That Jazz - Monkey Max Music and File Download

More documents

Recommendations

Info

xii Jazz For Dummies, 2nd Edition Are You Hep to the Jive? Jazz Jargon.........................................................210 Making the Sale: Jazz in Advertising..........................................................212 Chapter 12: Good Times: Jazzing Up Any Dinner Party . . . . . . . . . . . .213 Setting the Stage with Jazzy Décor ............................................................213 Cueing Up Terrific Tunes.............................................................................215 Easing into the evening......................................................................216 Boosting the energy during dinner ..................................................216 Upping the elegance during dessert ................................................217 Ending your night on an electric note .............................................218 Keeping the Conversation Flowing with Jazz Talk...................................220 Finding nuggets of info to share with your guests .........................220 Dishing about lesser-known musicians ...........................................220 Sending Your Guests Home with Fun Party Favors .................................225 Chapter 13: Lovin’ It Live: A Jazz Concert Survival Guide . . . . . . . . .227 Do Your Homework: Researching Different Artists .................................228 Searching for basic information about musicians and tours........228 Reading reviews of a tour..................................................................230 A Room with a View (and Good Sound): Assessing Venues ...................232 Surveying sound quality....................................................................233 Steering clear of a few bad venue features .....................................233 Have a Seat: Scoring Great Tickets Creatively..........................................235 Behave Yourself: A Concert Etiquette Primer ..........................................236 Respond appropriately to the music ...............................................237 Check the rules before you snap photos ........................................237 Approach musicians respectfully.....................................................238 Live and Global: Great Jazz Venues around the World............................239 Chapter 14: Traveling Jazz: Your Ticket to the Best Festivals . . . . . .241 Starting with the Newport Jazz Festival....................................................242 Touring Some American Festivals..............................................................243 Chicago Jazz Festival .........................................................................243 Detroit International Jazz Festival....................................................243 Earshot Jazz Festival, Seattle............................................................243 Elkhart Jazz Festival, Indiana............................................................244 Indy Jazz Fest, Indiana .......................................................................244 Monterey Jazz Festival, California....................................................244 New Orleans Jazz & Heritage Festival..............................................245 Playboy Jazz Festival, Hollywood ....................................................245 Portland Jazz Festival, Oregon .........................................................245 San Francisco Jazz Festival ...............................................................246 Telluride Jazz Celebration, Colorado...............................................246 Foreign Affairs: Jazz Festing Abroad..........................................................246 Copenhagen Jazz Festival, Denmark................................................246 Guelph Jazz Festival, Canada............................................................247
Table of Contents Guinness Jazz Festival, Cork, Ireland...............................................247 International Festival Musique Actuelle, Victoriaville, Canada....247 Jazz Festival Willisau, Switzerland ...................................................248 Malta Jazz Festival..............................................................................248 Moers International New Jazz Festival, Germany ..........................248 Montreux Jazz Festival, Switzerland ................................................248 North Sea Jazz Festival, Rotterdam, the Netherlands ...................249 Umbria Jazz Festival, Perugia, Italy..................................................249 Checking Out Traditional Jazz Festivals ...................................................249 Planning a Trip to a Festival .......................................................................251 Part IV: I Like the Way You Play: The Jazz Musician ...253 Chapter 15: Feeding the Jazz Jones: Advice for Aspiring Players . . .255 Sparking an Interest in Music .....................................................................256 Selecting the Right Instrument...................................................................258 Trying out instruments for size........................................................258 Surveying the pros and cons of specific instruments ...................258 Deciding whether to rent or buy ......................................................260 Making the Most of Lessons .......................................................................260 Finding a terrific teacher ...................................................................261 Keeping an eye on the practice routine ..........................................262 Pursuing Music in College...........................................................................263 Receiving a well-rounded education................................................263 Looking at top music schools...........................................................265 Chapter 16: So You Wanna Be in a Band: Fitting into a Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .269 Joining an Established Group.....................................................................270 Building a Band from the Ground Up ........................................................271 Recruiting the members ....................................................................271 Understanding the role of a leader ..................................................274 Considering band members’ contributions ....................................275 Playing well together .........................................................................276 Stocking up on standard songs and wild cards..............................278 Publicizing Your Band and Landing Gigs ..................................................281 Harnessing the power of the Internet..............................................281 Smiling for the camera.......................................................................282 Playing for free....................................................................................283 Performing at social events ..............................................................284 Approaching a variety of local venues ............................................285 Producing a CD ...................................................................................285 Preparing Yourself and Your Band to Perform.........................................287 Taking (and Polishing) Your Show on the Road.......................................288 xiii
Page 1: Jazz FOR DUMmIES‰ by Dirk Sutro 2
Page 4 and 5: Jazz For Dummies ® , 2nd Edition P
Page 6 and 7: Publisher’s Acknowledgments We’
Page 9 and 10: Table of Contents Introduction.....
Page 11 and 12: Table of Contents Ragging the Rhyth
Page 13: Table of Contents Let’s Get Funky
Page 17 and 18: Table of Contents Avant Garde Jazz
Page 19 and 20: Introduction As you begin your jour
Page 21 and 22: What You’re Not to Read I include
Page 23 and 24: Part VI: Appendixes Part VI covers
Page 25 and 26: Part I All That Jazz: A Tour of the
Page 27 and 28: In This Chapter Chapter 1 In the Be
Page 29 and 30: Chapter 1: In the Beginning: Enteri
Page 31 and 32: Meanwhile, Latin music had a signif
Page 33 and 34: Chapter 2 Altered Ears: Understandi
Page 35 and 36: Chapter 2: Altered Ears: Understand
Page 49 and 50: In This Chapter Chapter 3 The Schem
Page 51 and 52: Chapter 3: The Scheme of Things: El
Page 65 and 66:
In This Chapter Chapter 4 Tools of
Page 67 and 68:
Figure 4-1: A soprano sax looks lik
Page 69 and 70:
Chapter 4: Tools of the Trade: The
Page 71 and 72:
Page 73 and 74:
Figure 4-6: The bass clarinet is mo
Page 75 and 76:
Strumming Along: Strings Chapter 4:
Page 77 and 78:
Page 79 and 80:
seconds, filling the space behind a
Page 81 and 82:
� Cymbals: In early jazz, one cym
Page 83 and 84:
Figure 4-8: A musician plays a vibr
Page 85 and 86:
Page 87 and 88:
Part II Jazz Greats and Great Jazz:
Page 89 and 90:
Chapter 5 The Birth of an American
Page 91 and 92:
Chapter 5: The Birth of an American
Page 93 and 94:
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
Page 103 and 104:
Figure 5-3: Jelly Roll Morton is fa
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
Page 111 and 112:
Chapter 6 The Golden Era of Big Ban
Page 113 and 114:
Chapter 6: The Golden Era of Big Ba
Page 115 and 116:
Page 117 and 118:
Page 119 and 120:
Page 121 and 122:
Page 123 and 124:
Page 125 and 126:
Page 127 and 128:
Page 129 and 130:
Page 131 and 132:
Page 133 and 134:
In This Chapter � Witnessing the
Page 135 and 136:
Chapter 7: Bebop to Cool: The 1940s
Page 137 and 138:
Surveying Influential Bebop Musicia
Page 139 and 140:
Figure 7-1: Charlie Parker was nick
Page 141 and 142:
Page 143 and 144:
Page 145 and 146:
Figure 7-4: Ella Fitzgerald was the
Page 147 and 148:
Page 149 and 150:
Page 151 and 152:
Page 153 and 154:
Page 155 and 156:
Page 157 and 158:
Page 159 and 160:
Figure 7-5: Miles Davis played both
Page 161 and 162:
In This Chapter Chapter 8 A Radical
Page 163 and 164:
Figure 8-1: Classical fugues influe
Page 165 and 166:
Mingus’s 1972 album Let My Childr
Page 167 and 168:
Chapter 8: A Radical Departure: The
Page 169 and 170:
Page 171 and 172:
Figure 8-5: Cecil Taylor overlapped
Page 173 and 174:
Hear Dolphy’s wild leaps of imagi
Page 175 and 176:
Chicago In Chicago, a group of Afri
Page 177 and 178:
Page 179 and 180:
Although some fans and critics dism
Page 181 and 182:
Page 183 and 184:
Chapter 9 The Perfect Hybrid: Latin
Page 185 and 186:
In the ’30s, bandleaders Don Azpi
Page 187 and 188:
Chapter 9: The Perfect Hybrid: Lati
Page 189 and 190:
O’Farrill created “Undercurrent
Page 191 and 192:
musical elements through travels to
Page 193 and 194:
Gato Barbieri Born in Argentina, sa
Page 195 and 196:
Mongo Santamaria For his prolific o
Page 197 and 198:
population in 2005, for instance),
Page 199 and 200:
Hilton Ruiz Ruiz (born 1952) grew u
Page 201 and 202:
In This Chapter Chapter 10 Looking
Page 203 and 204:
Chapter 10: Looking Ahead: The Pres
Page 205 and 206:
Page 207 and 208:
Figure 10-1: Wynton Marsalis plays
Page 209 and 210:
Page 211 and 212:
Page 213 and 214:
Other musicians Other musicians who
Page 215 and 216:
Part III The Beat Goes On: Jazz App
Page 217 and 218:
Chapter 11 Mass Appeal: Taking Note
Page 219 and 220:
Chapter 11: Mass Appeal: Taking Not
Page 221 and 222:
Page 223 and 224:
Page 225 and 226:
Page 227 and 228:
Page 229 and 230:
Page 231 and 232:
In This Chapter � Jazzing up your
Page 233 and 234:
on together in 1959. Charles Mingus
Page 235 and 236:
Chapter 12: Good Times: Jazzing Up
Page 237 and 238:
Page 239 and 240:
Page 241 and 242:
Page 243 and 244:
Sending Your Guests Home with Fun P
Page 245 and 246:
Chapter 13 Lovin’ It Live: A Jazz
Page 247 and 248:
Chapter 13: Lovin’ It Live: A Jaz
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Page 255 and 256:
Page 257 and 258:
Page 259 and 260:
In This Chapter Chapter 14 Travelin
Page 261 and 262:
Chapter 14: Traveling Jazz: Your Ti
Page 263 and 264:
Page 265 and 266:
Page 267 and 268:
Page 269 and 270:
Page 271 and 272:
Part IV I Like the Way You Play: Th
Page 273 and 274:
Chapter 15 Feeding the Jazz Jones:
Page 275 and 276:
Chapter 15: Feeding the Jazz Jones:
Page 277 and 278:
Page 279 and 280:
Page 281 and 282:
Page 283 and 284:
Page 285 and 286:
Page 287 and 288:
Chapter 16 So You Wanna Be in a Ban
Page 289 and 290:
Chapter 16: So You Wanna Be in a Ba
Page 291 and 292:
Page 293 and 294:
Page 295 and 296:
Page 297 and 298:
Page 299 and 300:
Page 301 and 302:
Page 303 and 304:
Page 305 and 306:
Page 307 and 308:
Page 309 and 310:
In This Chapter Chapter 17 Digital
Page 311 and 312:
Chapter 17: Digital Jazz: Making Mu
Page 313 and 314:
Page 315 and 316:
Page 317 and 318:
Page 319 and 320:
Part V The Part of Tens
Page 321 and 322:
In This Chapter Chapter 18 Ten Grea
Page 323 and 324:
Cool venues to check out include
Page 325 and 326:
Los Angeles Considering its wealth
Page 327 and 328:
As in many other cities, local radi
Page 329 and 330:
Chapter 18: Ten Great Cities for Ja
Page 331 and 332:
San Diego Chapter 18: Ten Great Cit
Page 333 and 334:
San Francisco Bay Area Big time jaz
Page 335 and 336:
Chapter 19 Ten Tips for Building an
Page 337 and 338:
Chapter 19: Ten Tips for Building a
Page 339 and 340:
Page 341 and 342:
Page 343 and 344:
Page 345 and 346:
Part VI Appendixes
Page 347 and 348:
Appendix A More Than 100 Recommende
Page 349 and 350:
Bebop and Hard Bop Appendix A: More
Page 351 and 352:
Avant Garde Jazz and Free Jazz Begi
Page 353 and 354:
Appendix B Trustworthy Jazz Labels
Page 355 and 356:
� Benny Goodman, clarinetist �
Page 357 and 358:
� Count Basie, bandleader and pia
Page 359 and 360:
Appendix C Resources for Further Ja
Page 361 and 362:
Appendix C: Resources for Further J
Page 363 and 364:
The Story of Jazz (Oxford Universit
Page 365 and 366:
Page 367 and 368:
Page 369 and 370:
• Numerics • 12-bar format, 32-
Page 371 and 372:
lesser-known, 221-222 Lunceford, Ji
Page 373 and 374:
Howard Rumsey’s Lighthouse All-St
Page 375 and 376:
Fitzgerald, Ella (vocalist) as bebo
Page 377 and 378:
Jazz Messengers, 134, 171 jazz musi
Page 379 and 380:
multi-track recording, 292, 293 mus
Page 381 and 382:
Herman, Woody, 218 improvisation, 4
Page 383 and 384:
stretching words, 38 stride piano,
Page 385 and 386:
BUSINESS, CAREERS & PERSONAL FINANC
show all

That Jazz - Monkey Max Music and File Download

Create successful ePaper yourself

Delete template?

Save as template?