That Jazz - Monkey Max Music and File Download

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Jazz For Dummies, 2nd Edition
Combining Bebop and Big Bands...............................................................129
Branching Off Bebop into Hard Bop and Cool Jazz .................................130
New York and hard bop .....................................................................130
Los Angeles and West Coast cool.....................................................134
Miles Davis and the best of both worlds.........................................140
Chapter 8: A Radical Departure: The 1960s and 1970s . . . . . . . . . . . .143
The Future Is Now: Avant Garde Jazz ........................................................143
George Russell and his Lydian Concept ..........................................144
Third stream and its classical elements..........................................144
Letting Loose: Free Jazz ..............................................................................147
John Coltrane’s spiritual quest.........................................................148
Ornette Coleman on the fringe .........................................................150
Cecil Taylor’s stunning tones............................................................152
Other free jazz players of the 1960s.................................................152
Chicago and New York City, the two centers for free jazz ............156
Music with a Message: 1960s Jazz as Social Expression .........................159
Connecting with world cultures .......................................................159
Black Power and racial turmoil ........................................................160
Plug In: Electric and Eclectic Fusions........................................................160
Miles Davis ..........................................................................................161
Other fusioneers.................................................................................162
Chapter 9: The Perfect Hybrid: Latin Jazz . . . . . . . . . . . . . . . . . . . . . . .165
A Sound of Many Origins: Defining Latin Jazz ..........................................165
Making Their Mark: Early Latin Influences on Jazz .................................166
Meet the Cuboppers: Latin Jazz in the 1940s ...........................................167
Mario Bauza and Machito..................................................................168
Dizzy Gillespie and Chano Pozo .......................................................169
Chico O’Farrill.....................................................................................170
The Beat Goes On: Latin Jazz Flowering in the 1950s .............................171
Art Blakey............................................................................................171
Woody Herman ...................................................................................172
Stan Kenton.........................................................................................172
Perez Prado .........................................................................................172
Tito Puente..........................................................................................173
George Shearing..................................................................................173
Cal Tjader ............................................................................................174
The Good Life: The Bossa 1960s ................................................................174
Gato Barbieri.......................................................................................175
Ray Barretto ........................................................................................175
Willie Bobo ..........................................................................................175
Stan Getz..............................................................................................176
Astrud and Joao Gilberto ..................................................................176
Herbie Mann........................................................................................176
Mongo Santamaria..............................................................................177