That Jazz - Monkey Max Music and File Download

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352 Jazz For Dummies, 2nd Edition bands. See also big band jazz; playing jazz (continued) selling your music, 299–300 song repertoire, building, 278–281 touring, 288–289 union, joining, 290 Web site, creating, 282 banjo, 59, 74 Baquet, George (clarinetist), 75 Baraka, Amira (Blues People), 160 Barbieri, Gato (saxophonist), 175 Barnet, Charlie (bandleader/saxophonist), 107, 221–222 Barranco, Wilbur (pianist), 10 Barretto, Ray (percussionist), 175 Basie, Count (pianist/organist/bandleader), 67, 101, 103–105, 217 basses about, 12, 24, 57–58 arco style playing, 146 big band jazz, 110, 111 playing in a band, 272 rhythmic training for, 38 Bauza, Mario (trumpeter), 168–169 Bayas, Don (saxophonist), 98 beat, defined, 32 bebop about, 116–117 characteristics of, 117–118 influence on big band jazz, 129–130 recommended music, 123, 331 word “bebop,” origins of, 118 bebop, musicians Blanton, Jimmy, 119 Christian, Charlie, 119 Davis, Miles, 123–124 early, 119–120 Eldridge, Roy, 119 Fitzgerald, Ella, 126, 127 Gillespie, Dizzy, 121–125 guitarists, 128 Hawkins, Coleman, 119 Hendricks, Jon, 126–127 Herman, Woody, 129 Jones, Jo, 119 Kenton, Stan, 130 Kessel, Barney, 128 lesser-known, 222 Monk, Thelonious, 125–126 Navarro, Fats, 128 Parker, Charlie, 120–121 Pettiford, Oscar, 128 Powell, Bud, 128 Roach, Max, 128–129 Stitt, Sonny, 129 Thornhill, Claude, 130 Tough, Davey, 120 vocalists, 126–127 Young, Lester, 120 Bechet, Sidney (clarinetist/saxophonist), 43, 75, 84 Beiderbecke, Bix (trumpeter/bandleader), 89–91, 203 bending notes, described, 18–19, 45 Beneath the Underdog (Mingus), 210 Berklee College of Music, 265–266 Bernstein, Elmer (composer), 203 Bernstein, Leonard (composer), 29 big band jazz. See also swing about, 93–94 bebop’s influence on, 129–130 Chicago white dance bands, 99–100 later years of, 117 New York City as center of, 94–95 recommended music, 330 signature sound, 95 territory bands, 93, 100–101 big band jazz, musicians Barnet, Charlie, 107 Basie, Count, 104–105 Calloway, Cab, 97 Carter, Benny, 97–98 Casa Loma Orchestra, 99 Crosby, Bob, 107 Dorsey, Jimmy, 108 Dorsey, Tommy, 108 early, 94–95 Ellington, Duke, 101–103 Goldkette, Jean, 99 Goodman, Benny, 12, 105–107 Gray, Glen, 99 Hampton, Lionel, 98 Henderson, Fletcher, 96–97 Herman, Woody, 129 Hines, Earl, 98 instrumental soloists, 108–111 Kenton, Stan, 130 Kirk, Andy, 98
lesser-known, 221–222 Lunceford, Jimmie, 98 McKinney’s Cotton Pickers, 98 Miller, Glenn, 99–100 Moten, Bennie, 100–101 Pollack, Ben, 99 Shaw, Artie, 108 Thornhill, Claude, 130 vocal soloists, 111–113 Webb, Chick, 98–99 Whiteman, Paul, 100 Billboard magazine, 180 Black Saint record label, 335 Blake, Eubie (pianist/composer), 66, 79–80 Blakey, Art (drummer/band leader), 41, 131–132, 171–172 Blanton, Jimmy (bassist), 58, 110, 119 Bley, Paul (pianist), 153 Blue Devils, 101 Blue Note record label, 294, 295, 336 Bluebird Jazz record label, 336–337 blues, 17, 23–24, 32, 68 Blues For Dummies (Brooks and Coda), 24 Blues People (Baraka), 160 Blues Serenaders, 101 Bobo, Willie (percussionist), 175 Bolden, Buddy (cornetist), 59, 73–74, 210 books. See also specific books about jazz, 341–345 for children, 257 jazz as inspiration for, 209–210 for researching jazz, 324 Bossa Nova, 174–177. See also Latin jazz Boswell, Connee (vocalist), 112 Bove, Tony (iPod & iTunes For Dummies), 322 brass and reed instruments, 47–55, 258–259 brass marching bands, 72, 73 Braxton, Anthony (saxophonist), 28, 153–154 breaks (silence), listening to, 40 bridge, defined, 33 Broadway show tunes, 29 Brookmeyer, Bob (trombonist), 53 Brooks, Lonnie (Blues For Dummies), 24 Brown, Clifford (trumpeter), 132 Brown, Tom (trombonist), 76 Brubeck, Dave (pianist/composer) about, 145–146 collaborations, 13 cool jazz of, 136 on cover of Time magazine, 201 music used in advertising, 212 song structures used by, 35 time signatures used by, 36 Bryant, Clora (trumpeter), 223 Building a Web Site For Dummies (Crowder), 297 Burns, Ken (Jazz television series), 203, 208 Burton, Gary (vibraphonist), 65 business, taking classes in, 264 But Beautiful: A Book About Jazz (Dyer), 210 • C • Index California jazz festivals, 244–245, 250–251, 314 call and response, 21, 23, 45–46 Calloway, Cab (vocalist/bandleader), 97, 205, 210–211 Carney, Harry (clarinetist), 53 Carter, Benny (musician/composer), 97–98 Carter, Ron (bassist), 58 cartoons, jazz in, 205–206 Casa Loma Orchestra, 99 cassettes, 318, 319 Catalano, Frank (Internet Marketing For Dummies), 297 CDs caring for, 325–326 producing, 285–287 remastered, 320 selling your music, 299–300 sound quality of, 319, 320 cello, 222 Cherry, Don (trumpeter), 154 Chicago jazz African-American musicians, 82–89 Austin High Gang, 91–92 big bands, 99–100 distinctive traits of, 81–82 festival, 243 free jazz, 156–157 353
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Although some fans and critics dism
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Gato Barbieri Born in Argentina, sa
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Mongo Santamaria For his prolific o
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population in 2005, for instance),
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Hilton Ruiz Ruiz (born 1952) grew u
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In This Chapter Chapter 10 Looking
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Chapter 10: Looking Ahead: The Pres
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Figure 10-1: Wynton Marsalis plays
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Other musicians Other musicians who
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Part III The Beat Goes On: Jazz App
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Chapter 11 Mass Appeal: Taking Note
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Chapter 11: Mass Appeal: Taking Not
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In This Chapter � Jazzing up your
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on together in 1959. Charles Mingus
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Chapter 12: Good Times: Jazzing Up
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Sending Your Guests Home with Fun P
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Chapter 13 Lovin’ It Live: A Jazz
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Chapter 13: Lovin’ It Live: A Jaz
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In This Chapter Chapter 14 Travelin
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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In This Chapter Chapter 17 Digital
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Chapter 17: Digital Jazz: Making Mu
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Page 319 and 320: Part V The Part of Tens
Page 321 and 322: In This Chapter Chapter 18 Ten Grea
Page 323 and 324: Cool venues to check out include
Page 325 and 326: Los Angeles Considering its wealth
Page 327 and 328: As in many other cities, local radi
Page 329 and 330: Chapter 18: Ten Great Cities for Ja
Page 331 and 332: San Diego Chapter 18: Ten Great Cit
Page 333 and 334: San Francisco Bay Area Big time jaz
Page 335 and 336: Chapter 19 Ten Tips for Building an
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Page 345 and 346: Part VI Appendixes
Page 347 and 348: Appendix A More Than 100 Recommende
Page 349 and 350: Bebop and Hard Bop Appendix A: More
Page 351 and 352: Avant Garde Jazz and Free Jazz Begi
Page 353 and 354: Appendix B Trustworthy Jazz Labels
Page 355 and 356: � Benny Goodman, clarinetist �
Page 357 and 358: � Count Basie, bandleader and pia
Page 359 and 360: Appendix C Resources for Further Ja
Page 361 and 362: Appendix C: Resources for Further J
Page 363 and 364: The Story of Jazz (Oxford Universit
Page 369: • Numerics • 12-bar format, 32-
Page 373 and 374: Howard Rumsey’s Lighthouse All-St
Page 375 and 376: Fitzgerald, Ella (vocalist) as bebo
Page 377 and 378: Jazz Messengers, 134, 171 jazz musi
Page 379 and 380: multi-track recording, 292, 293 mus
Page 381 and 382: Herman, Woody, 218 improvisation, 4
Page 383 and 384: stretching words, 38 stride piano,
Page 385 and 386: BUSINESS, CAREERS & PERSONAL FINANC
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