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162 Part II: Jazz Greats and Great Jazz: An Evolutionary Riff like Herbie Hancock and Chick Corea — with Davis they played electric keyboards, but Corea later returned to acoustic piano, while Hancock played both acoustic and electric. Playing his trumpet through electronic effects, Davis got a haunting, echoey sound, and he sprayed delicate lines of improvised melody against the canvas of throbbing, pulsing sounds provided by his bands. Throughout his career, Davis had a knack for discovering raw talent. Countless musicians who participated in Davis’s early electric sessions went on to play essential parts during the next phase of jazz fusion. These musicians included � Chick Corea, Herbie Hancock, and Joe Zawinul, keyboard players � Wayne Shorter, saxophonist � John McLaughlin, guitarist � Ron Carter, acoustic and electric bassist Davis’s 1960s albums In a Silent Way (Sony) and Bitches Brew (Sony) started a revolution by harnessing rock’s electric guitars and funk’s electric bass rhythms and drums to Davis probing, amplified trumpet. It was the first time a veteran jazz musician embraced electric music. Other fusioneers In addition to Davis’s key recordings, hunt down some of these other players at your local music store: � Chick Corea (born 1941): Corea played with Miles Davis and went on to fusions of his own, leading the group Return to Forever. Light As A Feather (Polygram) blends Corea’s electric piano with Brazilian rhythms and Flora Purim’s light, airy vocals. Hymn of the Seventh Galaxy (Polygram) takes fusion in a more electrifying rock direction. � The Crusaders: During the 1970s, parties popped with the Crusaders just as much as with hard rock. Scratch (MCA) is an electric jazz-funk party classic. � Herbie Hancock (born 1940): Headhunters (Columbia) is one of Hancock’s all-time top electric jazz/funk recordings, but I’m also partial to his 1974 Thrust (Priority), which includes the beautiful song “Butterfly.”
Chapter 8: A Radical Departure: The 1960s and 1970s � Freddie Hubbard (born 1938): This talented trumpeter (and flugelhorn player) made one of my favorite electric jazz albums. Red Clay came out in 1970 and captured my attention with its spare arrangements and Hubbard’s mellow flugelhorn solos. � John McLaughlin (born 1942): McLaughlin formed the Mahavishnu Orchestra — an electrifying jazz/rock fusion band, and its albums Inner Mounting Flame (Columbia) and Birds of Fire (Columbia) are electric jazz classics. � Grover Washington, Jr. (born 1943): On my friend Brad Shuster’s megawatt system, saxman Washington’s 1975 Mister Magic (Motown) split our eardrums. It’s one of the most important albums to merge jazz with funk and soul — great solos, rock-solid rhythms. � Weather Report: Led by keyboardist Joe Zawinul and saxman Wayne Shorter, this electric jazz group really soared after bassist Jaco Pastorius came aboard. Black Market (Columbia) makes my A-list of electric jazz. 163
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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Page 129 and 130: Chapter 6: The Golden Era of Big Ba
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Page 133 and 134: In This Chapter � Witnessing the
Page 135 and 136: Chapter 7: Bebop to Cool: The 1940s
Page 137 and 138: Surveying Influential Bebop Musicia
Page 139 and 140: Figure 7-1: Charlie Parker was nick
Page 145 and 146: Figure 7-4: Ella Fitzgerald was the
Page 159 and 160: Figure 7-5: Miles Davis played both
Page 161 and 162: In This Chapter Chapter 8 A Radical
Page 163 and 164: Figure 8-1: Classical fugues influe
Page 165 and 166: Mingus’s 1972 album Let My Childr
Page 167 and 168: Chapter 8: A Radical Departure: The
Page 171 and 172: Figure 8-5: Cecil Taylor overlapped
Page 173 and 174: Hear Dolphy’s wild leaps of imagi
Page 175 and 176: Chicago In Chicago, a group of Afri
Page 179: Although some fans and critics dism
Page 183 and 184: Chapter 9 The Perfect Hybrid: Latin
Page 185 and 186: In the ’30s, bandleaders Don Azpi
Page 187 and 188: Chapter 9: The Perfect Hybrid: Lati
Page 189 and 190: O’Farrill created “Undercurrent
Page 191 and 192: musical elements through travels to
Page 193 and 194: Gato Barbieri Born in Argentina, sa
Page 195 and 196: Mongo Santamaria For his prolific o
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Page 201 and 202: In This Chapter Chapter 10 Looking
Page 203 and 204: Chapter 10: Looking Ahead: The Pres
Page 207 and 208: Figure 10-1: Wynton Marsalis plays
Page 213 and 214: Other musicians Other musicians who
Page 215 and 216: Part III The Beat Goes On: Jazz App
Page 217 and 218: Chapter 11 Mass Appeal: Taking Note
Page 219 and 220: Chapter 11: Mass Appeal: Taking Not
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In This Chapter � Jazzing up your
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on together in 1959. Charles Mingus
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Chapter 12: Good Times: Jazzing Up
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Sending Your Guests Home with Fun P
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Chapter 13 Lovin’ It Live: A Jazz
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Chapter 13: Lovin’ It Live: A Jaz
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In This Chapter Chapter 14 Travelin
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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In This Chapter Chapter 17 Digital
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Chapter 17: Digital Jazz: Making Mu
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Part V The Part of Tens
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In This Chapter Chapter 18 Ten Grea
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Cool venues to check out include
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Los Angeles Considering its wealth
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As in many other cities, local radi
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Chapter 18: Ten Great Cities for Ja
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San Diego Chapter 18: Ten Great Cit
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San Francisco Bay Area Big time jaz
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Chapter 19 Ten Tips for Building an
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Chapter 19: Ten Tips for Building a
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Part VI Appendixes
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Appendix A More Than 100 Recommende
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Bebop and Hard Bop Appendix A: More
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Avant Garde Jazz and Free Jazz Begi
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Appendix B Trustworthy Jazz Labels
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� Benny Goodman, clarinetist �
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� Count Basie, bandleader and pia
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Appendix C Resources for Further Ja
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Appendix C: Resources for Further J
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The Story of Jazz (Oxford Universit
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• Numerics • 12-bar format, 32-
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lesser-known, 221-222 Lunceford, Ji
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Howard Rumsey’s Lighthouse All-St
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Fitzgerald, Ella (vocalist) as bebo
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Jazz Messengers, 134, 171 jazz musi
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multi-track recording, 292, 293 mus
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Herman, Woody, 218 improvisation, 4
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stretching words, 38 stride piano,
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BUSINESS, CAREERS & PERSONAL FINANC
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