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Noor Abid_2016-02-19

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Exploration-3<br />

Combines exploration1<br />

and 2 to develop a façade<br />

system that utilises from<br />

opacity changing and the<br />

second skin concept, in<br />

order to gain control over<br />

the northern sun, as well<br />

as generate shadow<br />

patterns that express<br />

movement.<br />

As a result, opaque<br />

and transparent panels<br />

are positioned at the<br />

highest level (where the<br />

high sun hits) while<br />

Figure 7.55 sections through façade system-3<br />

translucent and opaque take Illustrating vision movement when walking<br />

the lower level, opening to along the facade<br />

views in an alternative way.<br />

The panels’ pattern in here still works with the wave-like effect.<br />

Figure 7.54 Water façade -3 transparency pallet and initial sketch<br />

Critique and conclusion: Disregarding fully translucent facades and<br />

translucent panels on high levels was a response to Feng-Shui’s Yin Yang<br />

concept which suggests a balance between the elements that provide yin<br />

and the elements that provide yang 112 (opaque panels and louvers<br />

provide yin, while translucent panels provide yang). The final development<br />

of the façade has looked at integrating a second skin to soften the<br />

northern sun (yang effect), as well as placing opaque and transparent<br />

panels at the high level (to soften yang and provide yin).<br />

112 Simona F. Manini, Feng Shui for Architecture (USA: Xlibris, 2004) P. ,83,84<br />

Figure 7.56 Water façade -3- test render<br />

70

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