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366 Jazz For Dummies, 2nd Edition venues. See also concerts; festivals (continued) Chicago, 240, 304–305 etiquette for, 236–237 features to avoid, 233–234 importance of, 232–233 Kansas City, 305–306 Los Angeles, 240, 307–308 meeting the musicians, 238 Miami, 308–309 New Orleans, 309–310 New York City, 239, 240, 310–312 Philadelphia, 312–313 San Diego, 239, 313–314 San Francisco Bay Area, 235, 240, 315–316 seating, choosing, 234 sound quality, assessing, 233 taking photos at, 237–238 tickets, 235–236 Verve record label, 339–340 vibraphone (vibes), 64–65 vibrato, described, 53 villagevoice (Web site), 232 vinyl records, 214, 319, 325–326 violin, use of, 21 vocalists about, 25 bebop, 126–127 big band soloists, 111–113 recommended music, 332 scat-singing, 114, 126 singing in a band, 272 stretching words, 38 women, current generation, 187 voice, distinctive, 10, 19 • W • wah-wah sounds, of trombones, 53 Waller, Fats (pianist/organist), 27, 67, 80, 104 Washington, Grover, Jr. (saxophonist), 163 Watkins, Julius (French horn), 223 Weather Report, 163 Web sites about jazz, 345–346 building your own, 282, 299–300 concert tickets, obtaining, 236 experimental laboratory, 194 free Internet radio, 321 jazz musicians’, 229–230 selling your music on, 299–300 Webb, Chick (drummer/bandleader), 98–99, 111, 221 West African influence on jazz, 20–21 Western Swing, 28 white jazz musicians. See also musicians dance bands, 99–100 early jazz, 76, 89–92 Original Dixieland Jazz Band (ODJB), 80–81 Whiteman, Paul (bandleader), 100 Williams, Clarence (pianist/record label executive), 89 Williams, Mary Lou (pianist), 98 Wills, Bob (fiddler), 28–29 Winding, Kai (trombonist), 140 women jazz musicians. See also specific musicians current generation of, 187–188 early jazz, 86–92 lesser-known, 223 Woody Herman Orchestra, 129 word origins bebop, 118 jazz, 19 World Saxophone Quartet, 156 World War II, 115, 116 Wyble, Jimmy (guitarist), 29 • Y • Young, Lester (saxophonist) bebop of, 120 big band soloist, 109 improvisation style, 17, 83 photograph, 110 signature sound of, 26 • Z • Ziegler, Mathias (flutist), 195 zoot suits, 207
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Although some fans and critics dism
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Gato Barbieri Born in Argentina, sa
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Mongo Santamaria For his prolific o
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population in 2005, for instance),
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Hilton Ruiz Ruiz (born 1952) grew u
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In This Chapter Chapter 10 Looking
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Chapter 10: Looking Ahead: The Pres
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Figure 10-1: Wynton Marsalis plays
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Other musicians Other musicians who
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Part III The Beat Goes On: Jazz App
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Chapter 11 Mass Appeal: Taking Note
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Chapter 11: Mass Appeal: Taking Not
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In This Chapter � Jazzing up your
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on together in 1959. Charles Mingus
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Chapter 12: Good Times: Jazzing Up
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Sending Your Guests Home with Fun P
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Chapter 13 Lovin’ It Live: A Jazz
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Chapter 13: Lovin’ It Live: A Jaz
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In This Chapter Chapter 14 Travelin
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Chapter 14: Traveling Jazz: Your Ti
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Part IV I Like the Way You Play: Th
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Chapter 15 Feeding the Jazz Jones:
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Chapter 15: Feeding the Jazz Jones:
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Chapter 16 So You Wanna Be in a Ban
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Chapter 16: So You Wanna Be in a Ba
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In This Chapter Chapter 17 Digital
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Chapter 17: Digital Jazz: Making Mu
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Part V The Part of Tens
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In This Chapter Chapter 18 Ten Grea
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Cool venues to check out include
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Los Angeles Considering its wealth
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As in many other cities, local radi
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Chapter 18: Ten Great Cities for Ja
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San Diego Chapter 18: Ten Great Cit
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Page 335 and 336: Chapter 19 Ten Tips for Building an
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Page 345 and 346: Part VI Appendixes
Page 347 and 348: Appendix A More Than 100 Recommende
Page 349 and 350: Bebop and Hard Bop Appendix A: More
Page 351 and 352: Avant Garde Jazz and Free Jazz Begi
Page 353 and 354: Appendix B Trustworthy Jazz Labels
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Page 357 and 358: � Count Basie, bandleader and pia
Page 359 and 360: Appendix C Resources for Further Ja
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Page 363 and 364: The Story of Jazz (Oxford Universit
Page 369 and 370: • Numerics • 12-bar format, 32-
Page 371 and 372: lesser-known, 221-222 Lunceford, Ji
Page 373 and 374: Howard Rumsey’s Lighthouse All-St
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Page 377 and 378: Jazz Messengers, 134, 171 jazz musi
Page 379 and 380: multi-track recording, 292, 293 mus
Page 381 and 382: Herman, Woody, 218 improvisation, 4
Page 383: stretching words, 38 stride piano,
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