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That Jazz - Monkey Max Music and File Download

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Chapter 3: The Scheme of Things: Elements of <strong>Jazz</strong> Theory<br />

Compare the 12-bar blues structure with the 32-bar pop song structure.<br />

They’re similar. Each begins with a melodic A theme that is repeated. Each<br />

includes a contrasting B section that builds emotion. While the 32-bar form<br />

repeats the original theme as an ending, the 12-bar structure ends with a B<br />

section — although if you listen to most any blues song, it has a few notes at<br />

the end of this section that act as a natural conclusion to the series of three<br />

sections.<br />

Tuning your ears to different forms in jazz<br />

Although 12 bars <strong>and</strong> 32 bars are the most common forms, modern jazz uses<br />

a variety of others. Knowing these two, however, gives you enough knowledge<br />

to start recognizing forms of jazz music.<br />

When listening to a jazz song, tap out the time with your foot <strong>and</strong> begin<br />

counting the number of 4-bar measures in your head. Many times you easily<br />

detect the 32-bar structure. Other times, you discover an alternative form.<br />

For example, Dave Brubeck composes songs around sections of unusual<br />

lengths, such as five or seven beats; free jazz players (see Chapter 8) proceed<br />

without an established structure to guide them, inventing the music as they<br />

go along, so that different sections come in different lengths.<br />

One of the most rewarding things for jazz lovers is listening to several of our<br />

heroes play their versions of familiar st<strong>and</strong>ards. Here are some CDs you can<br />

use for comparison:<br />

� Miles Davis, My Funny Valentine (Sony): This live 1964 album features<br />

the great trumpeter with one of his finest groups (bassist Ron Carter,<br />

tenor saxophonist George Coleman, pianist Herbie Hancock, drummer<br />

Tony Williams), improvising beautifully on st<strong>and</strong>ards such as “All of<br />

You,” “My Funny Valentine,” <strong>and</strong> “I Thought About You.” See Chapters 7<br />

<strong>and</strong> 8 for more about Miles.<br />

� Charlie Parker, Charlie Parker Plays St<strong>and</strong>ards (Verve): This CD<br />

includes Bird’s freewheeling versions of “Love for Sale,” “I Got Rhythm,”<br />

<strong>and</strong> “Embraceable You.” Check out Chapter 7 for more about Charlie.<br />

� Ella Fitzgerald, Song Books CD series (Verve): This example is definitive<br />

in st<strong>and</strong>ards as interpreted by a singer. You can buy one CD at a time or<br />

the complete 16-CD box set. Find out more about Ella in Chapter 7.<br />

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