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340 Part VI: Appendixes at the Philharmonic on Verve is a 10-CD set that captures the best of this music, with performances by Coleman Hawkins, Charlie Parker, Lester Young, and countless others). Granz was the first to realize the market for live recordings that would bring the excitement and extended solos of concert performances to home listeners. After Granz sold Verve to MGM in 1960, producer Creed Taylor kept the creative vibe going, recording jazz by saxophonist Stan Getz (including Getz’s popular bossa nova collaborations with Brazilian singer Joao Gilberto), guitarist Wes Montgomery, and vibraphonist Cal Tjader. Other stellar names under the Verve umbrella include � Cannonball Adderley, saxophonist � Louis Armstrong, trumpeter � Benny Carter, saxophonist and trumpeter � Betty Carter, singer � John Coltrane, saxophonist � Dizzy Gillespie, trumpeter � Shirley Horn, singer � Bud Powell, pianist Visit these musicians and more at www.vervemusicgroup.com.
Appendix C Resources for Further Jazz Enlightenment If you’ve read the rest of this book (or even if you haven’t), you may want to expand on your jazz basics and start building a collection by seeking new sources of information. Check out this appendix for starters! Books The All Music Guide to Jazz, Fourth Edition (Backbeat): Edited by Michael Erlewine, with Vladimir Bogdanov, Chris Woodstra, and Scott Yanow. The authoritative guide to recorded jazz with reviews of more than 18,000 albums, as well as essays, lists of key players, profiles, and timelines. American Musicians: 56 Portraits in Jazz (Oxford University): By Whitney Balliett. Published in 1978, Balliett’s initial survey of top jazz players. Out of print but worth hunting for in used bookstores. American Musicians II: Seventy-Two Portraits in Jazz (Oxford University): By Whitney Balliett. More great writing on jazz musicians from the gifted New Yorker magazine writer. American Singers: Twenty-Seven Portraits in Song (Oxford University): By Whitney Balliett. Balliett, longtime writer for the New Yorker magazine, profiles 27 of jazz’s leading vocalists. Balliett is a solid and sensitive writer whose essays attain a literary quality seldom found among music scribes. Bass Line: The Stories and Photographs of Milt Hinton (Temple University): By Milt Hinton and David Berger. Hinton is one of the music’s most prolific and inventive bassists with a career spanning seven decades. This book proves that he’s also an excellent photographer. The black-and-white photos capture dozens of jazz greats in private, behind-the-scenes moments that only a fellow jazzman would be privileged to observe.
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Although some fans and critics dism
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Gato Barbieri Born in Argentina, sa
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Mongo Santamaria For his prolific o
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population in 2005, for instance),
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Hilton Ruiz Ruiz (born 1952) grew u
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In This Chapter Chapter 10 Looking
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Chapter 10: Looking Ahead: The Pres
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Figure 10-1: Wynton Marsalis plays
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Other musicians Other musicians who
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Part III The Beat Goes On: Jazz App
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Chapter 11 Mass Appeal: Taking Note
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Chapter 11: Mass Appeal: Taking Not
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In This Chapter � Jazzing up your
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on together in 1959. Charles Mingus
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Chapter 12: Good Times: Jazzing Up
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Sending Your Guests Home with Fun P
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Chapter 13 Lovin’ It Live: A Jazz
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Chapter 13: Lovin’ It Live: A Jaz
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In This Chapter Chapter 14 Travelin
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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Page 307 and 308: Chapter 16: So You Wanna Be in a Ba
Page 309 and 310: In This Chapter Chapter 17 Digital
Page 311 and 312: Chapter 17: Digital Jazz: Making Mu
Page 319 and 320: Part V The Part of Tens
Page 321 and 322: In This Chapter Chapter 18 Ten Grea
Page 323 and 324: Cool venues to check out include
Page 325 and 326: Los Angeles Considering its wealth
Page 327 and 328: As in many other cities, local radi
Page 329 and 330: Chapter 18: Ten Great Cities for Ja
Page 331 and 332: San Diego Chapter 18: Ten Great Cit
Page 333 and 334: San Francisco Bay Area Big time jaz
Page 335 and 336: Chapter 19 Ten Tips for Building an
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Page 345 and 346: Part VI Appendixes
Page 347 and 348: Appendix A More Than 100 Recommende
Page 349 and 350: Bebop and Hard Bop Appendix A: More
Page 351 and 352: Avant Garde Jazz and Free Jazz Begi
Page 353 and 354: Appendix B Trustworthy Jazz Labels
Page 355 and 356: � Benny Goodman, clarinetist �
Page 357: � Count Basie, bandleader and pia
Page 361 and 362: Appendix C: Resources for Further J
Page 363 and 364: The Story of Jazz (Oxford Universit
Page 369 and 370: • Numerics • 12-bar format, 32-
Page 371 and 372: lesser-known, 221-222 Lunceford, Ji
Page 373 and 374: Howard Rumsey’s Lighthouse All-St
Page 375 and 376: Fitzgerald, Ella (vocalist) as bebo
Page 377 and 378: Jazz Messengers, 134, 171 jazz musi
Page 379 and 380: multi-track recording, 292, 293 mus
Page 381 and 382: Herman, Woody, 218 improvisation, 4
Page 383 and 384: stretching words, 38 stride piano,
Page 385 and 386: BUSINESS, CAREERS & PERSONAL FINANC
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