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Patna Dharmapada

An edition of the Patna Dharmapada by Margaret Cone with parallels from the Pāli Dhammapada, a study of the prosody, an analysis of the metre and several indexes.

An edition of the Patna Dharmapada by Margaret Cone with parallels from the Pāli Dhammapada, a study of the prosody, an analysis of the metre and several indexes.

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<strong>Patna</strong> <strong>Dharmapada</strong> - 45<br />

[4ab ≈ Dhp 16ab; cd ≈ Dhp 18cd]<br />

⏑⏑−⏑⏑¦−⏑−⏑−¦¦⏑⏑−−⏑⏑¦−⏑−⏑− Vaitālīya x 4<br />

iha 28 nandati precca nandati katapuṁño 29 ubhayattha nandati |<br />

−−⏑⏑¦[−⏑−]⏑−¦¦−−−⏑⏑¦−⏑−⏑−<br />

so nandati [ ]dati 30 dṛṣṭā kammaviśuddhim āttano 31 ||<br />

⏑⏑−⏑⏑¦−⏑−⏑−¦¦⏑⏑−−⏑⏑¦−⏑−⏑− Vetālīya x 4<br />

idha nandati pecca modati katapuñño ubhayattha nandati,<br />

————<br />

−−⏑⏑¦−⏑−⏑−¦¦−−−⏑⏑¦−⏑−⏑−<br />

so modati so pamodati disvā kammavisuddhim attano.<br />

[5 ≈ Dhp 3]<br />

−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />

ākrośi maṁ avadhi maṁ ajini maṁ ahāsi me 32 |<br />

−−⏑⏑¦⏑−−−¦¦−−−−¦⏑−⏑−<br />

ye tāni upanahyanti veraṁ tesaṁ na śāmyati ||<br />

−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />

akkocchi maṁ avadhi maṁ ajini maṁ ahāsi me,<br />

−⏑−⏑¦⏑−−−¦¦−−−−¦⏑−⏑−<br />

ye ca taṁ upanayhanti veraṁ tesaṁ na sammati.<br />

[6 ≈ Dhp 4]<br />

−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />

ākro[śi maṁ] avadhi maṁ ajini maṁ ahāsi me |<br />

−−⏑−¦⏑−−−¦¦−−−−⏑¦⏑−⏑− 9 syllables<br />

ye tāni nopanahyanti veraṁ tesaṁ upaśāmyati 33 ||<br />

−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />

akkocchi maṁ avadhi maṁ ajini maṁ ahāsi me,<br />

−−⏑⏑¦⏑−−−¦¦−−−−¦⏑−⏑−<br />

ye taṁ na upanayhanti veraṁ tesūpasammati.<br />

28 Iha is the Sanskrit form of the word, which has developed to idha in Pāḷi.<br />

29 <strong>Patna</strong> normally writes the first consonant as anusvara in these forms. In the Pāḷi manuscripts the<br />

same convention normally prevails, but the custom in transcription is write it as the nasal of the<br />

class it belongs to.<br />

30 Roth: so nandati s[o pramo]dati; Shukla: so nandati [so pramo]dati. However, the reading<br />

cannot be reconstructed here with such certainty.<br />

31 This verse seems to combine Dhp 16 and 18, or it may be the Pāḷi has differentiated one verse<br />

into two. The Udānavarga and Gāndhārī rescensions agree with <strong>Patna</strong>.<br />

32 The opening of the posterior line allows two shorts in 2nd and 3rd positions, which again seems<br />

to have been as acceptable to the bhāṇakas in the <strong>Patna</strong> tradition as it was to the Pāḷi bhāṇakas.<br />

33 There are 9 syllables in this line, which is avoided in the Pāḷi by dropping niggahīta and<br />

subsequent sandhi of the vowels.

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