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Literatura in cenzura - Društvo za primerjalno književnost - ZRC SAZU

Literatura in cenzura - Društvo za primerjalno književnost - ZRC SAZU

Literatura in cenzura - Društvo za primerjalno književnost - ZRC SAZU

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A Dream Napk<strong>in</strong> White as Snowon the Basketof Slovenian LiteratureBreda SmolnikarLjubljanasmolnikar_breda@t-2.netShortly before the pa<strong>in</strong>ter Zoran Mušič died there was an exhibition <strong>in</strong>the ancient Auersperg Palace <strong>in</strong> Italian Gorizia to which, as usual, neitherthe Slovenes nor their cultural m<strong>in</strong>ister officially paid homage.I was deeply moved by this exhibition, and by one pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> particular.From the ground floor of the old palace, a staircase led to the firstfloor. At the far right end of the corridor there it was – I believe it had tobe gigantic <strong>in</strong> size – a pa<strong>in</strong>t<strong>in</strong>g whose title I don’t recall − perhaps I nevereven knew it. It could have been of an Artist, a Philosopher, or maybe itwas Zoran Mušič, or somebody else. The pa<strong>in</strong>t<strong>in</strong>g was alive, and the manit depicted was watch<strong>in</strong>g me as I approached along the corridor. And Iwas watch<strong>in</strong>g him. He was alone at the far end of the corridor just as Imyself was alone. He stood there upright − noth<strong>in</strong>g could possibly bendhim. I realized it <strong>in</strong>stantly: this was Wealth from my book Zlate dépuškepripovedke (Golden Tales from Depala Vas). I found him, he lives. ThisJew from Varažd<strong>in</strong> that I <strong>in</strong>vented for my book is actually alive. He hadto live <strong>in</strong> Varažd<strong>in</strong> because the text I gave him was <strong>in</strong> Croatian, as theonly version I had of the Talmud was <strong>in</strong> Croatian. This is what we writersdo; we displace our heroes, change their outer appearance, but not the<strong>in</strong>ner. And at the beg<strong>in</strong>n<strong>in</strong>g of World War II this hero of m<strong>in</strong>e, Wealth,used the words from the Talmud, a book so strange to me, twice <strong>in</strong> thesame day: first he spoke to a tired soldier, return<strong>in</strong>g from the war, andlater to Slovenian Jews, trembl<strong>in</strong>g with fear from the Nazi boots. Thisold man drove on back roads to Ljubljana <strong>in</strong> a luxurious Lamborgh<strong>in</strong>iwith his own chauffeur and a basket full of fragrant chicken pies. He hadto get to his people <strong>in</strong> Slovenia. This mighty old Jewish merchant had tobe there when a discussion about the gold, mistakenly brought to Trieste<strong>in</strong>stead of to England, was tak<strong>in</strong>g place, gold that could easily be used asransom for the Jews. And when Wealth came and his chauffeur laid thebasket full of succulent chicken pies with flaky golden-yellow crusts onthe table <strong>in</strong> the midst of the eager merchants that <strong>in</strong>vited him, the snow-313Primerjalna <strong>književnost</strong> (Ljubljana) 31. Special Issue (2008)

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