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Asian Transformations in Action - Api-fellowships.org

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SPECIFICITIES OF GLOBALIZATION 179SPIRITUAL HUNGER AND THE CONSUMPTION OF SPIRITUALITYIN JAPAN (OR: WHILST I SEARCHED FOR MY SOUL IN A SOULLESSMETROPOLIS…)Mohd Naguib RazakNote: This current version has been abridged and simplified bythe author from the orig<strong>in</strong>al f<strong>in</strong>al paper <strong>in</strong> order to meet thepublication requirements of the Foundation.Sh<strong>in</strong>juku, TokyoSunday, April 27, 2008I stand here before a 10 th floor hotel w<strong>in</strong>dow,look<strong>in</strong>g down at the sea of grey concrete structuresbefore me.Of bland low-rise apartments and mundane officeblocks.Away from the soar<strong>in</strong>g skyscrapers.Away from the suggestive lights of Kabukicho.I am here, back <strong>in</strong> Tokyo aga<strong>in</strong>.By myself, of my own volition and my own means.At the very heart of this soulless metropolis.Just six months earlier, I was <strong>in</strong> the midst of pack<strong>in</strong>gup and leav<strong>in</strong>g Tokyo. I had depleted my entire grantfrom the fellowship and all my personal sav<strong>in</strong>gs. And Iwas nowhere near understand<strong>in</strong>g the subject matter Ihad chosen.I was totally numb and empty with<strong>in</strong> myself. My project<strong>in</strong> tatters.In the beg<strong>in</strong>n<strong>in</strong>g…It began as a journey to discover, unravel and understand“Spirituality <strong>in</strong> Japan’s Material Utopia” as my themeand subject matter for a feature-length documentary filmwith an <strong>in</strong>ternational audience <strong>in</strong> m<strong>in</strong>d. Nevertheless,it soon became obvious that the funds and resourcesavailable at my disposal dur<strong>in</strong>g this fellowship simplywould not allow me to produce such a film.Therefore, even before arriv<strong>in</strong>g <strong>in</strong> Japan, I had alreadyrecalibrated my plans to use this fellowship periodonly to discover, unravel and understand my themethoroughly and conv<strong>in</strong>c<strong>in</strong>gly <strong>in</strong> order to then, lateron, produce a documentary film that was exceptional,<strong>in</strong>sightful, fair and far-reach<strong>in</strong>g on this subject-matter,upon a ‘second com<strong>in</strong>g.’For better or for worse, I chose to be based <strong>in</strong> Tokyobecause of the vast number of contacts, resources andthe network of people I already had here. There was alsoalways someth<strong>in</strong>g about Tokyo that kept me com<strong>in</strong>gback to it aga<strong>in</strong> and aga<strong>in</strong>—like a journey to the cutt<strong>in</strong>gedge of civilization, like stand<strong>in</strong>g on the precipice ofmega-modern madness, or endur<strong>in</strong>g that f<strong>in</strong>al, mostremote mile of understand<strong>in</strong>g about the nature of ourhumanity <strong>in</strong> this multi-faceted, multi-layered, mult<strong>in</strong>uancedday and age. Tokyo is a place for all that.“Spirituality <strong>in</strong> Japan’s Material Utopia:” A ThematicDilemmaThis was the title I had arrived <strong>in</strong> Japan with. It was nodoubt a vast and daunt<strong>in</strong>g theme, but one that I feltconv<strong>in</strong>ced enough to be <strong>in</strong>herently important, globallyrelevant and significantly far-reach<strong>in</strong>g.But I had not yet really factored <strong>in</strong> the extremecomplexity of the situation <strong>in</strong> Japan surround<strong>in</strong>g thistheme <strong>in</strong> reality, beyond my own superficial estimationsand presumptive formulations.And so I quickly began to realize what an even moredaunt<strong>in</strong>g, dizzy<strong>in</strong>gly complicated terra<strong>in</strong> this was for anuntra<strong>in</strong>ed non-scholar like me to navigate. Especiallywith the myriad of material to trawl through, from allsorts of sources, be they libraries, scholars, newspapers,television, journals, and local culture as well as popularculture. Plus a sizable amount of cultural, academic andmedia stereotyp<strong>in</strong>g to side step or at least be wary of.To take it all <strong>in</strong>, one would have to really consider thepolitics of modernization dur<strong>in</strong>g the late 19 th CenturyMeiji Restoration; the reposition<strong>in</strong>g of Sh<strong>in</strong>toismto State Sh<strong>in</strong>toism and the curb<strong>in</strong>g of local and folkreligions or belief systems; the rise of militarism that led<strong>Asian</strong> <strong>Transformations</strong> <strong>in</strong> <strong>Action</strong>The Work of the 2006/2007 API Fellows

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