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That Jazz - Monkey Max Music and File Download

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62<br />

Part I: All <strong>That</strong> <strong>Jazz</strong>: A Tour of the Basics<br />

Great drummers help make great jazz b<strong>and</strong>s. Seated behind horns <strong>and</strong> given<br />

fewer solos than most of their b<strong>and</strong>mates, drummers can seem anonymous.<br />

And yet, drummers are the engines who move the music ahead. They keep it<br />

swinging <strong>and</strong> interact with various lead soloists, spurring them on to new creative<br />

highs.<br />

In the following sections, I take you through the evolution of drums, from the<br />

earliest drums to drums in current times.<br />

The earliest drums<br />

Drums used in jazz today grew from ancient roots. Rhythm was the essence<br />

of African music. Architect Benjamin Henry Latrobe visited New Orleans in<br />

1821, <strong>and</strong> in his journal made drawings of cylindrical African drums played<br />

at Sunday celebrations by slaves gathered in Congo Square.<br />

Evolution of the modern drum set used in jazz began in the theater. Prior to<br />

that, drummers in marching, concert, <strong>and</strong> jazz b<strong>and</strong>s focused on a single<br />

percussion instrument: bass drum, snare drum, or cymbals. Drummers in<br />

early New Orleans jazz groups led by Buddy Bolden <strong>and</strong> John Robichaux<br />

(see Chapter 5 for details on them) used marching drums, although they<br />

sometimes played two drums at once by h<strong>and</strong>. When they played gigs in<br />

cramped theatres, drummers were forced to play bass <strong>and</strong> snare drums<br />

simultaneously, because there wasn’t room for two or three people.<br />

In 1909 William Ludwig, founder of Ludwig & Ludwig drums, patented the first<br />

modern bass drum pedal. His durable metal, spring-loaded thumper met the<br />

dem<strong>and</strong>s of ragtime <strong>and</strong> jazz drummers who played faster <strong>and</strong> harder. The<br />

pedal was the single most important advance that gave drummers the ability<br />

to play powerful polyrhythms anchored by booming bass drum beats.<br />

Drums from the 1920s to the 1940s<br />

By the time Louis Armstrong, King Oliver, <strong>and</strong> Jelly Roll Morton made their<br />

seminal jazz records of the 1920s (see Chapter 5), drummers led by Baby<br />

Dodds were playing kits that included many items:<br />

� Bass drum with pedal: 28 inches in diameter, a holdover from marching<br />

b<strong>and</strong>s. Big bass drums were st<strong>and</strong>ard into the 1930s.<br />

� Snare drum: Throughout jazz, dating back to New Orleans brass<br />

b<strong>and</strong>s, the snare drum was the key instrument in the drummer’s arsenal.<br />

Depending on how it’s tuned, the snare fits in the middle-to-high range of<br />

a group’s sound. The drummer uses his snare to keep time with just a few<br />

combinations, or he fills in more elaborate textures with rolls <strong>and</strong> other<br />

fast patterns. Good drummers use snares <strong>and</strong> cymbals to provide empathetic<br />

support for vocalists, horn players, <strong>and</strong> other lead performers.

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