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That Jazz - Monkey Max Music and File Download

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24<br />

Part I: All <strong>That</strong> <strong>Jazz</strong>: A Tour of the Basics<br />

� Jack Teagarden<br />

� Ethel Waters<br />

� Louis Armstrong<br />

Known to jazz fans primarily as a trumpeter, Armstrong was also a singer<br />

from the start, <strong>and</strong> his singing rooted in blues. Armstrong’s singing behind<br />

the beat, stretching words over several notes, reinterpreting melodies, <strong>and</strong><br />

improvising (scat-singing), all characterized the blues that he imported into<br />

jazz. (See Chapter 5 for more about Armstrong.) Other bluesmen who improvised<br />

with voices <strong>and</strong> guitars <strong>and</strong> whose inventive techniques influenced jazz<br />

include Lonnie Johnson, Robert (“Crossroads”) Johnson, <strong>and</strong> Leadbelly.<br />

On her 1926 recording of W.C. H<strong>and</strong>y’s “St. Louis Blues,” Bessie Smith was<br />

joined by Louis Armstrong on trumpet in a performance that melded Smith’s<br />

earthy blues vocals with Armstrong’s jazz trumpet, providing an important<br />

early link between the genres.<br />

By the way, if you’re into (or want to get into) the blues, check out Blues For<br />

Dummies (Wiley) by Lonnie Brooks <strong>and</strong> Cub Coda.<br />

The Real Deal: Appreciating<br />

Genuine <strong>Jazz</strong><br />

When you begin to feel rhythms, hear harmonies <strong>and</strong> melodies, <strong>and</strong> get an<br />

incredible rush from jazz’s amazing improvisers, then you know you’re on<br />

the road to becoming a bona fide jazz fan. “Getting it” requires multitask<br />

listening. To truly appreciate jazz, you need to identify each part (bass line,<br />

melody, harmony, improvisation) <strong>and</strong> at the same time hear how all of the<br />

parts fit together. And when the music gets under your skin, there’s no telling<br />

how far you may take this new love affair.<br />

Before I go into greater detail in the following sections, take your new knowledge<br />

of jazz for a test drive. Cue up some jazz from Louis Armstrong, Lester<br />

Young, or Charlie Parker <strong>and</strong> listen to how some of the following elements<br />

jump out of the music:<br />

� Bassists anchor the bottom end, help drive the rhythms, <strong>and</strong> play musical<br />

counterpoint to other instruments.<br />

� Drummers fuel the engines, propelling the music forward, also interacting<br />

with all other instrumentalists to provide rhythmic variety.<br />

� Guitarists <strong>and</strong> pianists hook up with bassists <strong>and</strong> drummers to keep<br />

time but also provide rich harmonic textures, melodies, <strong>and</strong> solos.

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