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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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Chapter 2: Altered Ears: Understand
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Chapter 2: Altered Ears: Understand
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Chapter 2: Altered Ears: Understand
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Chapter 2: Altered Ears: Understand
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Chapter 2: Altered Ears: Understand
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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Chapter 3: The Scheme of Things: El
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Chapter 3: The Scheme of Things: El
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Chapter 3: The Scheme of Things: El
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Chapter 3: The Scheme of Things: El
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Chapter 3: The Scheme of Things: El
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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Chapter 4: Tools of the Trade: The
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Chapter 4: Tools of the Trade: The
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Chapter 5: The Birth of an American
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Chapter 5: The Birth of an American
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Chapter 5: The Birth of an American
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Chapter 5: The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 5: The Birth of an American
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Chapter 5: The Birth of an American
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Chapter 5: The Birth of an American
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Chapter 7: Bebop to Cool: The 1940s
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Chapter 7: Bebop to Cool: The 1940s
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Figure 7-4: Ella Fitzgerald was the
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Chapter 7: Bebop to Cool: The 1940s
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Chapter 7: Bebop to Cool: The 1940s
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Chapter 7: Bebop to Cool: The 1940s
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Chapter 7: Bebop to Cool: The 1940s
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Chapter 7: Bebop to Cool: The 1940s
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Chapter 7: Bebop to Cool: The 1940s
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Chapter 8: A Radical Departure: The
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Although some fans and critics dism
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Chapter 8: A Radical Departure: The
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Gato Barbieri Born in Argentina, sa
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Mongo Santamaria For his prolific o
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population in 2005, for instance),
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Hilton Ruiz Ruiz (born 1952) grew u
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In This Chapter Chapter 10 Looking
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Chapter 10: Looking Ahead: The Pres
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Chapter 10: Looking Ahead: The Pres
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Figure 10-1: Wynton Marsalis plays
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Chapter 10: Looking Ahead: The Pres
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Chapter 10: Looking Ahead: The Pres
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Other musicians Other musicians who
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Part III The Beat Goes On: Jazz App
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Chapter 11 Mass Appeal: Taking Note
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Chapter 11: Mass Appeal: Taking Not
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Chapter 11: Mass Appeal: Taking Not
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Chapter 11: Mass Appeal: Taking Not
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Chapter 11: Mass Appeal: Taking Not
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Chapter 11: Mass Appeal: Taking Not
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Chapter 11: Mass Appeal: Taking Not
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In This Chapter � Jazzing up your
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on together in 1959. Charles Mingus
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Chapter 12: Good Times: Jazzing Up
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Chapter 12: Good Times: Jazzing Up
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Chapter 12: Good Times: Jazzing Up
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Chapter 12: Good Times: Jazzing Up
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Sending Your Guests Home with Fun P
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Chapter 13 Lovin’ It Live: A Jazz
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Chapter 13: Lovin’ It Live: A Jaz
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Chapter 13: Lovin’ It Live: A Jaz
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Chapter 13: Lovin’ It Live: A Jaz
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Chapter 13: Lovin’ It Live: A Jaz
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Chapter 13: Lovin’ It Live: A Jaz
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Chapter 13: Lovin’ It Live: A Jaz
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In This Chapter Chapter 14 Travelin
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Chapter 14: Traveling Jazz: Your Ti
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Chapter 14: Traveling Jazz: Your Ti
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Chapter 14: Traveling Jazz: Your Ti
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Chapter 14: Traveling Jazz: Your Ti
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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Chapter 16: So You Wanna Be in a Ba
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- Page 309 and 310: In This Chapter Chapter 17 Digital
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- Page 319 and 320: Part V The Part of Tens
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- Page 347 and 348: Appendix A More Than 100 Recommende
- Page 349 and 350: Bebop and Hard Bop Appendix A: More
- Page 351 and 352: Avant Garde Jazz and Free Jazz Begi
- Page 353 and 354: Appendix B Trustworthy Jazz Labels
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- Page 359 and 360: Appendix C Resources for Further Ja
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- Page 363 and 364: The Story of Jazz (Oxford Universit
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- Page 369 and 370: • Numerics • 12-bar format, 32-
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- Page 385 and 386: BUSINESS, CAREERS & PERSONAL FINANC