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Asian Transformations in Action - Api-fellowships.org

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SPECIFICITIES OF GLOBALIZATION 175…what we call the deity com<strong>in</strong>g to be born onearth that we see float<strong>in</strong>g <strong>in</strong> the air must actuallybe some k<strong>in</strong>d of animal which can fly up high, justlike the snake or fish swimm<strong>in</strong>g <strong>in</strong> the sea. As forthe rays of light… is actually a meteorite, whichwherever it falls will burst a glow<strong>in</strong>g light around(Tippakarawongse Mahakosadibbhadee 1867).As a result, Buddhism has become formalized andrationalized, with a scientific worldview permeat<strong>in</strong>g thefabric and order of th<strong>in</strong>gs of the Buddhist cosmos. Agood example would be the belief <strong>in</strong> the existence ofthe Buddha Amida’s Pure Land, thought to be located<strong>in</strong> the ‘West,’ a purely symbolic belief referr<strong>in</strong>g to thesunset of this life. However, with the new geographicalknowledge that came with the Western-style globe,many simple believers were confused. Today, manyThais also believe that nibbana is a place or a space toreach for or to go to, often associated with the imageof the universe as scientifically constructed. Spiritualitywas made modern <strong>in</strong> its essence so that it could easily bereferred to or <strong>in</strong>corporated <strong>in</strong>to other modern discoursesemerg<strong>in</strong>g around the same time, such as the build<strong>in</strong>g upof the modern nation-state, as can be witnessed <strong>in</strong> thecases of Japanese State Sh<strong>in</strong>toism, Bushido, HachimanDaibutsu and the Thai nationalist ideology of Nation-Religion-Monarchy. This transformation usually tookplace <strong>in</strong> the center of a nation where contact withthe West was immense, but the process was usually<strong>in</strong>consistent <strong>in</strong> more distant areas, such as Ok<strong>in</strong>awa orChiang Mai, whose spirituality and spiritual worldviewsvaried, although imposition of the central culture alsooccurred, often with violence.ConsumptionAs Clifford Geertz (1973) observes, the more youlearn about another culture, the less foreign, and themore normal it becomes. The more we study aboutJapanese spirituality and its development, the less exoticor romantic it becomes. It is like everyth<strong>in</strong>g else thatmoves with time and operates with<strong>in</strong> an ever-chang<strong>in</strong>gsocio-historical context. However, dur<strong>in</strong>g the researchperiod, I also came to realize that it did not matterhow much I knew that that k<strong>in</strong>d of image was only aversion of a representation of a reality, which was noteven necessarily a reality itself, although there were stillmany people who were ready or would like to believe <strong>in</strong>that image. To say that they were wrong and I was rightwas simply to hold a certa<strong>in</strong> academic arrogance and,more importantly, to be ignorant of another importantphenomenon that was emerg<strong>in</strong>g.Therefore, the <strong>in</strong>vestigation <strong>in</strong>to the history of Japanesespirituality stopped at that po<strong>in</strong>t, and, towards the endof the research period, I set out the task to visit as manyof the temples that offered zazen meditation sessions tolay people as possible. Heed<strong>in</strong>g Foucault’s warn<strong>in</strong>g that“discourse must not be referred to the distant presence ofthe orig<strong>in</strong>, but treated as and when it occurs” (Foucault1972), I thought that these temples would be theplace where this reluctant state of construct<strong>in</strong>g oneselfthrough the image represented by others would actuallytake place. Perhaps this half-baked representation-cumrealitywould be best summarized by a simple commentfrom a person I befriended with <strong>in</strong> one of these sessions:“I come to try Zen meditation because I want to knowwhy Westerners are so <strong>in</strong>terested <strong>in</strong> it.” On anotheroccasion, I found a similar <strong>in</strong>congruity when I cameacross a book of collected English-language haikupoems translated <strong>in</strong>to Japanese by a Japanese collectorwho mentioned:I was born, grew up, and have always lived <strong>in</strong> Japan,but I’ve never read a haiku until I read TenementLandscape by Paul David Mena. For me, read<strong>in</strong>gEnglish language haiku is a pleasurable meditation.Why? I found Paul’s haiku to be surely haiku. Itreveals the deep haiku m<strong>in</strong>d, but at the same time,it presents a very contemporary and openm<strong>in</strong>dedview. So I was greatly moved by it. (Daikoku <strong>in</strong>Mena 2001)This search for one’s self, one’s own identity, may recallthe characteristics and development of theories of theuniqueness of the Japanese (Nihonj<strong>in</strong>ron), as well asits Nativist and nationalist precursors. Yet, the currentphenomenon departs from the previous ones <strong>in</strong> that itis not directly l<strong>in</strong>ked with the idea of be<strong>in</strong>g a Japanesesubject of the government or the nation (although theprospect that this can be resorted to <strong>in</strong> the future cannotbe ruled out as a rise of right-w<strong>in</strong>g sentiment is be<strong>in</strong>gseen), but <strong>in</strong>volves mediation through the mass mediaand the consumption of its images <strong>in</strong> a personalized,<strong>in</strong>dividualistic way. For example, at the end of eachzazen session <strong>in</strong> one temple, all the newcomers wereasked to <strong>in</strong>troduce themselves and to tell how theycame to know about the place. The majority of thepeople—who, to my surprise, were young people fromaround the age of university student to early thirties—said that they learned about it from the Internet (seeFigure 1). Only one person, a middle-aged woman,reported that she saw it <strong>in</strong> a newspaper column. Othersources <strong>in</strong>cluded TV programs, which made one ofthe temples I visited very popular, magaz<strong>in</strong>es, some ofwhich you could pick up for free at tra<strong>in</strong> stations, anddirect advertisements made by the temples themselves(see Figure 2). In the urban context, the sense of shar<strong>in</strong>g<strong>Asian</strong> <strong>Transformations</strong> <strong>in</strong> <strong>Action</strong>The Work of the 2006/2007 API Fellows

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