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That Jazz - Monkey Max Music and File Download

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124<br />

Part II: <strong>Jazz</strong> Greats <strong>and</strong> Great <strong>Jazz</strong>: An Evolutionary Riff<br />

Davis only played bop for a short while before he moved on to cool jazz <strong>and</strong><br />

hard bop. His subtle, minimalist sound left Parker more room to improvise<br />

than he had with Gillespie.<br />

In addition to a quintet including Davis, Parker recorded <strong>and</strong> performed with<br />

a variety of bebop’s top players during the late 1940s <strong>and</strong> early 1950s. Among<br />

the most important of them were<br />

� Drummer <strong>Max</strong> Roach, along with Kenny Clarke<br />

� Pianist Duke Jordan<br />

� Bassist Tommy Potter<br />

You should have several Parker CDs, including collaborations with Gillespie.<br />

Parker was the most significant soloist from the bebop era. Here are a few<br />

suggestions to get you started:<br />

� Dizzy Gillespie/Charlie Parker: Town Hall, New York City, June 22,<br />

1945 (Uptown): Made during a radio broadcast, these recordings were<br />

recently recovered <strong>and</strong> represent some of the best early bop played by<br />

Parker <strong>and</strong> Gillespie.<br />

� Diz <strong>and</strong> Bird at Carnegie Hall (Blue Note): In 1947, the bebop heroes<br />

gave this excellent performance with a big b<strong>and</strong>.<br />

� <strong>Jazz</strong> at Massey Hall (OJC): Recorded in Toronto in 1953, the album<br />

catches the dynamic duo with an all-star b<strong>and</strong> performing bebop classics<br />

like “A Night in Tunisia” <strong>and</strong> “Salt Peanuts.”<br />

� Charlie Parker: A Studio Chronicle 1940–1948 (JSP Records): A ton of<br />

bop for a reasonable price.<br />

� Charlie Parker: The Cole Porter Songbook (Polygram): Bird was<br />

known for flying fast, but this set shows he also had a loving way with a<br />

ballad.<br />

Gillespie, meanwhile, pursued his ambition to lead a big b<strong>and</strong> that would combine<br />

bebop with Latin elements. This area became his focus during the late<br />

1940s, when he played <strong>and</strong> recorded with Latin masters such as percussionist<br />

Chano Pozo. Unlike Parker, who died prematurely, Gillespie enjoyed a long <strong>and</strong><br />

productive career, <strong>and</strong> mentored many generations of musicians. One of them<br />

was his disciple, Cuban trumpeter Arturo S<strong>and</strong>oval, whom Gillespie helped<br />

bring to the U.S. In his later years, Gillespie traveled with his famous all-star<br />

United Nations Orchestra, which combined great music with spreading a message<br />

of world peace <strong>and</strong> multicultural harmony.

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