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Dance Techniques 2010

What does today's contemporary dance training look like? Seven research teams at well known European dance universities have tackled this question by working with and querying some of contemporary dance s most important teachers: Alan Danielson, Humphrey/Limón Tradition, Anouk van Dijk, Countertechnique, Barbara Passow, Jooss Leeder Technique, Daniel Roberts Cunningham Technique, Gill Clarke Minding Motion, Jennifer Muller Muller Technique, Lance Gries Release and Alignment Oriented Techniques. This comprehensive study includes interviews, scholarly contributions, and supplementary essays, as well as video recordings and lesson plans. It provides a comparative look into historical contexts, movement characteristics, concepts, and teaching methods. A workbook with two training DVDs for anyone involved in dance practice and theory. Ingo Diehl, Friederike Lampert (Eds.), Dance Techniques 2010 – Tanzplan Germany. With two DVDs. Berlin: Henschel 2011. ISBN 978-3-89487-689-0 (Englisch) Out of print.

What does today's contemporary dance training look like? Seven research teams at well known European dance universities have tackled this question by working with and querying some of contemporary dance s most important teachers: Alan Danielson, Humphrey/Limón Tradition, Anouk van Dijk, Countertechnique, Barbara Passow, Jooss Leeder Technique, Daniel Roberts Cunningham Technique, Gill Clarke Minding Motion, Jennifer Muller Muller Technique, Lance Gries Release and Alignment Oriented Techniques.

This comprehensive study includes interviews, scholarly contributions, and supplementary essays, as well as video recordings and lesson plans. It provides a comparative look into historical contexts, movement characteristics, concepts, and teaching methods. A workbook with two training DVDs for anyone involved in dance practice and theory.

Ingo Diehl, Friederike Lampert (Eds.), Dance Techniques 2010 – Tanzplan Germany. With two DVDs. Berlin: Henschel 2011. ISBN 978-3-89487-689-0 (Englisch) Out of print.

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Jennifer Muller — Muller Technique<br />

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for ninety minutes, a topic which she considers to be intimately linked to<br />

technique. This course targets principles of performance, presence, phrasing,<br />

and onstage skills. After a break, students and the research team returned for<br />

Muller’s ‘laboratory’—a two–hour teaching unit in which she presented and<br />

discussed theory, system, and the basic tenets behind her work.<br />

The research team included dancer and choreographer Vera Sander, dance<br />

researcher Yvonne Hardt, and the sports studies scholar Martin Stern. To<br />

conduct a systematic evaluation, they used audio and audiovisual equipment<br />

to record the courses, laboratory meetings, and discussions. 1 Along with participating<br />

in class, the analysis of Muller’s technique was based upon the<br />

transcription of these audio and video documents. This, the resulting written<br />

analysis by Yvonne Hardt and Vera Sander, closely follows the question catalog<br />

presented by Tanzplan Deutschland.<br />

Jennifer Muller’s short stay (due to commitments in New York) presented<br />

a challenge; participants could only begin to experience and realize changes<br />

in movement and body quality that are central to Muller’s work in such a<br />

short time. While the students’ movement execution did noticeably change<br />

over the course of the week, Muller— as seen on the DVDs—only saw a hint<br />

of those qualities she strives for. At the beginning of the workshop, some<br />

students were a bit reserved toward Muller’s approach to energy. Thus, overcoming<br />

student barriers and helping students be open to all movements, energies,<br />

and shapes was an added goal. The process was supported by Muller’s<br />

motivating teaching style, as well as by discussions and questions that helped<br />

guide students’ reflection on her technique.

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