Dance Techniques 2010
What does today's contemporary dance training look like? Seven research teams at well known European dance universities have tackled this question by working with and querying some of contemporary dance s most important teachers: Alan Danielson, Humphrey/Limón Tradition, Anouk van Dijk, Countertechnique, Barbara Passow, Jooss Leeder Technique, Daniel Roberts Cunningham Technique, Gill Clarke Minding Motion, Jennifer Muller Muller Technique, Lance Gries Release and Alignment Oriented Techniques. This comprehensive study includes interviews, scholarly contributions, and supplementary essays, as well as video recordings and lesson plans. It provides a comparative look into historical contexts, movement characteristics, concepts, and teaching methods. A workbook with two training DVDs for anyone involved in dance practice and theory. Ingo Diehl, Friederike Lampert (Eds.), Dance Techniques 2010 – Tanzplan Germany. With two DVDs. Berlin: Henschel 2011. ISBN 978-3-89487-689-0 (Englisch) Out of print.
What does today's contemporary dance training look like? Seven research teams at well known European dance universities have tackled this question by working with and querying some of contemporary dance s most important teachers: Alan Danielson, Humphrey/Limón Tradition, Anouk van Dijk, Countertechnique, Barbara Passow, Jooss Leeder Technique, Daniel Roberts Cunningham Technique, Gill Clarke Minding Motion, Jennifer Muller Muller Technique, Lance Gries Release and Alignment Oriented Techniques.
This comprehensive study includes interviews, scholarly contributions, and supplementary essays, as well as video recordings and lesson plans. It provides a comparative look into historical contexts, movement characteristics, concepts, and teaching methods. A workbook with two training DVDs for anyone involved in dance practice and theory.
Ingo Diehl, Friederike Lampert (Eds.), Dance Techniques 2010 – Tanzplan Germany. With two DVDs. Berlin: Henschel 2011. ISBN 978-3-89487-689-0 (Englisch) Out of print.
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Barbara Passow — Jooss–Leeder Technique<br />
93<br />
Barbara Passow —<br />
Jooss–Leeder Technique<br />
Research team at LABAN, London: Barbara Passow,<br />
Dr. Claudia Fleischle–Braun, Wiebke Dröge, Dr. Patricia Stöckemann,<br />
Reinhild Hoffmann, Anna Markard<br />
Authors<br />
Wiebke Dröge, Claudia Fleischle–Braun, Patricia Stöckemann<br />
Interview<br />
Edith Boxberger<br />
Students<br />
of the dance theater bachelor’s degree program (second–year): Yolanda Aladeshelu, Sarah Armstrong,<br />
Anna Bergstrom, Fabian Brandt, Typhaine Delaup, Charlie Dixon, Rachel Graham, Karin Floengard Jonsson,<br />
Samuel Jordan, Sara Kemal, Leonie Nadler, Aimee Parsons, Eleonora Pennacchini, Marcella Piscitelli,<br />
Artemise Ploegaerts, Caroline Roussy, and Elisabeth Schilling<br />
Barbara Passow (*1949)<br />
trained under Hans Züllig as a dancer at the Folkwang University of the Arts Essen from 1968–1972, also completing<br />
a one–year dance education program specializing in dance for children and amateurs. In 1979 she was<br />
awarded a scholarship by the state of North Rhine–Westphalia that enabled her to travel to New York for a year<br />
where she studied Limón Technique intensively. She worked as a dancer at the Cullberg Ballet under Birgit Cullberg<br />
in Stockholm from 1972–1984, at the Tanztheater Wuppertal under Pina Bausch, and at the Folkwang Tanz<br />
Studio under Susanne Linke. Since 1986 she has taught modern dance at various universities and dance companies<br />
(Bremen Theater, among others) and workshops for professional and non-professional dancers, as well as working<br />
as a dancer and choreographer with Michael Diekamp. Since 1995 she has taught at the Palucca Schule Dresden—<br />
Hochschule für Tanz.
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