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Literatura in cenzura - Društvo za primerjalno književnost - ZRC SAZU

Literatura in cenzura - Društvo za primerjalno književnost - ZRC SAZU

Literatura in cenzura - Društvo za primerjalno književnost - ZRC SAZU

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Aleš Gabrič:Censorship <strong>in</strong> Slovenia after World War IIDespite some further complications, the lead<strong>in</strong>g political structurespreferred to see the “purified” version of the book published by Lipa <strong>in</strong>Koper <strong>in</strong>stead of just across the border, <strong>in</strong> Trieste, where it could be advertisedas banned by communist Slovenia. On 9 March 1977, after yearsof procrast<strong>in</strong>ation, the Council of Culture of the SAWPS f<strong>in</strong>ally deliberatedthat “there are no reservations aga<strong>in</strong>st the Lipa Publish<strong>in</strong>g House ofKoper publish<strong>in</strong>g the book Snegovi Edena by Alojz Rebula” (AS 537, box805, m. 1881, Positions and decisions from the Session of the Secretariatfor Culture of the SAWPS, 9 Mar. 1977).Post-publish<strong>in</strong>g censorship and restricted import of books fromabroadThe well-concealed and disguised system of prelim<strong>in</strong>ary censorshipwith<strong>in</strong> the social management of cultural <strong>in</strong>stitutions rendered retroactiveor post-publish<strong>in</strong>g censorship practically redundant. On the domesticbook market it was almost unheard of for a work to be banned after it hadbeen pr<strong>in</strong>ted. The most significant exception to this rule was the attemptto pr<strong>in</strong>t a collection of poems by France Balantič, a poet that had beenkilled dur<strong>in</strong>g the Second World War as a soldier <strong>in</strong> the collaborationistHome Guard. His name had been blacklisted s<strong>in</strong>ce 1945. The first attemptto publish his poetry was made dur<strong>in</strong>g the politically more relaxed1960s, <strong>in</strong> 1966. His collection, entitled Muževna steblika (The Sap-FilledStem), was prepared for pr<strong>in</strong>t<strong>in</strong>g by the Slovenian State Press (Državna<strong>za</strong>ložba Slovenije). After the book had been actually pr<strong>in</strong>ted and depositcopies sent to the ma<strong>in</strong> Slovenian libraries, political <strong>in</strong>tervention halted itsfurther publication and sale. The measure was orig<strong>in</strong>ally supposed to beonly temporary. In the political arena, discussions began on whether ornot it was appropriate to publish a book written by someone that had beena political adversary dur<strong>in</strong>g the war (Pibernik 237–242).The political commissions and the National Secretariat for InternalAffairs that carried out the <strong>in</strong>vestigation were not <strong>in</strong>terested so much <strong>in</strong>the poet’s artistic value as <strong>in</strong> his pre-war political orientation and attitudetowards the National Liberation Movement dur<strong>in</strong>g the war. In 1967, aftera several months of controversies and enquiries, and before ever be<strong>in</strong>gput on sale, the entire stock of the book was destroyed <strong>in</strong> the warehouses.Only several deposit copies that had already been sent to ma<strong>in</strong> Slovenianlibraries have been preserved. On the basis of the documentation exam<strong>in</strong>ed,it is not possible to determ<strong>in</strong>e who issued the order to destroy thecollection. On the other hand, the documents leave no doubt that the231

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