09.01.2013 Views

That Jazz - Monkey Max Music and File Download

That Jazz - Monkey Max Music and File Download

That Jazz - Monkey Max Music and File Download

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Table of Contents<br />

Ragging the Rhythm: The Influence of Ragtime .........................................76<br />

The sound of ragtime...........................................................................77<br />

The masters of ragtime........................................................................77<br />

The evolution of ragtime into stride piano .......................................79<br />

It’s a New Record: The Original Dixiel<strong>and</strong> <strong>Jazz</strong> B<strong>and</strong> ................................80<br />

Migrating North: Chicago as the New Center of <strong>Jazz</strong> ................................81<br />

Louis Armstrong...................................................................................82<br />

Sidney Bechet .......................................................................................84<br />

Jelly Roll Morton ..................................................................................85<br />

Joe “King” Oliver...................................................................................86<br />

The early women of jazz......................................................................86<br />

Investigating other significant African-American musicians ..........87<br />

Going Sweet with a Touch of Hot: Early White <strong>Jazz</strong> <strong>Music</strong>ians................89<br />

Introducing Bix Beiderbecke...............................................................89<br />

Tuning in to the Austin High Gang .....................................................91<br />

Chapter 6: The Golden Era of Big B<strong>and</strong> Swing:<br />

The 1930s <strong>and</strong> Beyond . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93<br />

In with a Bang: Big B<strong>and</strong> Beginnings............................................................94<br />

The new hub: New York City...............................................................94<br />

Leading the way: Fletcher Henderson ...............................................96<br />

Fletcher Henderson’s peers ................................................................97<br />

The influence of Chicago big b<strong>and</strong>s...................................................99<br />

Traveling the Highway: Midwest Territory B<strong>and</strong>s ...................................100<br />

Bennie Moten ......................................................................................100<br />

Scoping out other territory b<strong>and</strong>s ...................................................101<br />

Coronating Duke Ellington ..........................................................................101<br />

Crowning a Count <strong>and</strong> a King of Swing......................................................103<br />

Count Basie .........................................................................................104<br />

Benny Goodman .................................................................................105<br />

Coming on Strong: Other Important Big B<strong>and</strong>s........................................107<br />

The Rise of the Soloist: Instrumentalists <strong>and</strong> Vocalists ..........................108<br />

Turning up the heat: Brilliant improvisers......................................108<br />

Romancing America: Talented singers ............................................111<br />

Chapter 7: Bebop to Cool: The 1940s <strong>and</strong> 1950s . . . . . . . . . . . . . . . . . .115<br />

Taking Note of Bebop’s Beginnings............................................................116<br />

Swing loses its vitality <strong>and</strong> audience ...............................................116<br />

Bebop’s distinct traits emerge..........................................................117<br />

Bebop becomes a statement of black identity ...............................118<br />

Surveying Influential Bebop <strong>Music</strong>ians .....................................................119<br />

The early beboppers..........................................................................119<br />

Charlie Parker <strong>and</strong> Dizzy Gillespie, the leaders of the pack .........120<br />

Thelonious Monk, the quirky genius ...............................................125<br />

Vocalists who bopped........................................................................126<br />

Bebop’s other prime players ............................................................127<br />

ix

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!