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That Jazz - Monkey Max Music and File Download

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56<br />

Part I: All <strong>That</strong> <strong>Jazz</strong>: A Tour of the Basics<br />

Albert Socarras: The first jazz flutist on record<br />

Albert Socarras was first to record the jazz flute.<br />

Like other jazz flutists, Socarras was a doubler —<br />

he played saxophone <strong>and</strong> clarinet. Socarras<br />

played flute on several songs recorded by<br />

Clarence Williams’s big b<strong>and</strong> in 1929, <strong>and</strong> his solo<br />

on “Have You Ever Felt <strong>That</strong> Way” included on<br />

Clarence Williams 1929 (Classics) is the earliest<br />

example of flute improvisation I’ve found.<br />

“Have You Ever Felt <strong>That</strong> Way” is an upbeat<br />

number led by Williams’ piano <strong>and</strong> “de-de-dedoo”<br />

vocals. After cornetist Ed Allen’s raunchy<br />

solo, Socarras comes trilling in, delivers an<br />

inventive solo, <strong>and</strong> pauses as Williams calls out,<br />

“Everybody in the cycle now; everybody in the<br />

cycle” <strong>and</strong> then takes his piano break. Socarras<br />

returns for another burst of invention. Although<br />

his moment lasts only 30 seconds or so, it’s<br />

enough to show that he was a capable improviser<br />

as creative as horn players, pianists, <strong>and</strong><br />

vocalists — the common leading sounds of his<br />

day. Socarras pointed the way toward jazz’s<br />

great flute virtuosos who didn’t come along until<br />

the 1950s.<br />

Finding a concentrated sample of great jazz flute music is difficult. Probably<br />

half of jazz’s top flutists play other wind instruments, including saxophones,<br />

<strong>and</strong> these players seldom make recordings that focus solely on the flute.<br />

More commonly, these doublers include a flute tune or two on their albums.<br />

Only a h<strong>and</strong>ful of flutists have made recordings devoted to the flute: Herbie<br />

Mann, Frank Wess, Hubert Laws, Holly Hofmann, Rahsaan Rol<strong>and</strong> Kirk,<br />

Charles Lloyd, Sam Most, Jeremy Steig, Buddy Collette, Lloyd McNeil, <strong>and</strong><br />

James Newton. For details on an early doubler, see the nearby sidebar<br />

“Albert Socarras: The first jazz flutist on record.”<br />

In recent decades, flutists like Eric Dolphy, Joe Farrell, Rahsaan Rol<strong>and</strong> Kirk,<br />

James Moody, Yusef Lateef, Hubert Laws, James Newton, <strong>and</strong> Frank Wess have<br />

brought the instrument front <strong>and</strong> center with their sublime performances.<br />

For intimate headphone listening that can be as calming as a good meditation,<br />

try these albums that feature the flute:<br />

� Does Your House Have Lions (Rhino): In this retrospective of music<br />

from 1961 to 1976, Rahsaan Rol<strong>and</strong> Kirk moves easily from flute to saxophone<br />

<strong>and</strong> exotic wind instruments such as the m<strong>and</strong>ello <strong>and</strong> stritch as<br />

he runs a range of jazz influences from New Orleans to bebop. He also<br />

displays his talent for playing two or three saxophones at once.<br />

� Echo Canyon (Celestial Harmonies): James Newton gets inspiration<br />

from Southwestern l<strong>and</strong>scapes <strong>and</strong> painter Georgia O’Keeffe to evoke<br />

the mystical moods of red canyons, deserts, <strong>and</strong> mesas.<br />

� Live at Pep’s (Impulse): Yusef Lateef plays flute, as well as bamboo flute<br />

<strong>and</strong> saxophone, on this powerful live recording in 1964.

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