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Digital culture in policy documents: the national(istic)<br />

perception of cultural diversity - the case<br />

of Slovenia<br />

Introduction<br />

Vesna Èopiè<br />

Digital culture in policy documents<br />

Digital culture holds many different contents, has many different dimensions <strong>and</strong><br />

enjoys a wide repertoire of envisaged measures from various policies <strong>and</strong> political<br />

layers. It represents a change of paradigm since the information society is changing<br />

our cultural experience. New technologies are bringing new conditions under which<br />

cultural goods are preserved, produced, distributed <strong>and</strong> consumed. A high<br />

development of information <strong>and</strong> communication technologies (ICTs) usage in culture<br />

promotes new ways of creation, storage, dissemination, public exhibition,<br />

preservation <strong>and</strong> re-use of cultural content. Digital technology has conquered cultural<br />

production, post-processing <strong>and</strong> archiving. The integration of ICT in cultural<br />

processes does not mean only their technical support, it changes processes<br />

themselves. On the production side new technologies are changing established forms<br />

of art <strong>and</strong> creating new ones. Some fields like audio production have totally become<br />

part of the IT world while video is about to follow the same path. The development of<br />

infrastructure services <strong>and</strong> content is leading to the convergence of mobile<br />

communication, Internet services, <strong>and</strong> broadcasting, facilitating universal<br />

telecommunication services across the mass media (Internet, television, mobile<br />

phones). Building a quality website opens up an arts organization to a much larger<br />

audience. Cultural heritage, presently stored in museums, libraries <strong>and</strong> archives, that<br />

preserves the intellectual memory of society <strong>and</strong> humankind, has not only found the<br />

solution for its preservation in the digital environment but also a second life in<br />

relation to its users. Digitization, digital content, digital services <strong>and</strong> public<br />

accessibility to culture <strong>and</strong> the cultural heritage are crucial for the development of<br />

creative industries <strong>and</strong> tourism. They also provide a foundation for the direct<br />

application of digital cultural content in educational, training <strong>and</strong> lifelong learning<br />

113

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