That Jazz - Monkey Max Music and File Download

• Numerics •
12-bar format, 32–33
32-bar format, 34–35
1980s recommended music, 334
1990s recommended music, 334
• A •
abstract jazz, 28. See also free jazz
accents, 25, 37
accordion, 222
acid jazz, 28, 191, 192–193
Adderley, Cannonball (saxophonist), 131
advertising, 212, 281–283
AFM (American Federation of Musicians),
116–117, 272, 290
Afro-Cuban jazz, 125, 165–166, 169. See also
Latin jazz
The Afro-Cubans, 168–169
age to learn jazz, 261
allaboutjazz (Web site), 230, 232, 345
Allen, Candace (Valaida), 210
Allen, Henry “Red” (cornetist/
trumpeter), 87
Allen, Woody (film producer), 204
Alternative Improvisation Music Ensemble
(AIME), 304
American Federation of Musicians (AFM),
116–117, 272, 290
Anderson, Ivie (vocalist), 112
appreciation of jazz, developing, 10, 13–14,
15, 24–27
arco style playing, 146
Arkestra bands, 155–156
Armstrong, Louis (trumpeter/vocalist)
blues singing of, 24
Bolden, Buddy, influence on, 74
in cartoons, 205, 206
improvisation style, 17, 43
on magazine covers, 214
movie roles, 200–201
music used in advertising, 212
Index
role in jazz history, 12, 82–83
scat-singing of, 114
signature sound of, 26, 83
trumpet playing of, 52
Art Ensemble of Chicago, 28, 152–153
Ashby, Dorothy (harp), 223
Association for the Advancement of Creative
Musicians (AACM), 152, 157, 158
Austin High Gang, 91–92
Austin jazz venues, 303–304
Austin Traditional Jazz Society, 304
autographs, obtaining, 238, 252
avant garde jazz. See also free jazz
about, 28, 143
of Brubeck, Dave, 145–146
Lydian Concept movement, 143, 144
of Mingus, Charles, 146–147
Modern Jazz Quartet, 147
recommended music, 333
of Russell, George, 144
Third Stream music, 143, 144–147
Ayler, Albert (saxophonist), 160
Azpiazu, Don (bandleader), 167
• B •
backbeats, described, 37–38
bagpipes, 222
Bailey, Derek (guitarist), 195
Bailey, Mildred (vocalist), 112
Baker, Chet (trumpeter), 135–136, 203
bands. See also big band jazz; playing jazz
joining, 270–271
landing gigs, 285
leader’s role, 274–275
members’ contributions, 275–276
performing at social events, 284–285
playing for free, 283–284
playing well together, 276–278
preparing for performance, 287–288
producing a CD, 285–287
publicizing, 281–283
recruiting members, 271–274