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Digital Culture: The Changing Dynamics<br />

processes. ICT enables the virtual mobility of arts which have a great informative role<br />

at the very least.<br />

Museums, libraries <strong>and</strong> other cultural institutions are eminently suitable <strong>and</strong><br />

important locations for public access points, education for the information society<br />

<strong>and</strong> for access to it for all citizens. The new means of communication <strong>and</strong> the related<br />

expansion of media content is listed among a number of developments (others are, for<br />

example, migration flows, EU enlargement, globalization, geopolitical changes, etc.)<br />

that “have given intercultural dialogue, cultural diversity <strong>and</strong> social cohesion a more<br />

prominent place on the political agendas” (Wies<strong>and</strong> et al, 2008: 3).<br />

In the digital age “new tools <strong>and</strong> technologies enable consumers to archive,<br />

annotate, appropriate, <strong>and</strong> recirculate media content” (Jenkins, 2002). They enable<br />

amateur producers to engage in cultural production that had been previously reserved<br />

for professionals only due to the dem<strong>and</strong>ing <strong>and</strong> expensive professional technology.<br />

Thus affordable digital technologies have opened entirely new possibilities for<br />

amateur film making <strong>and</strong> video production. Similarly, modern technological support<br />

empowers smaller cultural groups to organise their cultural life <strong>and</strong> communication,<br />

for example forming Internet groups based on shared ethno-cultural identity.<br />

Therefore ICT can contribute to the democratization of culture, meaning better access<br />

to the means for cultural production <strong>and</strong> dissemination. The Internet is a reservoir of<br />

diverse content <strong>and</strong> together with other new technologies of communication has<br />

greatly contributed to what is now frequently described as “multiple cultural<br />

identities”. The digital world is diverse in its very nature. Interaction within<br />

cyberspace offers new possibilities for connecting people. The new communication<br />

technologies help to overcome problems caused by the dispersion of new migrants. In<br />

the past, the territorial autonomy of minorities was in the foreground, while today it is<br />

being replaced by functional autonomy. If different associations – for example the<br />

associations of Macedonians or Bosnians in Slovenia – have new technologies at<br />

their disposal, they can implement the vision of collective autonomy despite<br />

dispersion. With functional autonomy, the individuals’ roles can be different; they<br />

can function as a vehicle of cultural identity wherever they may live. In this way, we<br />

are outgrowing the correlation between cultural identity <strong>and</strong> a certain territory, <strong>and</strong><br />

thereby autochthonism. In such circumstances, a person can freely choose his/her<br />

cultural identity.<br />

Nevertheless there are also voices stressing the more negative aspects of today’s<br />

digital age which is marked by the fear that a “capitalist deployment of technology<br />

serves mass deception” (Cox, Krysa <strong>and</strong> Lewin, 2004: 8). The increase in forms of<br />

production, by blurring the traditional divides between producers, distributors <strong>and</strong><br />

recipients raises the question of how society will react to them <strong>and</strong> hence how we can<br />

sustain diversity of different cultural contents <strong>and</strong> expressions, <strong>and</strong> combine human<br />

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