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Asian Transformations in Action - Api-fellowships.org

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BLURRED BORDERS AND SOCIAL INTEGRATIONS 105a narrative. In other words, some ‘science’ is presentbut the manner <strong>in</strong> which it is utilized is not really andactually a requirement for the story to live or die.Oppos<strong>in</strong>g oppositions, dissect<strong>in</strong>g dichotomies: Thediscourse of science and technology <strong>in</strong> <strong>Asian</strong> sciencefictionsFor this particular discussion, I opt to focus on threeJapanese science fiction texts and three Indonesianscience fiction texts. The Japanese materials <strong>in</strong>cludeKobo Abe’s Inter Ice Age 4 (1970), Hagio Moto andher manga (Japanese comic books and cartoons) TheyWere Eleven (1976), and Masamune Shirow’s Ghost <strong>in</strong>the Shell (1991). For the Indonesian texts, we will focuson a television situation comedy entitled Lorong Waktu(Time Tunnel) produced by Demi Gisela CitronS<strong>in</strong>ema <strong>in</strong> 2003, 4 Ronny Fredilla’s Transpondex (2006),and the first volume of an Indonesian manga calledInside: My Best Friends (2006) by Altis Studio.The general conceptual framework centers on theblurr<strong>in</strong>g of boundaries that once were def<strong>in</strong>itiveassertions of fragmented and even antagonisticrelationships between discipl<strong>in</strong>es and particularworldviews. Through discourse analysis, we attempt toexam<strong>in</strong>e the representation of science and technology(ST) <strong>in</strong> these texts and make palpable the political <strong>in</strong> ourconstructed relationship with science and technology,especially highlight<strong>in</strong>g the skepticism toward pervasivediscursive b<strong>in</strong>ary oppositions that view science as truthand others as myth.Science and spirituality/religionIt seems odd that a text supposedly espous<strong>in</strong>g scienceto form its trope self-permeates elements that couldbe considered counter or contradictory to its masterframework. Science and spirituality, so it seems, aretwo oppos<strong>in</strong>g poles: one utterly <strong>in</strong>to the rational andempirical while the other slipp<strong>in</strong>g <strong>in</strong>to the unknownand mystical. However, one cannot be more real thanthe other.This is Ghost <strong>in</strong> the Shell’s (GitS henceforth) propositionas it delivers an exhilarat<strong>in</strong>g, action-packed, hi-tech storyabout a world where physical and national boundariesare dissolved through cyberspace, and cyb<strong>org</strong> assass<strong>in</strong>sand AIs abound. GitS is about the encounters of oneMajor Motoko Kusanagi who stands as the leader ofa group of top government security agents who arecalled upon by Aramaki, the Chief Security Police ofSection 9, to resolve cases <strong>in</strong>volv<strong>in</strong>g ghost hack<strong>in</strong>g,assass<strong>in</strong>ations and other gruesome and he<strong>in</strong>ous crimescommitted for—as it turns out <strong>in</strong> the end of every stakeout—political,economic and no less personal ga<strong>in</strong>s.There is frequent mention of the subject ‘ghost’ that issometimes referred to by the words ‘spirit’, ‘life force’,‘be<strong>in</strong>g’ and ‘life.’ It is worth not<strong>in</strong>g that the ma<strong>in</strong>driv<strong>in</strong>g force of the plot is the underly<strong>in</strong>g question ofthe def<strong>in</strong>ition of ‘be<strong>in</strong>g’ as a liv<strong>in</strong>g entity different frommach<strong>in</strong>es, such as robots, which are highly mechanical,or the androids who, though highly <strong>in</strong>telligent, arenevertheless <strong>in</strong>evitably lack<strong>in</strong>g the element of spirit <strong>org</strong>host.Perhaps the chapter that f<strong>in</strong>ally reveals the characterof the Puppeteer is the s<strong>in</strong>gle most significant partthat is of particular <strong>in</strong>terest to our purpose, not tomention that it is also the climax of the whole novelafter many deadly encounters of the team with m<strong>in</strong>or,establish<strong>in</strong>g events. The Puppeteer is a strange ‘form’or ‘formlessness,’ perhaps stranger than the ‘ghost’construct because it is beyond discussion of the ghostas spirit. It is actually a discourse on the very essence of‘life’ and affords us some critique of the powerful socialstructures that dictate who or what has the right to lifeor the reality of life.Let us for a moment <strong>in</strong>dulge the Puppeteer <strong>in</strong> a recitalof its take on life, be<strong>in</strong>g, self and spirituality, each timecall<strong>in</strong>g on the discourse of science comb<strong>in</strong>ed withreligiosity and Western and Eastern philosophies. ThePuppeteer’s profound litany: 5…Gravity and a strong mutual <strong>in</strong>teraction, etc.,cont<strong>in</strong>ually divide components creat<strong>in</strong>g protonsand nuclei creat<strong>in</strong>g atoms…Cells and <strong>org</strong>anisms<strong>in</strong> <strong>in</strong>dividual life forms… Multiple species <strong>in</strong>ecosystems…The universe we know is only one outof 2 n ! It’s made up of a comb<strong>in</strong>ation of 2 m ! k<strong>in</strong>ds!The values of n and m appear to cont<strong>in</strong>ue <strong>in</strong>f<strong>in</strong>itelybut we don’t know for certa<strong>in</strong>…Follow<strong>in</strong>g are l<strong>in</strong>es that appear to be an ecumenicalassemblage of various Western and Eastern spirituality—an amalgamation of philosophies for the purpose ofmore holistically expla<strong>in</strong><strong>in</strong>g the Puppeteer’s (text’s)conviction and analysis of life itself. It is worth recall<strong>in</strong>gthat this near conclusion of the Puppeteer’s treatisestarted with his muster<strong>in</strong>g of scientific reason<strong>in</strong>g:The secrets of the Kabbala, the Norse myths, theCh<strong>in</strong>ese myths, the tree of wisdom <strong>in</strong> Eden, thetree of life, the world tree…These are all worthyof be<strong>in</strong>g called amenomi-bashira, or “the pillarof heaven”…It’s the system <strong>in</strong> the universe that<strong>Asian</strong> <strong>Transformations</strong> <strong>in</strong> <strong>Action</strong>The Work of the 2006/2007 API Fellows

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