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Digital Culture: The Changing Dynamics Littoz-Monnet, Annabelle: The European Union and culture. Between economic regulation and the European cultural policy. Manchester, Manchester University Press, 2007 Lovink; Geert: Dark Fiber: Cyberculture in the Dotcom Age. Cambridge, The MIT Press, 2003 Mechant, Peter: ‘Culture 2.0: Social and Cultural Exploration through the Use of Folksonomies and Weak Cooperation’, in: Cultuur 2.0, Virtueel Platform, 2007, pp.21-26 Myerscough, John: European programme of evaluation: National cultural policy in Sweden. Report of a European group of experts, Strasbourg, the Council of Europe, 1989 National Internet Development Agency of Korea: Korea Internet White Paper 2006, 2006 O’Regan, Tom: ‘Creative networks’, Media International Australia, No. 112, 2004 Porter, David ed.: Internet Culture. London, Routledge, 1997 Robins, Kevin. The Challenge of Transcultural Diversities. Cultural policy and cultural diversity. Strasbourg, the Council of Europe Publishing, 2006 Solar, Milivoj: Povijest svjetske knji evnosti. Zagreb, Profil, 2008 Tims, Charlie and Shelagh Wright: So, what do you do? A new question for policy in the creative age. London, Demos, 2007 UNESCO: Echanges internationaux d’une sélection de biens et services culturels, 1994-2003. Montréal, Institut de statistique de l’UNESCO, 2005 Wangermée, Robert: Programme européen d’évaluation: La politique culturelle de la France. Rapport du groupe d’experts européens. Paris, Conseil de l’Europe/La documentation française, 1988 112
Digital culture in policy documents: the national(istic) perception of cultural diversity - the case of Slovenia Introduction Vesna Èopiè Digital culture in policy documents Digital culture holds many different contents, has many different dimensions and enjoys a wide repertoire of envisaged measures from various policies and political layers. It represents a change of paradigm since the information society is changing our cultural experience. New technologies are bringing new conditions under which cultural goods are preserved, produced, distributed and consumed. A high development of information and communication technologies (ICTs) usage in culture promotes new ways of creation, storage, dissemination, public exhibition, preservation and re-use of cultural content. Digital technology has conquered cultural production, post-processing and archiving. The integration of ICT in cultural processes does not mean only their technical support, it changes processes themselves. On the production side new technologies are changing established forms of art and creating new ones. Some fields like audio production have totally become part of the IT world while video is about to follow the same path. The development of infrastructure services and content is leading to the convergence of mobile communication, Internet services, and broadcasting, facilitating universal telecommunication services across the mass media (Internet, television, mobile phones). Building a quality website opens up an arts organization to a much larger audience. Cultural heritage, presently stored in museums, libraries and archives, that preserves the intellectual memory of society and humankind, has not only found the solution for its preservation in the digital environment but also a second life in relation to its users. Digitization, digital content, digital services and public accessibility to culture and the cultural heritage are crucial for the development of creative industries and tourism. They also provide a foundation for the direct application of digital cultural content in educational, training and lifelong learning 113
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CULTURELINK Network of Networks for
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This Work has been published with t
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Culturelink Joint Publications Seri
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Managing culture in virtual realms:
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Foreword Digital culture is a new c
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INTRODUCTION
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Digital Culture: The Changing Dynam
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PART ONE DIGITAL CULTURE - THE NEW
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Introduction Media users: from read
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Media users: from readership to co-
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As John B. Thompson argues, the sup
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designers will take a back seat in
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The above-mentioned are two affirma
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The understanding of media users, a
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Transformations of cultural product
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The online power of users and money
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• selling artistic products onlin
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References Culture Interactive Cult
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A glance at the Cuban culture throu
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This paper attempts to: • provide
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websites that fused into what we ma
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Portal del Cine y el Audiovisual La
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Internet costs nothing in any forei
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Authors in this volume Authors in t
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Authors in this volume Daniela Ange
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Culturelink Joint Publications Seri
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