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354 Jazz For Dummies, 2nd Edition Chicago jazz (continued) lesser-known musicians, 221 venues, 240, 304–305 white musicians, 89–92 women musicians, 86–87 chords bebop’s use of, 120 defined, 26, 42 improvising with, 43–44 inverting, 44 passing, 118 Christian, Charlie (guitarist), 29, 60, 111, 119 clarinet, 53–55, 258–259, 272 Clarke, Kenny (drummer), 63, 204 The Classical Jazz Quartet, 190 classical music influence on jazz, 21–23 jazz fusing with, 188–191 swing lacking in, 36 in third stream music, 144 as written music, 16 Claxton, William (photographer), 208–209 Clifford Brown-Max Roach Quintet, 132 Clooney, Rosemary (vocalist), 112 clubs. See concerts; venues Coda, Club (Blues For Dummies), 24 coda, defined, 34 Cole, Nat King (vocalist), 216 Coleman, Ornette (saxophonist), 12, 150–152 collecting jazz. See also listening to jazz; recommended music author’s collection, 317–318 editing and upgrading your collection, 325 mobile music systems, 322 protecting your collection, 325–326 research options, 323–325 storage space, 323 college, studying music in, 191, 263–268 Colorado River Jazz Festival, Blythe, California, 250 Coltrane, John (saxophonist) about, 148–149 chord improvisations, 44 international influences, 159 modal jazz of, 18, 46 recommended music, 18, 46, 149 role in jazz history, 12 signature sound of, 149 Coltrane, Ravi (saxophonist), 185 Coming Through Slaughter (Ondaatje), 210 computers, composing with, 194 concertos, defined, 144 concerts. See also festivals; venues about, 227–228 etiquette for attending, 236–238 performing at social events, 284–285 playing for free, 283–294 preparing for, 287–288 researching the musicians, 228–230 reviews of, 230–232 schedule information, 229 seating, 234, 235–236 tickets, 235–236 touring, 288–289 conch shells, 223 Concord Music Group label, 337 Condon, Eddie (guitarist), 91 contemporary jazz about, 191 acid jazz, 28, 191, 192–193 musicians, 194–195 neo-traditionalists, 184–187 smooth jazz, 191, 193 Web sites, 195 conversation topics, for parties, 220–223 Cook, Will Marion (violinist/composer), 94–95 cool jazz about, 130, 134–135 Los Angeles, 134–135 recommended music, 332 San Francisco Bay Area, 136 cool jazz, musicians Baker, Chet, 135 Brubeck, Dave, 136 Davis, Miles, 140–141 Evans, Bill, 136–137 Evans, Gil, 137 Getz, Stan, 137 Giuffre, Jimmy, 137 Hamilton, Chico, 137
Howard Rumsey’s Lighthouse All-Stars, 139 Konitz, Lee, 137 Manne, Shelly, 138 The Modern Jazz Quartet, 138 Mulligan, Gerry, 138 Pepper, Art, 138 Rogers, Shorty, 138 Shearing, George, 139 Tristano, Lennie, 139–140 Winding, Kai, 140 Copenhagen Jazz Festival, Denmark, 246–247 Corea, Chick (pianist) electric jazz of, 162 international influences, 159 Latin jazz of, 177 role in jazz history, 12 cornet, 51–52 Cox, Ida (vocalist), 86 Crosby, Bing (vocalist), 112 Crosby, Bob (bandleader/vocalist), 107 Crowder, David A. (Building a Web Site For Dummies), 297 The Crusaders, 162 Cubop, 167–171. See also Latin jazz Cugat, Xavier (bandleader), 167 cymbals, 63 • D • Daniels, Eddie (clarinetist), 53 Davis, Anthony (pianist), 194 Davis, Miles (trumpeter) about, 140–141 author’s introduction to, 15, 318 bebop performances, 123–124 cool jazz of, 140–141 distinctive voice of, 19, 26 electric jazz of, 141, 161–162 flugelhorn used by, 52 improvisation style, 83 modal jazz of, 18, 46 music for film soundtrack, 204 music used in advertising, 212 recommended music, 18, 35, 140, 162 role in jazz history, 12 stylish appearance of, 208 Day, Doris (vocalist), 112 DeCarava, Roy (photographer), 209 DeDroit, Johnny (trumpeter/ bandleader), 76 DeFranco, Buddy (clarinetist), 53 Detroit International Jazz Festival, 243 dinner party conversation topics, 220–223 jazz trivia, 224 jazzy décor, 213–215 music, 216–218 party favors, 225 playlists, 219 Dixieland Jazz by the Sea, San Clemente, California, 250 Dixieland-Monterey’s Jazz Bash by the Bay, California, 250 documentaries, jazz, 202–203 Dodds, Johnny (clarinetist), 53, 88 Dodds, Warren “Baby” (drummer), 88, 221 Dolphy, Eric (saxophonist), 154–155 Dorsey, Jimmy (clarinetist), 108 Dorsey, Tommy (trombonist), 108 Downbeat (jazz magazine), 231, 345 Dresser, Mark (bassist), 195 drones, 46 Drummin’ Men — The Heartbeat of Jazz: The Bebop Years (Korall), 38 drums about, 12, 24, 61–64 basses and, 57 in big band jazz, 110–111 choosing to play, 259 playing in a band, 272 recommended music, 41 Durham, Eddie (guitarist), 60 Dutrey, Honoré (trombonist), 75 Dyer, Geoff (But Beautiful: A Book About Jazz), 210 • E • Index Earshot Jazz Festival, Seattle, 243–244 Edison, Harry “Sweets” (trumpeter), 109 education college, studying music in, 191, 263–268 music schools, studying at, 265–268 rhythmic, 38 university jazz programs, 158 Eldridge, Roy (trumpeter), 109, 119 355
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Although some fans and critics dism
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Gato Barbieri Born in Argentina, sa
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Mongo Santamaria For his prolific o
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population in 2005, for instance),
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Hilton Ruiz Ruiz (born 1952) grew u
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In This Chapter Chapter 10 Looking
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Chapter 10: Looking Ahead: The Pres
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Figure 10-1: Wynton Marsalis plays
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Other musicians Other musicians who
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Part III The Beat Goes On: Jazz App
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Chapter 11 Mass Appeal: Taking Note
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Chapter 11: Mass Appeal: Taking Not
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In This Chapter � Jazzing up your
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on together in 1959. Charles Mingus
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Chapter 12: Good Times: Jazzing Up
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Sending Your Guests Home with Fun P
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Chapter 13 Lovin’ It Live: A Jazz
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Chapter 13: Lovin’ It Live: A Jaz
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In This Chapter Chapter 14 Travelin
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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In This Chapter Chapter 17 Digital
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Chapter 17: Digital Jazz: Making Mu
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Part V The Part of Tens
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Page 345 and 346: Part VI Appendixes
Page 347 and 348: Appendix A More Than 100 Recommende
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Page 351 and 352: Avant Garde Jazz and Free Jazz Begi
Page 353 and 354: Appendix B Trustworthy Jazz Labels
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Page 357 and 358: � Count Basie, bandleader and pia
Page 359 and 360: Appendix C Resources for Further Ja
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Page 371: lesser-known, 221-222 Lunceford, Ji
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Page 381 and 382: Herman, Woody, 218 improvisation, 4
Page 383 and 384: stretching words, 38 stride piano,
Page 385 and 386: BUSINESS, CAREERS & PERSONAL FINANC
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