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Art and Design A comprehensive guide for creative artists - Aaltodoc

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Exercise<br />

1. Citing years of neglect, failure to meet st<strong>and</strong>ards <strong>and</strong><br />

misuse of public funds by local leaders. The people in<br />

your area have decided to raise their voices by asking<br />

you to make a pictorial design of a mosaic artwork<br />

that will be displayed inside the town hall, to enable<br />

them convey an awareness message educating the<br />

community about one of these important issues:<br />

• A good nutrition is a health body<br />

• Coffee, tea <strong>and</strong> sugarcane are our cash crops<br />

• Pollution of the environment<br />

• The burdens of corruption<br />

• Coping with disability.<br />

CHAPTER EIGHT<br />

Ornaments<br />

Ornaments are elegant decorations used <strong>for</strong> embellishing<br />

our bodies. They can also be used on surfaces of useful<br />

objects to make them appear more attractive—with their<br />

extra ostentatious details.<br />

Ch<strong>and</strong>ra (1979, 7) offers a rational explanation: “The study<br />

of ... ornamentation <strong>and</strong> of jewellery ... does not only<br />

disclose man's curious fascination <strong>for</strong> the unusual, the<br />

rare, the shining, the colourful metal, stones <strong>and</strong> other<br />

materials.” For all that, learning about ornaments also helps<br />

us “to underst<strong>and</strong> the beliefs, the customs, the economic<br />

condition, the set-up of the society <strong>and</strong> its contacts with<br />

<strong>for</strong>eign.” From this we can underst<strong>and</strong> the apparent reasons<br />

as to why we draw irresistible attention <strong>and</strong> interest to<br />

ornaments. They reveal objective reality to elegant fashions<br />

<strong>and</strong> they serve us in different ways <strong>for</strong> various purposes. For<br />

the most part, ornaments display a good sense of style—<br />

according to traditions <strong>and</strong> widely accepted customs of our<br />

societies.<br />

African tribal groups of people use ornaments in very<br />

many ways. Craats (2004, 10) notes, “Maasai women ...<br />

wear brass ornaments that coil around their shaved heads.<br />

Head-dresses can be very elaborate. Only married women<br />

can wear long blue beaded necklaces <strong>and</strong> beaded flaps<br />

on their earlobes.” Surprisingly, some <strong>creative</strong> <strong>artists</strong><br />

find perfect sources of inspiration <strong>for</strong> elegant fashions<br />

from ethnic groups of people like the Masai who make<br />

ornaments to be worn by different classes of people.<br />

In Tod's (2004, 288) A Companion to Roman Britain; “ ...<br />

jewellery was frequently considered to be a female <strong>for</strong>m<br />

of ornament, while men wore 'functional' items such as<br />

brooches, amulets <strong>and</strong> finger-rings that doubled as signet<br />

rings.” Depending on our systems of knowledge <strong>and</strong> beliefs,<br />

both women <strong>and</strong> men wear jewellery <strong>and</strong> ornaments <strong>for</strong><br />

various known <strong>for</strong> functions like displaying social status <strong>and</strong><br />

<strong>for</strong> beauty.<br />

However, it is customary <strong>for</strong> various tribal groups of people<br />

to wear or produce ornaments—find sources of inspiration<br />

from local materials <strong>and</strong> found objects.<br />

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