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That Jazz - Monkey Max Music and File Download

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Chapter 17: Digital <strong>Jazz</strong>: Making <strong>Music</strong> in High-Tech Times<br />

� 1984: Apple’s first Macintosh is released,<br />

which eventually led to the advent of<br />

Apple’s iTunes software <strong>and</strong> popular online<br />

music store — an alternative way for artists<br />

to distribute music.<br />

� 1988: CD sales exceed record sales.<br />

� 1989: Digidesign’s Sound Tools software is<br />

released as the “first tapeless recording<br />

studio.”<br />

� 1991: Sound Tools is renamed Pro Tools<br />

(today available for both PC <strong>and</strong> Mac).<br />

� 1993: Digidesign releases Session 8 Limited,<br />

the first Windows-based recording<br />

software.<br />

� 2001: Apple’s first iPod is released.<br />

Powerful personal computers, sophisticated sound software, <strong>and</strong> the rise<br />

of the Internet have all changed the recording industry completely. Today,<br />

with a modest investment in equipment, a jazz musician can begin recording<br />

music with extremely high quality. <strong>That</strong> music can be cheaply copied onto<br />

CDs, which cost only pennies apiece, or quickly posted on a Web site.<br />

While use of all the new technologies isn’t yet universal among jazz players,<br />

nearly all musicians employ some technology. The following sections feature<br />

some simple advice from professional musicians about how to put technology<br />

to work for you <strong>and</strong> your music.<br />

For more detailed information on setting up a home studio, check out Home<br />

Recording for <strong>Music</strong>ians For Dummies, 2nd Edition, by Jeff Strong (Wiley). Other<br />

books on specific types of recording software can be found through the For<br />

Dummies line. For an introduction to creating Web sites <strong>and</strong> Internet marketing,<br />

check out Building a Web Site For Dummies, 2nd Edition, by David A.<br />

Crowder (Wiley) <strong>and</strong> Internet Marketing For Dummies by Frank Catalano<br />

<strong>and</strong> Bud E. Smith (Wiley).<br />

I cover a lot of sound ground here. You may be an ambitious sort who tries<br />

some of these things (<strong>and</strong> more), or you may not be ready to record <strong>and</strong><br />

market music. No matter your experience or ambitions, remember that you’re<br />

making music most of all for yourself, for the satisfaction of exploring your<br />

creative side <strong>and</strong> expressing emotions in a medium that can be more effective<br />

<strong>and</strong> satisfying than words. Finding an audience is a reward but not a promise.<br />

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