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That Jazz - Monkey Max Music and File Download

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Chapter 16: So You Wanna Be in a B<strong>and</strong>: Fitting into a <strong>Jazz</strong> Ensemble<br />

James, Gwen Stefani, <strong>and</strong> Stevie Wonder. The more I think about it, the more I<br />

can imagine what a wild time you would have with your versions of funk <strong>and</strong><br />

soul tunes. Get those horns swinging in unison!<br />

Publicizing Your B<strong>and</strong> <strong>and</strong> L<strong>and</strong>ing Gigs<br />

A lot of folks want to get gigs, make CDs, <strong>and</strong> grow an ever greater following<br />

for their music. Very few of them reach their goals. <strong>Music</strong>ians tend to focus<br />

on their music, <strong>and</strong> it’s rare to find one who has an equivalent commitment<br />

to marketing himself <strong>and</strong> managing his career. If you really want to succeed<br />

in the music business, then you need to work as hard on marketing yourself<br />

as you do on your music. In this high-tech age, there are more ways than<br />

ever to put yourself out there, as I show you in the following sections.<br />

Harnessing the power of the Internet<br />

Publicity isn’t difficult, but it’s time consuming. <strong>Music</strong>ians who sustain<br />

careers have their act together communications-wise. And what faster, easier<br />

way to communicate these days than via the World Wide Web? Here are some<br />

ideas <strong>and</strong> examples (see Chapter 17 for more about using the Internet):<br />

� One guitarist I know has, over the years, compiled an e-mail list of about<br />

3,000 names. Every week he sends a personal newsletter full of humor<br />

<strong>and</strong> anecdotes, as well as upcoming dates <strong>and</strong> news about his career. If<br />

only 20 or 30 of these people turn up at each performance, he has a solid<br />

core audience.<br />

Names from your list come from several sources: sign-ups on your Web<br />

site (the address should be listed on business cards, tickets, fliers, <strong>and</strong><br />

CDs), sign-ups at gigs, referrals from friends, <strong>and</strong> names (<strong>and</strong> e-mail<br />

addresses) that you acquire in every social situation. Every situation,<br />

including meetings at work <strong>and</strong> casual dinners with friends, presents<br />

an opportunity to talk about your music.<br />

Any e-mail program is capable of keeping your mailing list, but some programs<br />

let you enter more data (such as multiple phone numbers) <strong>and</strong><br />

sort your list by zip code, length of time on your list, last CD purchased<br />

from your Web site, <strong>and</strong> so on.<br />

� Another musician I know is religious about getting her performances listed<br />

in newspaper calendars. It’s surprisingly easy with the Internet. Almost<br />

every paper has a Web site where you can submit event listings, <strong>and</strong> these<br />

lists amount to some of the most effective free publicity you can get.<br />

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