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That Jazz - Monkey Max Music and File Download

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Chapter 10: Looking Ahead: The Present <strong>and</strong> Future of <strong>Jazz</strong><br />

<strong>Jazz</strong>’s vocal resurgence<br />

During jazz’s Golden Age, which is how some folks refer to the big b<strong>and</strong> era of<br />

the 1930s <strong>and</strong> early 1940s (see Chapter 6), jazz singers took center stage:<br />

� Bing Crosby <strong>and</strong> Frank Sinatra in a “sweet” vein<br />

� Joe Williams <strong>and</strong> Jimmy Rushing in a bluesy Kansas City style<br />

� Jon Hendricks, bebopper<br />

� Billie Holiday, Helen Forrest, Ella Fitzgerald, <strong>and</strong> Sarah Vaughan, great<br />

ladies of swing <strong>and</strong> scat-singing<br />

Today’s best jazz vocalists are both inventive interpreters of great lyrics <strong>and</strong><br />

melodies, <strong>and</strong> muscular improvisers.<br />

The gals<br />

After recording CDs devoted to the music of Bill Evans (Blue in Green) <strong>and</strong><br />

Frank Sinatra (Dancing in the Dark), Tierney Sutton stretches out on her 2005<br />

release I’m With the B<strong>and</strong>, presenting deeply personal readings of tunes<br />

including “‘S Wonderful,” “Surrey with the Fringe On Top,” <strong>and</strong> “What a Little<br />

Moonlight Will Do.” Along the way, she swaps solos with her b<strong>and</strong>mates as an<br />

instrumental equal. Sutton’s voice is subtle, airy, <strong>and</strong> clear, <strong>and</strong> she has an<br />

irresistible sense of swing.<br />

The current she-generation also includes passionate Brazilian Luciana Souza;<br />

Billie Holiday–influenced Madeleine Peyroux; <strong>and</strong> risk-taker Cass<strong>and</strong>ra<br />

Wilson, whose career thus far has ranged from freeform funk to bebop improvisation,<br />

<strong>and</strong> whose supple voice does justice to unconventional song selections<br />

ranging from Neil Young to Son House <strong>and</strong> even the Monkees.<br />

The guys<br />

On the he-side, Kurt Elling merges scat-singing <strong>and</strong> other vocal inventions<br />

with st<strong>and</strong>ard jazz tunes <strong>and</strong> Beat poetry. Andy Bey is a late-bloomer with an<br />

operatic range who breathes new life into familiar st<strong>and</strong>ards. Jamie Cullum is<br />

the wild kid with a jazz-caliber voice <strong>and</strong> a repertoire that merges jazz, classical,<br />

blues, hip-hop, dance, <strong>and</strong> pop.<br />

Women taking over the jazz world<br />

At this point, for the first time, women st<strong>and</strong> out as great jazz players, not just<br />

women jazz players. At last, a slew of women are building on the foundation<br />

established by female jazz musicians including pianists Carla Bley, Lil Hardin<br />

(Louis Armstrong’s wife), Marian McPartl<strong>and</strong>, <strong>and</strong> Mary Lou Williams, <strong>and</strong><br />

trumpeter Clora Bryant.<br />

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