D:\Documents and Settings\Ana\My Documents\Biserka-knjiga ...

More documents

Recommendations

Info

Digital Culture: The Changing Dynamics content available, who will offer more freedoms for users. As music futurologist Gerd Leonhard has suggested: music should be (ubiquitously available) like water. And the music business is coming to terms with this shift; this can be well observed in the fact that blanket licences with royalties and levies collected by collecting societies have become almost the only growing and expanding segment of the music economy. Although the future might seem to belong to users, the chances are that incumbents might succeed in overturning the very technological foundation that has brought about the big transformation they might change the architecture of the Internet by forcing the Internet service providers to filter out certain protocols. However, this will put an end to much more than just the culture of sharing – it will put an end to the Internet that we know, the Internet of unprecedented freedoms of expression, association and media. That is what is at stake in the industry’s crusade against “piracy”. 68 This article is available under Creative Commons Attribution-ShareAlike 3.0 Croatia licence: http://creativecommons.org/licenses/by-sa/3.0/hr/, so that you might freely copy it, share it and modify it, provided that you give attribution to the original author and do not prevent others from having the same freedoms, whether it is the original article you are distributing or the modified version you have made.
References Transformations of cultural production, free culture and the future of the Internet Benkler, Yochai: “Coase’s Penguin, or Linux and the Nature of the Firm”, see: www.benkler.org/CoasesPenguin.html/ (accessed 19 May 2008) Benkler, Yochai: “The Wealth of Networks: How Social Production Transforms Markets and Freedom”, see: http://www.benkler.org/wealth_of_networks/index.php/Main_Page (accessed 19 May 2008) Benkler, Yochai: The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven, London, Yale University Press, 2007 Escolar, Ignacio: “Please, Pirate My Songs!” World-Information.Org. http://world-information.org/wio/readme/992007035/1078488174 (accessed 19 May 2008) Giles, Jim: “Special Report: Internet encyclopaedias go head to head.” Nature Publishing Group: science journals, jobs, and information http://www.nature.com/nature/journal/v438/n7070/full/438900a.html (accessed 19 May 2008) “IBM Consumer Survey Shows Decline of TV as Primary Media Device.” IBM: www-03.ibm.com/press/us/en/pressrelease/22206.wss (accessed 19 May 2008) Medak, Tomislav: “A Continuum of Knowledge – A contribution to the Political Economy of Copyleft.” Makeworlds, No. 4, 2004 http://www.makeworlds.org/node/96 (accessed 19 May 2008) Shirky, Clay: “Gin, Television, and Social Surplus – Here Comes Everybody”. Here Comes Everybody. http://www.herecomeseverybody.org/2008/04/looking-for-the-mouse.html (accessed 19 May 2008) “The Free Software Definition – GNU Project – Free Software Foundation (FSF).” The GNU Operating System. http://www.gnu.org/philosophy/free-sw.html (accessed 19 May 2008) 69
Page 2 and 3:
CULTURELINK Network of Networks for
Page 4 and 5:
This Work has been published with t
Page 6 and 7:
Culturelink Joint Publications Seri
Page 8 and 9:
Managing culture in virtual realms:
Page 11 and 12:
Foreword Digital culture is a new c
Page 13:
INTRODUCTION
Page 16 and 17:
Digital Culture: The Changing Dynam
Page 18 and 19:
Page 20 and 21:
Page 22 and 23:
Page 24 and 25:
Page 26 and 27: Digital Culture: The Changing Dynam
Page 31: PART ONE DIGITAL CULTURE - THE NEW
Page 51 and 52: Introduction Media users: from read
Page 53 and 54: Media users: from readership to co-
Page 57 and 58: As John B. Thompson argues, the sup
Page 61 and 62: designers will take a back seat in
Page 63 and 64: The above-mentioned are two affirma
Page 65 and 66: The understanding of media users, a
Page 67 and 68: Transformations of cultural product
Page 75: Transformations of cultural product
Page 99 and 100: Copyright and the digital age: a co
Page 107: Copyright and the digital age: a co
Page 111 and 112: Challenges for cultural policies: t
Page 113 and 114: Challenges for cultural policies: t
Page 115 and 116: 2006), foresaw an impressive growth
Page 117 and 118: digital resources, needs to be defi
Page 119 and 120: References Benkler, Yochai: The Wea
Page 121 and 122: Digital culture in policy documents
Page 123 and 124: communication and economic producti
Page 125 and 126: Digital culture in policy documents
Page 127 and 128:
Digital culture in policy documents
Page 129 and 130:
informatization of processes in ins
Page 131 and 132:
Digital culture in policy documents
Page 133 and 134:
References Bennett, Tony: Differing
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
Page 141 and 142:
Page 143 and 144:
Page 145 and 146:
With reference to possible policy r
Page 147:
References Managing culture in virt
Page 151 and 152:
Ecology of the media and hyperhuman
Page 153 and 154:
languages on the Internet - mainly
Page 155 and 156:
governmental or corporate action pl
Page 157:
global critical consciousness that
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
Page 166 and 167:
Page 168 and 169:
Page 170 and 171:
Page 172 and 173:
Page 175 and 176:
The online power of users and money
Page 177 and 178:
Page 179 and 180:
Page 181 and 182:
Page 183 and 184:
Page 185 and 186:
• selling artistic products onlin
Page 187 and 188:
References Culture Interactive Cult
Page 189 and 190:
A glance at the Cuban culture throu
Page 191 and 192:
Page 193 and 194:
This paper attempts to: • provide
Page 195 and 196:
websites that fused into what we ma
Page 197 and 198:
Portal del Cine y el Audiovisual La
Page 199 and 200:
Internet costs nothing in any forei
Page 201:
Page 205 and 206:
Authors in this volume Authors in t
Page 207 and 208:
Authors in this volume Daniela Ange
Page 209 and 210:
Authors in this volume Imaging a Wo
Page 211:
Culturelink Joint Publications Seri
show all

D:\Documents and Settings\Ana\My Documents\Biserka-knjiga ...

Create successful ePaper yourself

Delete template?

Save as template?