That Jazz - Monkey Max Music and File Download

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In this part . . . Jazz is more than mere music — it’s an American art form that infuses our culture, from commercials, fashion, and film, to dinner party conversation. Part III is your primer for appreciating jazz in all its variations. This part begins with a celebration of jazz in popular culture and some tips on how to throw a jazzy dinner party full of great music and conversation. From your home, take your appreciation on the road and discover jazz in clubs, concert halls, and at some of the best jazz festivals around the world.
Chapter 11 Mass Appeal: Taking Note of Jazz in Popular Culture In This Chapter � Adding the magic of jazz to movies � Setting stylish fashion trends � Jazzing up art and literature � Using hip jazz jargon � Selling products with jazz The impact of jazz on American culture is undeniable, though you may not even realize it. From films and novels, to advertising, fashion, and even language, aspects of jazz filter out to the masses. In this chapter you look at the ways in which jazz has permeated pop culture over the past 100 years, from slang and film, to fiction and fashion. I want to give credit to the music and the musicians for whatever coolness, hipness, and tastefulness they’ve imparted to our nation over the years! On the Silver Screen: Jazz on Film Until the ’50s, jazz’s role in American films was primarily in the form of cameo appearances in nightclub and party scenes; early portrayals of jazz musicians helped sustain negative stereotypes. Jazz players weren’t featured as main characters, and the music selected was generally mainstream. In the ’50s, though, films such as Young Man with a Horn began to treat jazz and jazz performers as legitimate artistic subject matter. In the following sections, find out how films portrayed jazz and jazz musicians over time.
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Page 167 and 168: Chapter 8: A Radical Departure: The
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Page 179 and 180: Although some fans and critics dism
Page 183 and 184: Chapter 9 The Perfect Hybrid: Latin
Page 185 and 186: In the ’30s, bandleaders Don Azpi
Page 187 and 188: Chapter 9: The Perfect Hybrid: Lati
Page 189 and 190: O’Farrill created “Undercurrent
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Page 193 and 194: Gato Barbieri Born in Argentina, sa
Page 195 and 196: Mongo Santamaria For his prolific o
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Page 201 and 202: In This Chapter Chapter 10 Looking
Page 203 and 204: Chapter 10: Looking Ahead: The Pres
Page 207 and 208: Figure 10-1: Wynton Marsalis plays
Page 213 and 214: Other musicians Other musicians who
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Page 219 and 220: Chapter 11: Mass Appeal: Taking Not
Page 231 and 232: In This Chapter � Jazzing up your
Page 233 and 234: on together in 1959. Charles Mingus
Page 235 and 236: Chapter 12: Good Times: Jazzing Up
Page 243 and 244: Sending Your Guests Home with Fun P
Page 245 and 246: Chapter 13 Lovin’ It Live: A Jazz
Page 247 and 248: Chapter 13: Lovin’ It Live: A Jaz
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Page 261 and 262: Chapter 14: Traveling Jazz: Your Ti
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Chapter 14: Traveling Jazz: Your Ti
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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In This Chapter Chapter 17 Digital
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Chapter 17: Digital Jazz: Making Mu
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Part V The Part of Tens
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In This Chapter Chapter 18 Ten Grea
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Cool venues to check out include
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Los Angeles Considering its wealth
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As in many other cities, local radi
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Chapter 18: Ten Great Cities for Ja
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San Diego Chapter 18: Ten Great Cit
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San Francisco Bay Area Big time jaz
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Chapter 19 Ten Tips for Building an
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Chapter 19: Ten Tips for Building a
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Part VI Appendixes
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Appendix A More Than 100 Recommende
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Bebop and Hard Bop Appendix A: More
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Avant Garde Jazz and Free Jazz Begi
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Appendix B Trustworthy Jazz Labels
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� Benny Goodman, clarinetist �
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� Count Basie, bandleader and pia
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Appendix C Resources for Further Ja
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Appendix C: Resources for Further J
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The Story of Jazz (Oxford Universit
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• Numerics • 12-bar format, 32-
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lesser-known, 221-222 Lunceford, Ji
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Howard Rumsey’s Lighthouse All-St
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Fitzgerald, Ella (vocalist) as bebo
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Jazz Messengers, 134, 171 jazz musi
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multi-track recording, 292, 293 mus
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Herman, Woody, 218 improvisation, 4
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stretching words, 38 stride piano,
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BUSINESS, CAREERS & PERSONAL FINANC
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