That Jazz - Monkey Max Music and File Download

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334 Part VI: Appendixes Latin Jazz Some of my favorite jazz is Latin jazz. The combination of beautiful melodies, smart improvisations, and exotic rhythms is irresistible. Find more details about Latin jazz in Chapter 9. � Airto Moreira, Virgin Land (CTI) � Astrud Gilberto, Look at the Rainbow (PGD/Verve) � Joao Gilberto, Amoroso/Brasil (Warner Brothers) � Machito and His Afro-Cuban Orchestra, Mucho Macho Machito: The Complete Columbia Masters (Sony) � Chico O’Farrill, The Heart of a Legend (Milestone) � Tito Puente, El Rey (Concord Picante) � Poncho Sanchez, Para Todos (Concord Picante) Jazz from the ’80s and ’90s Seasoned musicians continued to make great jazz late in their careers, while younger players took the torch from them. Head to Chapter 10 to find out more about the recent past, present, and future of jazz. � Ray Anderson, Alligatory Band (Enja) � Louie Bellson, Their Time Was the Greatest (Concord) � Benny Carter and Phil Woods, My Man Benny, My Man Phil (Music Masters) � James Carter, Conversin’ with the Elders (Atlantic) � Clayton-Hamilton Jazz Orchestra, Groove Shop (Capri) � Eddie Daniels, Beautiful Love (Shanachie) � Kenny Garrett, Songbook (Warner) � Charlie Haden and Hank Jones, Steal Away (Polygram) � Milt Hinton, Old Man Time (Chiaroscuro) � Branford Marsalis, Trio Jeepy (Sony) � Wynton Marsalis, Blood on the Fields (Sony) � James Moody, Young at Heart (Warner) � Marcus Roberts, Alone with Three Giants (Novus) � Steve Turre, Steve Turre (Polygram)
Appendix B Trustworthy Jazz Labels This list is by no means complete, but it includes a few labels you can count on for high-quality liner notes, packaging, recording, and reproduction. As you build a jazz collection and gain knowledge of the music’s history, you may want to peruse the catalogs of these labels. You may find one or two that are especially well stocked with the kind of music you crave. All labels have Web sites that list titles and let you order a catalog; I’ve included the addresses in this appendix. Many of these sites are multimedia events, with plenty of photos, samples of music, and artist bios. Black Saint Leave it to those tasteful Europeans to make the most of some great American music. The Italian label Black Saint, based in Milan, Italy, has released first-rate jazz (and improvisational and experimental music) for more than 30 years. Today it’s run by Flavio Bonandrini, son of its longtime chief Giovanni. A leader in free and avant garde jazz (see Chapter 8 for details about these genres), Black Saint has released fringy jazz by several key players: � The World Saxophone Quartet � Lester Bowie, trumpeter � Anthony Braxton, saxophonist � David Murray, saxophonist and bass clarinetist � Hamiett Bluiett, saxophonist � George Russell, composer � Archie Shepp, saxophonist � Sun Ra, bandleader For more information on the Black Saint label, visit www.blacksaint.com.
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Although some fans and critics dism
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Gato Barbieri Born in Argentina, sa
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Mongo Santamaria For his prolific o
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population in 2005, for instance),
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Hilton Ruiz Ruiz (born 1952) grew u
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In This Chapter Chapter 10 Looking
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Chapter 10: Looking Ahead: The Pres
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Figure 10-1: Wynton Marsalis plays
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Other musicians Other musicians who
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Part III The Beat Goes On: Jazz App
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Chapter 11 Mass Appeal: Taking Note
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Chapter 11: Mass Appeal: Taking Not
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In This Chapter � Jazzing up your
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on together in 1959. Charles Mingus
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Chapter 12: Good Times: Jazzing Up
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Sending Your Guests Home with Fun P
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Chapter 13 Lovin’ It Live: A Jazz
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Chapter 13: Lovin’ It Live: A Jaz
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In This Chapter Chapter 14 Travelin
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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Page 301 and 302: Chapter 16: So You Wanna Be in a Ba
Page 309 and 310: In This Chapter Chapter 17 Digital
Page 311 and 312: Chapter 17: Digital Jazz: Making Mu
Page 319 and 320: Part V The Part of Tens
Page 321 and 322: In This Chapter Chapter 18 Ten Grea
Page 323 and 324: Cool venues to check out include
Page 325 and 326: Los Angeles Considering its wealth
Page 327 and 328: As in many other cities, local radi
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Page 331 and 332: San Diego Chapter 18: Ten Great Cit
Page 333 and 334: San Francisco Bay Area Big time jaz
Page 335 and 336: Chapter 19 Ten Tips for Building an
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Page 345 and 346: Part VI Appendixes
Page 347 and 348: Appendix A More Than 100 Recommende
Page 349 and 350: Bebop and Hard Bop Appendix A: More
Page 351: Avant Garde Jazz and Free Jazz Begi
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Page 357 and 358: � Count Basie, bandleader and pia
Page 359 and 360: Appendix C Resources for Further Ja
Page 361 and 362: Appendix C: Resources for Further J
Page 363 and 364: The Story of Jazz (Oxford Universit
Page 369 and 370: • Numerics • 12-bar format, 32-
Page 371 and 372: lesser-known, 221-222 Lunceford, Ji
Page 373 and 374: Howard Rumsey’s Lighthouse All-St
Page 375 and 376: Fitzgerald, Ella (vocalist) as bebo
Page 377 and 378: Jazz Messengers, 134, 171 jazz musi
Page 379 and 380: multi-track recording, 292, 293 mus
Page 381 and 382: Herman, Woody, 218 improvisation, 4
Page 383 and 384: stretching words, 38 stride piano,
Page 385 and 386: BUSINESS, CAREERS & PERSONAL FINANC
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