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Digital Culture: The Changing Dynamics Curran, James and Morley, David (eds): Media and Cultural Theory. London and New York, Routledge, 2006 Habermas, Jürgen: The Structural Transformation of the Public Sphere. Cambridge, MA, MIT Press, 1989 Habermas, Jürgen: “Further Reflections on the Public Sphere”, in Calhoun, C. (ed.): Habermas and the Public Sphere. MIT Press, Cambridge, MA and London, 1992: 421-461 Hall, Stuart: “Encoding/Decoding”, in Hall, S., Hobson, D., Lowe, A., Willis, P. (eds): Culture, Media, Language, London, Hutchinson, 1980: 128-138 Hallin, Daniel C. and Mancini, Paolo: Comparing Media Systems: Three Models of Media and Politics. Cambridge: Cambridge University Press, 2004 Hromad iæ, Hajrudin: “Izmeðu dva ivota. Perspektive virtualizirane medijske publike”, Puls demokratije. http://www.pulsdemokratije.net/index.php?id=438&l=bs, 2007 Keane, John: “Structural transformations of the public sphere”, in Hacker, K. L. and Dijk, J. (eds): Digital Democracy: Issues of Theory and Practice. London, SAGE, 2000: 70-89 Malina, Anna: “Perspectives on citizen democratization and alienation in the virtual public sphere”, in Hague, Barry N. and Loader, Brian D. (eds): Digital Democracy. Discourse and Decision Making in the Information Age. London and New York, Routledge, 2002: 23-38 Morley, David: The “Nationwide” Audience. BFI, London, 1980 Scannell, Paddy: “Public Service Broadcasting and Modern Public Life”, Media, Culture & Society, 11, 1989: 135-166 Stephenson, Neal: Snow Crash. New York, Bantam Book, 1992 The Economist Print Edition: “Wonders of the Metaverse”, Economist.com 20 April 2006 http://www.economist.com/surveys/PrinterFriendly.cfm?story_id=6794220, accessed 2 September 2007 Thompson, B. John: “The theory of the public sphere”, in Boyd-Barrett, Oliver and Newbold, Chris (eds): Approaches to Media: A Reader. London, Arnold, 1995: 252-259 Van Dijk, Jan: “The Digital Divide as a Complex and Dynamic Phenomenon”, The Information Society, 19, 2003: 315-326 Watson, James: Media Communication: An Introduction to Theory and Process. Palgrave Macmillan, 2003 58
Transformations of cultural production, free culture and the future of the Internet Transformations of cultural production, free culture and the future of the Internet Tomislav Medak When producing and remixing comes naturally As a consequence of technological development over the last two decades two components in the system of cultural production have transformed their socio-economic character – the means of cultural production have become widely accessible and digital networks have made distribution channels for cultural products ubiquitous. What could formerly be provided only by a large industrial system of cultural and media production has significantly changed. The digital regime now breaks away from that system, and what could formerly be provided only by exclusive exploitation rights is now provided by the community of users and creators, of consumers and producers, of “prosumers” 1 using the networked production tools and exchange of cultural goods. With this massive exodus of consumers from consumption into production and their re-appropriation of the means of production and exchange, both the industry of digital tools (which grows strong in this transformation) and the cultural industry (which grows weak in this transformation) are entering into a structural conflict and competition with their former consumers over their rights and freedom to access means of production, to use products and to exchange goods. While the software and cultural industry is pushing for an ever stronger and draconic protection of 1 “Prosumer” is a portmanteau formed by contracting either the word producer or professional with the word consumer. The term has taken on multiple conflicting meanings: the business sector sees the prosumer (professional-consumer) as a market segment, whereas economists see the prosumer (producer-consumer) as having greater independence from the mainstream economy. http://en.wikipedia.org/wiki/Prosumer 59
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Managing culture in virtual realms:
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Foreword Digital culture is a new c
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INTRODUCTION
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digital resources, needs to be defi
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Digital culture in policy documents
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communication and economic producti
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informatization of processes in ins
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Ecology of the media and hyperhuman
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languages on the Internet - mainly
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governmental or corporate action pl
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global critical consciousness that
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A glance at the Cuban culture throu
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websites that fused into what we ma
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