Patna Dharmapada
An edition of the Patna Dharmapada by Margaret Cone with parallels from the Pāli Dhammapada, a study of the prosody, an analysis of the metre and several indexes.
An edition of the Patna Dharmapada by Margaret Cone with parallels from the Pāli Dhammapada, a study of the prosody, an analysis of the metre and several indexes.
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<strong>Patna</strong> <strong>Dharmapada</strong> - 45<br />
[4ab ≈ Dhp 16ab; cd ≈ Dhp 18cd]<br />
⏑⏑−⏑⏑¦−⏑−⏑−¦¦⏑⏑−−⏑⏑¦−⏑−⏑− Vaitālīya x 4<br />
iha 28 nandati precca nandati katapuṁño 29 ubhayattha nandati |<br />
−−⏑⏑¦[−⏑−]⏑−¦¦−−−⏑⏑¦−⏑−⏑−<br />
so nandati [ ]dati 30 dṛṣṭā kammaviśuddhim āttano 31 ||<br />
⏑⏑−⏑⏑¦−⏑−⏑−¦¦⏑⏑−−⏑⏑¦−⏑−⏑− Vetālīya x 4<br />
idha nandati pecca modati katapuñño ubhayattha nandati,<br />
————<br />
−−⏑⏑¦−⏑−⏑−¦¦−−−⏑⏑¦−⏑−⏑−<br />
so modati so pamodati disvā kammavisuddhim attano.<br />
[5 ≈ Dhp 3]<br />
−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />
ākrośi maṁ avadhi maṁ ajini maṁ ahāsi me 32 |<br />
−−⏑⏑¦⏑−−−¦¦−−−−¦⏑−⏑−<br />
ye tāni upanahyanti veraṁ tesaṁ na śāmyati ||<br />
−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />
akkocchi maṁ avadhi maṁ ajini maṁ ahāsi me,<br />
−⏑−⏑¦⏑−−−¦¦−−−−¦⏑−⏑−<br />
ye ca taṁ upanayhanti veraṁ tesaṁ na sammati.<br />
[6 ≈ Dhp 4]<br />
−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />
ākro[śi maṁ] avadhi maṁ ajini maṁ ahāsi me |<br />
−−⏑−¦⏑−−−¦¦−−−−⏑¦⏑−⏑− 9 syllables<br />
ye tāni nopanahyanti veraṁ tesaṁ upaśāmyati 33 ||<br />
−−⏑−¦⏑⏑⏑−¦¦⏑⏑⏑−¦⏑−⏑− navipulā<br />
akkocchi maṁ avadhi maṁ ajini maṁ ahāsi me,<br />
−−⏑⏑¦⏑−−−¦¦−−−−¦⏑−⏑−<br />
ye taṁ na upanayhanti veraṁ tesūpasammati.<br />
28 Iha is the Sanskrit form of the word, which has developed to idha in Pāḷi.<br />
29 <strong>Patna</strong> normally writes the first consonant as anusvara in these forms. In the Pāḷi manuscripts the<br />
same convention normally prevails, but the custom in transcription is write it as the nasal of the<br />
class it belongs to.<br />
30 Roth: so nandati s[o pramo]dati; Shukla: so nandati [so pramo]dati. However, the reading<br />
cannot be reconstructed here with such certainty.<br />
31 This verse seems to combine Dhp 16 and 18, or it may be the Pāḷi has differentiated one verse<br />
into two. The Udānavarga and Gāndhārī rescensions agree with <strong>Patna</strong>.<br />
32 The opening of the posterior line allows two shorts in 2nd and 3rd positions, which again seems<br />
to have been as acceptable to the bhāṇakas in the <strong>Patna</strong> tradition as it was to the Pāḷi bhāṇakas.<br />
33 There are 9 syllables in this line, which is avoided in the Pāḷi by dropping niggahīta and<br />
subsequent sandhi of the vowels.