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Digital Culture: The Changing Dynamics<br />
processes. ICT enables the virtual mobility of arts which have a great informative role<br />
at the very least.<br />
Museums, libraries <strong>and</strong> other cultural institutions are eminently suitable <strong>and</strong><br />
important locations for public access points, education for the information society<br />
<strong>and</strong> for access to it for all citizens. The new means of communication <strong>and</strong> the related<br />
expansion of media content is listed among a number of developments (others are, for<br />
example, migration flows, EU enlargement, globalization, geopolitical changes, etc.)<br />
that “have given intercultural dialogue, cultural diversity <strong>and</strong> social cohesion a more<br />
prominent place on the political agendas” (Wies<strong>and</strong> et al, 2008: 3).<br />
In the digital age “new tools <strong>and</strong> technologies enable consumers to archive,<br />
annotate, appropriate, <strong>and</strong> recirculate media content” (Jenkins, 2002). They enable<br />
amateur producers to engage in cultural production that had been previously reserved<br />
for professionals only due to the dem<strong>and</strong>ing <strong>and</strong> expensive professional technology.<br />
Thus affordable digital technologies have opened entirely new possibilities for<br />
amateur film making <strong>and</strong> video production. Similarly, modern technological support<br />
empowers smaller cultural groups to organise their cultural life <strong>and</strong> communication,<br />
for example forming Internet groups based on shared ethno-cultural identity.<br />
Therefore ICT can contribute to the democratization of culture, meaning better access<br />
to the means for cultural production <strong>and</strong> dissemination. The Internet is a reservoir of<br />
diverse content <strong>and</strong> together with other new technologies of communication has<br />
greatly contributed to what is now frequently described as “multiple cultural<br />
identities”. The digital world is diverse in its very nature. Interaction within<br />
cyberspace offers new possibilities for connecting people. The new communication<br />
technologies help to overcome problems caused by the dispersion of new migrants. In<br />
the past, the territorial autonomy of minorities was in the foreground, while today it is<br />
being replaced by functional autonomy. If different associations – for example the<br />
associations of Macedonians or Bosnians in Slovenia – have new technologies at<br />
their disposal, they can implement the vision of collective autonomy despite<br />
dispersion. With functional autonomy, the individuals’ roles can be different; they<br />
can function as a vehicle of cultural identity wherever they may live. In this way, we<br />
are outgrowing the correlation between cultural identity <strong>and</strong> a certain territory, <strong>and</strong><br />
thereby autochthonism. In such circumstances, a person can freely choose his/her<br />
cultural identity.<br />
Nevertheless there are also voices stressing the more negative aspects of today’s<br />
digital age which is marked by the fear that a “capitalist deployment of technology<br />
serves mass deception” (Cox, Krysa <strong>and</strong> Lewin, 2004: 8). The increase in forms of<br />
production, by blurring the traditional divides between producers, distributors <strong>and</strong><br />
recipients raises the question of how society will react to them <strong>and</strong> hence how we can<br />
sustain diversity of different cultural contents <strong>and</strong> expressions, <strong>and</strong> combine human<br />
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