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Transformations of cultural production, free culture <strong>and</strong> the future of the Internet<br />

Third, widespread access to digital creative tools <strong>and</strong> global telecommunication<br />

distribution allows authors to create on their own production <strong>and</strong> distribution<br />

facilities that could previously only be secured by the industrial organization of<br />

cultural production (although only the few could benefit from the cultural industries:<br />

for example, no more than 0.7% of releasing music artists make any money from<br />

record sales 10 ).<br />

To address the three challenges of copyright in the age of digitization <strong>and</strong><br />

telecommunication networks, Creative Commons created a set of legal tools,<br />

enabling authors to easily license their works permitting users greater copying <strong>and</strong><br />

reuse rights, while helping authors’ works <strong>and</strong> recognition propagate more easily in<br />

the technological environment of growing access. All Creative Commons licences<br />

allow users free copying <strong>and</strong> at minimum non-commercial sharing, <strong>and</strong> some allow<br />

remixing rights, while ensuring authors proper attribution <strong>and</strong> optional restrictions on<br />

commercial distribution <strong>and</strong> remixing. Thus they allow authors to minimize legal<br />

obstacles to creative reuse of their works, abolish criminalization of users copying<br />

<strong>and</strong> sharing their works, <strong>and</strong> maximize their ability to self-publish <strong>and</strong> self-distribute<br />

benefiting their reputation <strong>and</strong>, consequently, principle revenue streams from live<br />

performances, commissions <strong>and</strong> commercial licensing.<br />

In the environment of widespread access to digital technologies for creativity <strong>and</strong><br />

distribution, an increasing number of creators <strong>and</strong> scientists want to seize the<br />

opportunity for their work to reach the greatest number of people, for other creators<br />

<strong>and</strong> scientists to be able to re-use it in their work <strong>and</strong> thus to make them recognized,<br />

popular <strong>and</strong> in dem<strong>and</strong>. Yet, although many artists will claim that they approve of<br />

their audience sharing their works, their audience will be infringing as long as the<br />

author’s permission is not explicitly stated in writing. Creative Commons licences are<br />

an attempt at private law reform aimed at providing authors with an easy way to<br />

express their permission in the form of a licence. Whoever receives a work under one<br />

of the Creative Commons licences can freely share it without infringing on copyright<br />

<strong>and</strong> can, should the author allow it, re-use it in their own work.<br />

Since its start in 2003, Creative Commons has helped a global free culture<br />

movement emerge. The culture of sharing, <strong>and</strong> the principle of open sourcing <strong>and</strong><br />

successful collaborative production models have gained traction among creators <strong>and</strong><br />

innovators. The most prominent users of Creative Commons licences today include<br />

musicians, video makers, visual artists, institutions of higher learning such as<br />

Massachusetts Institute of Technology with open courseware projects, publishers of<br />

scientific journals, scientific laboratories releasing their data sets, large public media<br />

houses such as the BBC, Wikipedia, numerous blogs <strong>and</strong> blogging services, other<br />

10 See: http://world-information.org/wio/readme/992007035/1078488174/<br />

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