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226 Part III: The Beat Goes On: Jazz Appreciation 101
Chapter 13 Lovin’ It Live: A Jazz Concert Survival Guide In This Chapter � Checking on artist and tour information � Surveying different venues � Getting great seats � Minding your manners at a concert � Clubbing around the world One thought may haunt you as you get older: You have only so much time on earth, so you better make the most of it. If you’re into music, this means you must spend your time as carefully as you spend your money. If you want the best that your time can buy, you should get out and hear as much live music as you can, and make sure that it’s the best live music you can find. The purpose of this chapter is to help you have a “perfect” jazz concert experience. Tickets aren’t cheap these days, and when you spend the time and money to hear live jazz, you want to be sure you have a great experience. Many things can throw a wrench in your plans: � Performers who aren’t in peak form � Poor sound systems � Uncomfortable seating � Audiences that talk too much (instead of listening) � Lights that are too bright or that hit you right in the eyes
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Although some fans and critics dism
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Page 195 and 196: Mongo Santamaria For his prolific o
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Page 201 and 202: In This Chapter Chapter 10 Looking
Page 203 and 204: Chapter 10: Looking Ahead: The Pres
Page 207 and 208: Figure 10-1: Wynton Marsalis plays
Page 213 and 214: Other musicians Other musicians who
Page 215 and 216: Part III The Beat Goes On: Jazz App
Page 217 and 218: Chapter 11 Mass Appeal: Taking Note
Page 219 and 220: Chapter 11: Mass Appeal: Taking Not
Page 231 and 232: In This Chapter � Jazzing up your
Page 233 and 234: on together in 1959. Charles Mingus
Page 235 and 236: Chapter 12: Good Times: Jazzing Up
Page 243: Sending Your Guests Home with Fun P
Page 247 and 248: Chapter 13: Lovin’ It Live: A Jaz
Page 259 and 260: In This Chapter Chapter 14 Travelin
Page 261 and 262: Chapter 14: Traveling Jazz: Your Ti
Page 271 and 272: Part IV I Like the Way You Play: Th
Page 273 and 274: Chapter 15 Feeding the Jazz Jones:
Page 275 and 276: Chapter 15: Feeding the Jazz Jones:
Page 287 and 288: Chapter 16 So You Wanna Be in a Ban
Page 289 and 290: Chapter 16: So You Wanna Be in a Ba
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Chapter 16: So You Wanna Be in a Ba
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In This Chapter Chapter 17 Digital
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Chapter 17: Digital Jazz: Making Mu
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Part V The Part of Tens
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In This Chapter Chapter 18 Ten Grea
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Cool venues to check out include
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Los Angeles Considering its wealth
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As in many other cities, local radi
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Chapter 18: Ten Great Cities for Ja
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San Diego Chapter 18: Ten Great Cit
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San Francisco Bay Area Big time jaz
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Chapter 19 Ten Tips for Building an
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Chapter 19: Ten Tips for Building a
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Part VI Appendixes
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Appendix A More Than 100 Recommende
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Bebop and Hard Bop Appendix A: More
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Avant Garde Jazz and Free Jazz Begi
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Appendix B Trustworthy Jazz Labels
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� Benny Goodman, clarinetist �
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� Count Basie, bandleader and pia
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Appendix C Resources for Further Ja
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Appendix C: Resources for Further J
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The Story of Jazz (Oxford Universit
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• Numerics • 12-bar format, 32-
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lesser-known, 221-222 Lunceford, Ji
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Howard Rumsey’s Lighthouse All-St
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Fitzgerald, Ella (vocalist) as bebo
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Jazz Messengers, 134, 171 jazz musi
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multi-track recording, 292, 293 mus
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Herman, Woody, 218 improvisation, 4
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stretching words, 38 stride piano,
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BUSINESS, CAREERS & PERSONAL FINANC
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