09.01.2013 Views

That Jazz - Monkey Max Music and File Download

That Jazz - Monkey Max Music and File Download

That Jazz - Monkey Max Music and File Download

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

150<br />

Part II: <strong>Jazz</strong> Greats <strong>and</strong> Great <strong>Jazz</strong>: An Evolutionary Riff<br />

Figure 8-4:<br />

Ornette<br />

Coleman’s<br />

music is<br />

loosely<br />

structured.<br />

Ornette Coleman on the fringe<br />

Born in Fort Worth, Texas, in 1930, saxophonist Ornette Coleman grew up<br />

hearing Texas blues <strong>and</strong> R&B. He played in b<strong>and</strong>s led by guitarist Pee Wee<br />

Crayton <strong>and</strong> others. But unlike other young musicians who play <strong>and</strong> record in<br />

established styles before finding a sound of their own, Coleman made fringe<br />

music almost from the start.<br />

Coleman’s music paralleled abstract painting — art with no tangible subject.<br />

Instead, feelings, impressions, <strong>and</strong> emotions posed as the subjects. Coleman’s<br />

music has only the loosest structure, sometimes as limited as a simple str<strong>and</strong><br />

of melody or repeated funky rhythms. Players improvised practically all the<br />

music.<br />

Harmolodics, as Coleman (see Figure 8-4) calls his musical system, lets musicians<br />

respond to their intuitions <strong>and</strong> to each other as they invent new harmonies<br />

<strong>and</strong> melodies on the spot. Coleman’s music challenges listeners to<br />

be patient with open ears <strong>and</strong> an open mind but reaping the rewards.<br />

Everett Collection

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!