09.01.2013 Views

That Jazz - Monkey Max Music and File Download

That Jazz - Monkey Max Music and File Download

That Jazz - Monkey Max Music and File Download

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Chapter 6: The Golden Era of Big B<strong>and</strong> Swing: The 1930s <strong>and</strong> Beyond<br />

popularity, his use of black musicians helped launch their careers (with concerts<br />

<strong>and</strong> recordings) in a way that wouldn’t have been possible had they<br />

been in all-black b<strong>and</strong>s.<br />

The prime of Goodman’s big b<strong>and</strong> career came between 1936 <strong>and</strong> 1939, when<br />

his b<strong>and</strong> included some big namers:<br />

� Harry James, Bunny Berigan, <strong>and</strong> Ziggy Elman, trumpeters<br />

� Jess Stacy <strong>and</strong> Teddy Wilson, pianists<br />

� Davey Tough <strong>and</strong> Gene Krupa, drummers<br />

� Lionel Hampton, vibraphonist<br />

When Goodman’s b<strong>and</strong> played Carnegie Hall in 1938, joined by members of<br />

the Count Basie <strong>and</strong> Duke Ellington b<strong>and</strong>s, the milestone performance elevated<br />

the music to new legitimacy. This performance was the first time jazz had<br />

been featured in such a big way at a concert hall previously known for classical<br />

music. Even though Goodman was the headliner, he had the grace to include<br />

several great players who provided inspiration.<br />

The recording of this concert is available on the CD Carnegie Hall <strong>Jazz</strong><br />

Concert (Sony), <strong>and</strong> it should be a part of your collection.<br />

Coming on Strong: Other<br />

Important Big B<strong>and</strong>s<br />

Although Count Basie <strong>and</strong> Benny Goodman were the powerhouses of big<br />

b<strong>and</strong> swing, several other notable b<strong>and</strong>s pushed the music forward.<br />

� Charlie Barnet (1913–1991): Barnet, a leader <strong>and</strong> saxophonist who<br />

admired Count Basie <strong>and</strong> Duke Ellington’s big b<strong>and</strong>s, was one of the first<br />

to front an integrated orchestra; his group also was one of the first predominantly<br />

white b<strong>and</strong>s to play Harlem’s famed Apollo Theatre. Barnet<br />

assembled a big b<strong>and</strong> in 1932 <strong>and</strong> became well known with the 1939 hit<br />

“Cherokee.” In the 1940s, Barnet’s b<strong>and</strong> recorded more hits including<br />

“Skyliner,” <strong>and</strong> as the b<strong>and</strong> moved to dem<strong>and</strong>ing bebop charts, the<br />

lineup included rising stars such as trumpeters Maynard Ferguson <strong>and</strong><br />

Doc Severinsen <strong>and</strong> guitarist Barney Kessel.<br />

� Bob Crosby (1913–1993): A b<strong>and</strong>leader <strong>and</strong> vocalist (brother of Bing<br />

Crosby), he helped Chicago-style jazz evolve into big b<strong>and</strong> swing with<br />

new arrangements of earlier jazz tunes such as “South Rampart Street<br />

Parade” <strong>and</strong> “Wolverine Blues.”<br />

107

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!