Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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Exercise<br />
1. Citing years of neglect, failure to meet st<strong>and</strong>ards <strong>and</strong><br />
misuse of public funds by local leaders. The people in<br />
your area have decided to raise their voices by asking<br />
you to make a pictorial design of a mosaic artwork<br />
that will be displayed inside the town hall, to enable<br />
them convey an awareness message educating the<br />
community about one of these important issues:<br />
• A good nutrition is a health body<br />
• Coffee, tea <strong>and</strong> sugarcane are our cash crops<br />
• Pollution of the environment<br />
• The burdens of corruption<br />
• Coping with disability.<br />
CHAPTER EIGHT<br />
Ornaments<br />
Ornaments are elegant decorations used <strong>for</strong> embellishing<br />
our bodies. They can also be used on surfaces of useful<br />
objects to make them appear more attractive—with their<br />
extra ostentatious details.<br />
Ch<strong>and</strong>ra (1979, 7) offers a rational explanation: “The study<br />
of ... ornamentation <strong>and</strong> of jewellery ... does not only<br />
disclose man's curious fascination <strong>for</strong> the unusual, the<br />
rare, the shining, the colourful metal, stones <strong>and</strong> other<br />
materials.” For all that, learning about ornaments also helps<br />
us “to underst<strong>and</strong> the beliefs, the customs, the economic<br />
condition, the set-up of the society <strong>and</strong> its contacts with<br />
<strong>for</strong>eign.” From this we can underst<strong>and</strong> the apparent reasons<br />
as to why we draw irresistible attention <strong>and</strong> interest to<br />
ornaments. They reveal objective reality to elegant fashions<br />
<strong>and</strong> they serve us in different ways <strong>for</strong> various purposes. For<br />
the most part, ornaments display a good sense of style—<br />
according to traditions <strong>and</strong> widely accepted customs of our<br />
societies.<br />
African tribal groups of people use ornaments in very<br />
many ways. Craats (2004, 10) notes, “Maasai women ...<br />
wear brass ornaments that coil around their shaved heads.<br />
Head-dresses can be very elaborate. Only married women<br />
can wear long blue beaded necklaces <strong>and</strong> beaded flaps<br />
on their earlobes.” Surprisingly, some <strong>creative</strong> <strong>artists</strong><br />
find perfect sources of inspiration <strong>for</strong> elegant fashions<br />
from ethnic groups of people like the Masai who make<br />
ornaments to be worn by different classes of people.<br />
In Tod's (2004, 288) A Companion to Roman Britain; “ ...<br />
jewellery was frequently considered to be a female <strong>for</strong>m<br />
of ornament, while men wore 'functional' items such as<br />
brooches, amulets <strong>and</strong> finger-rings that doubled as signet<br />
rings.” Depending on our systems of knowledge <strong>and</strong> beliefs,<br />
both women <strong>and</strong> men wear jewellery <strong>and</strong> ornaments <strong>for</strong><br />
various known <strong>for</strong> functions like displaying social status <strong>and</strong><br />
<strong>for</strong> beauty.<br />
However, it is customary <strong>for</strong> various tribal groups of people<br />
to wear or produce ornaments—find sources of inspiration<br />
from local materials <strong>and</strong> found objects.<br />
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