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xIDERLINA MATEO-BABIANO is a practicing architect, urban planner and pedestrian transport consultant inthe Philippines. She is a walking advocate and is studying Asia’s street culture to be able to derive more effectivespaces for all street users.ISKANDAR SHARIFUDDIN BIN MOHD. SAID is a writer and filmmaker working in Malaysia and regionally.His video art was screened at the prestigious Sydney Biennale. He is currently working on a feature film and adocumentary in Indonesia.JO KUKATHAS is a director-writer and an actor. She is the Artistic Director of The Instant Café TheatreCompany, Malaysia, best known for its political satire. She is interested in issues of art and society and cross-culturalcollaboration. She co-created the multi-lingual Malaysian Japanese collaboration The Island in Between (2000). Sheis also a member of Lohan Journey, an Asian theatre collaboration network which created Hotel Grand Asia (Tokyo,2004), spawning other collaborations/artistic and intellectual exchanges. Furthermore, she directed M! The Operablending Asian and Western theatre and music influences (2006). With her company, she collaborated with theMalay theatre company, Alternative Stage, and the Chinese theatre collective, Pentas Project, on the intra-culturalmulti-lingual Break-ing-Ji-Poh-Ka-Si-Pe-Cah.JOSIE M. FERNANDEZ’s vision is social justice, equality and freedom for all. She is a social activist, independentresearcher and writer. She is currently Managing Director of Philanthropy Asia. She was Regional Director forAsia Pacific for Consumers International, founder President of Education and Research Association for ConsumersMalaysia and has served the Malaysian government, too.KAMARUZZAMAN BUSTAMAM-AHMAD is currently pursuing his Ph.D. on Sociology and Anthropologyin La Trobe University, Melbourne, Australia. His academic interests include discourses of Islamic Studies inSoutheast Asia. He has taught Islamic Studies and Islam in Southeast Asia, both in Thailand and Indonesia.KAORI FUSHIKI is an ethnomusicologist and musician. She specializes in Indonesian performing arts such asmusic and dance. Through analyses of music and its social contexts, she is trying to find the identity of the peopleand the philosophy of the arts. She is currently a Lecturer at Toho College of Music and an assistant in the MusicResearch Center, Faculty of Music, Tokyo University of the Arts (Tokyo Geijutsu Daigaku).KETUT GUNAWAN, who completed his Ph.D. at the University of Bonn, Germany, is currently a lecturer andresearcher at the Faculty of Social and Political Sciences, Mulawarman University, Samarinda, Indonesia. His maininterests are political science, military politics, and ethnic and natural resource conflicts.KRISNADI YULIAWAN SAPTADI is a journalist. He has written on Indonesian politics, social issues, culture,and art. Film and cinema is one of his main interests. He is founder and now editor in chief of www.rumahfilm.org, a website for Indonesian and International cinema.MICHI TOMIOKA is a Ph.D. candidate at Osaka City University and studies the development and transformationof Javanese Court dance. She was an auditor at the Indonesian College of Arts (STSI, now ISI) Surakarta for fiveyears. During the stay, she mastered 12 Javanese Court dances: srimpi and bedhaya in full version, and began heractivities to preserve them as Indonesian art heritage, such as open rehearsals, recordings and stage performanceswith STSI instructors. In addition, she produces dance choreography based on Javanese traditional dance, andevents of cultural exchanges between Japan and Indonesia.MOHD NAGUIB RAZAK is an independent documentary filmmaker with experience producing and directingfor the National Geographic Channel and the Discovery Channel, as well as producing his own experimentalpersonal documentary films for international film festivals, with a particular emphasis on questions of values, socialevolution, humanity and spirituality, man amongst nature, the plurality of perception and the singularity of truth.MOKHAMMAD YAHYA is a lecturer at the Islamic University of Malang in Indonesia and a Ph.D. candidate inPolitics at the School of Political and Social Inquiry, Monash University in Australia. His area of interest is PoliticalIslam and Islamic movements in Southeast Asia.Asian Transformations in ActionThe Work of the 2006/2007 API Fellows
MYFEL JOSEPH PALUGA is a faculty member and chairperson of the Department of Social Sciences, Universityof the Philippines-Mindanao. He finished his MA Anthropology in UP-Diliman and AB History in Mindanao StateUniversity-General Santos City. He is a member of the Anthropological Association of the Philippines (UGAT)and actively engages in indigenous peoples and Mindanao-related issues through the Solidarity Action Group forIndigenous Peoples (SAGIP). He has done research into Philippine macaque ecology and behavior, human-animalrelations, and various aspects of Mindanao/Philippine studies.RAMON PAGAYON SANTOS is a composer, conductor and musicologist. He is a University Professor Emeritusat the University of the Philippines College of Music, Executive Director of the UP Center for Ethnomusicology,and President of the Musicological Society of the Philippines. Santos has done extensive study on contemporarymusic in the Philippines and Asia, as well as the musical traditions of various cultural communities in the Philippines,China, and Southeast Asia.SHARAAD KUTTAN is Program Coordinator at the Malaysian Institute for Development and Asian Studies(MiDAS) at University College Sedaya International. His current interest is in Asian intellectual history.SING SUWANNAKIJ is a freelance researcher and writer, as well as enthusiastic translator. He has been workingon the issues of refugees, migrant workers, labor and social movement, and religions, while attempting to mix, andmove beyond, his background in the social sciences (political science, international relations, sociology, developmentstudies) and NGO work, with his interests in literature, languages, art, photography, music and film.SUPA YAIMUANG is an NGO worker, currently director of the Sustainable Agriculture Foundation (Thailand).She has been working with Thai small-scale farmers on the issues of sustainable agriculture and biodiversity, beenactively involved in policy campaigning on rural and farmer issues, researched social welfare for the poor (farmersand communities), and served as a committee member and consultant to NGOs and farmers’ groups.VARINTHRA KAIYOURAWONG BOONCHAI is the assistant researcher at the Faculty of Political Science,Chulalongkorn University. She was the coordinator of the Project for Research and Development TraditionalMedicine Knowledge Protection Act at The National Institute of Thai Traditional Medicine, Department ofMedical Service, Ministry of Public Health. She also joined the Thai Human Rights in Global Perspective ResearchProject and Community Rights Education Research Project at the Local Development Institute as the regionalcoordinator and the information officer.YOSHIKO SHIMADA is an independent artist. Her photo-based etchings and installations are shown in variousmuseums and galleries in Asia and Europe. Her subjects are gender, war, and personal and public memories. She isa part of the Prime Minister’s Initiative (UK) 2008-2010 project with Kingston University in London.xiAsian Transformations in ActionThe Work of the 2006/2007 API Fellows
Page 1 and 2: Asian Transformations in ActionThe
Page 3 and 4: iiiCONTENTSAbout the BookAcknowledg
Page 5 and 6: V. APPENDICESCultivation of Transfo
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Page 9: ixTHE CONTRIBUTORS(in alphabetical
Page 13 and 14: xiiiare common to nations around th
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Page 19 and 20: xixOVERVIEWCzarina Saloma-Akpedonu,
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Page 23 and 24: xxiiiABOUT THE WORKSHOPThe 6 th API
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233Day 3, Tuesday, 27 November 2007
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JOSIE M. FERNANDEZExecutive Council
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237MARY RACELISProfessorial Lecture
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239NAPAT TANGAPIWUTInstitute of Asi
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Persistent problems, promising solu
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the basis of local identity and exa
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