That Jazz - Monkey Max Music and File Download

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In this part . . . You’re listening to jazz and loving it now (I hope) . . . but you could be playing it too. Whether you’re a 10-year-old who wants to bop or a gray panther with a yen to play like Ben (Webster, that is), in this part I tell you how to choose an instrument and a teacher, how to organize a band, and what you need to know before you take that band on the road. And if you want to take advantage of today’s affordable recording equipment, I give you the lowdown on home studios.
Chapter 15 Feeding the Jazz Jones: Advice for Aspiring Players In This Chapter � Introducing kids to music � Choosing an appropriate instrument � Finding and working with a great teacher � Studying music in college Alove of jazz can be cultivated from childhood. Some experts even believe that exposing a child to music before birth jumpstarts the process. Children are capable of playing instruments at an early age, and the benefits of hands-on musical experiences are tremendous. Studies are showing that exposure to music helps students excel in science and math, and an early interest in music can blossom into a passion that adds richness to life. While all sorts of music can be gratifying as either a profession or a hobby, jazz may be the most diverse, challenging, and consistently rewarding. It combines the discipline and complexity of classical music with the raw emotion of blues and gospel. Even children who can’t walk yet smile and wave their arms and try to move to music when they hear it. So how do you introduce your child to jazz? How do you help him choose an instrument and find a teacher who conveys a healthy balance of fun and discipline? What can you do if you (or your child) want to pursue music at the college level? In this chapter, I talk about ways to point young people toward a deep involvement with music.
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Jazz FOR DUMmIES‰ by Dirk Sutro 2
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Jazz For Dummies ® , 2nd Edition P
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Publisher’s Acknowledgments We’
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Table of Contents Introduction.....
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Table of Contents Ragging the Rhyth
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Table of Contents Let’s Get Funky
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Table of Contents Guinness Jazz Fes
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Table of Contents Avant Garde Jazz
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Introduction As you begin your jour
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What You’re Not to Read I include
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Part VI: Appendixes Part VI covers
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Part I All That Jazz: A Tour of the
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In This Chapter Chapter 1 In the Be
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Chapter 1: In the Beginning: Enteri
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Meanwhile, Latin music had a signif
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Chapter 2 Altered Ears: Understandi
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Chapter 2: Altered Ears: Understand
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In This Chapter Chapter 3 The Schem
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Chapter 3: The Scheme of Things: El
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In This Chapter Chapter 4 Tools of
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Figure 4-1: A soprano sax looks lik
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Chapter 4: Tools of the Trade: The
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Figure 4-6: The bass clarinet is mo
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Strumming Along: Strings Chapter 4:
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seconds, filling the space behind a
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� Cymbals: In early jazz, one cym
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Figure 4-8: A musician plays a vibr
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Part II Jazz Greats and Great Jazz:
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Chapter 5 The Birth of an American
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Chapter 5: The Birth of an American
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Figure 5-3: Jelly Roll Morton is fa
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Chapter 6 The Golden Era of Big Ban
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Chapter 6: The Golden Era of Big Ba
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In This Chapter � Witnessing the
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Chapter 7: Bebop to Cool: The 1940s
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Surveying Influential Bebop Musicia
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Figure 7-1: Charlie Parker was nick
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Figure 7-4: Ella Fitzgerald was the
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Figure 7-5: Miles Davis played both
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In This Chapter Chapter 8 A Radical
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Figure 8-1: Classical fugues influe
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Mingus’s 1972 album Let My Childr
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Chapter 8: A Radical Departure: The
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Figure 8-5: Cecil Taylor overlapped
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Hear Dolphy’s wild leaps of imagi
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Chicago In Chicago, a group of Afri
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Although some fans and critics dism
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Chapter 9 The Perfect Hybrid: Latin
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In the ’30s, bandleaders Don Azpi
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Chapter 9: The Perfect Hybrid: Lati
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O’Farrill created “Undercurrent
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musical elements through travels to
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Gato Barbieri Born in Argentina, sa
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Mongo Santamaria For his prolific o
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population in 2005, for instance),
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Hilton Ruiz Ruiz (born 1952) grew u
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In This Chapter Chapter 10 Looking
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Chapter 10: Looking Ahead: The Pres
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Figure 10-1: Wynton Marsalis plays
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Other musicians Other musicians who
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Part III The Beat Goes On: Jazz App
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Chapter 11 Mass Appeal: Taking Note
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Chapter 11: Mass Appeal: Taking Not
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Page 231 and 232: In This Chapter � Jazzing up your
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Page 245 and 246: Chapter 13 Lovin’ It Live: A Jazz
Page 247 and 248: Chapter 13: Lovin’ It Live: A Jaz
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Page 309 and 310: In This Chapter Chapter 17 Digital
Page 311 and 312: Chapter 17: Digital Jazz: Making Mu
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Cool venues to check out include
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Los Angeles Considering its wealth
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As in many other cities, local radi
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Chapter 18: Ten Great Cities for Ja
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San Diego Chapter 18: Ten Great Cit
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San Francisco Bay Area Big time jaz
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Chapter 19 Ten Tips for Building an
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Chapter 19: Ten Tips for Building a
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Part VI Appendixes
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Appendix A More Than 100 Recommende
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Bebop and Hard Bop Appendix A: More
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Avant Garde Jazz and Free Jazz Begi
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Appendix B Trustworthy Jazz Labels
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� Benny Goodman, clarinetist �
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� Count Basie, bandleader and pia
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Appendix C Resources for Further Ja
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Appendix C: Resources for Further J
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The Story of Jazz (Oxford Universit
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• Numerics • 12-bar format, 32-
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lesser-known, 221-222 Lunceford, Ji
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Howard Rumsey’s Lighthouse All-St
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Fitzgerald, Ella (vocalist) as bebo
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Jazz Messengers, 134, 171 jazz musi
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multi-track recording, 292, 293 mus
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Herman, Woody, 218 improvisation, 4
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stretching words, 38 stride piano,
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BUSINESS, CAREERS & PERSONAL FINANC
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