ms<br />
magical purposes.”<br />
on a sculpture. Line <strong>and</strong> contour are <strong>guide</strong>d by outer<br />
Besides, most of the sculptural artworks found in the<br />
<strong>and</strong> inner line <strong>for</strong>mations that give movement <strong>and</strong><br />
various parts of Africa are linked to the locale of the<br />
vitality to the sculpture. “Movement patterns may be<br />
executing material, as well as the environment <strong>and</strong> people's<br />
curved, angular, geometric <strong>and</strong> so on.” (Peck 2007, 43)<br />
ways of life. For instance “most West African sculptures are<br />
carved in wood, but superb bronze <strong>and</strong> iron figures are<br />
also produced, while some funerary figures are created<br />
in terracotta <strong>and</strong> mud. The strange <strong>and</strong> uncompromising<br />
<strong>for</strong>ms found in West African sculpture are rarely the unique<br />
creations of an inspired artist—the sculptures have always<br />
been made to fulfil specific functions.” (Ham 2009, 69) notes<br />
b. Mass is counterbalanced with solid. We can briefly<br />
say that solid affects space created by a supporting<br />
material used to execute a sculpture artwork. On the<br />
other h<strong>and</strong> mass is the solid material of a sculpture. It<br />
fills up in the space. Both mass <strong>and</strong> solid—in the actual<br />
world, exist in three-dimensional space.<br />
Clearly, then, as <strong>creative</strong> artist <strong>and</strong> learners of sculpture, it is<br />
c. Colour is by large a natural occurrence of sculpture. It<br />
important to learn more about sculpture <strong>and</strong> its functions<br />
is usually determined by the type of materials used to<br />
from African tribal people—their various ways of making<br />
execute a distinct sculpture artwork. Several materials<br />
useful sculpture from obtainable materials especially wood<br />
in which sculptures are done can be finished without<br />
<strong>and</strong> basing on reasons such as easy harvest, abundance<br />
adding colour on their surfaces. Reason being, surfaces<br />
<strong>and</strong> availability—in sufficient large quantities; adequate <strong>for</strong><br />
of sculpture artworks can still appear well without<br />
producing sculpture artworks.<br />
adding any colour pigments. Peck (2007, 78) discerns<br />
Trowell et al. (1953, 117) affirm that in Ug<strong>and</strong>a “... The Bamba<br />
carved wooden figures” in addition to “the Bahutu <strong>and</strong><br />
Kiga.” The “Banyoro did carving” as well as “modelling.”<br />
Furthermore, “Carved figures” were also found “among the<br />
Lango.”<br />
this point: “the use of colour is, of course, a matter of<br />
personal preference.” For the reason that, sometimes<br />
through experiments, surfaces of sculpture artworks<br />
are decorated with paints.<br />
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