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EMBEDDED: WEAPONS OF MASS DECEPTION<br />

Iraq’s tight restrictions on the ownership and<br />

export of antiquities.” Translation: give us the<br />

valuable antiquities to sell, all in the name of<br />

preservation.<br />

The sound of statues falling<br />

YESTERDAY, I cast a skeptical eye at the big<br />

story on all the TV News – the toppling of the big<br />

Saddam statue. We all saw it, complete with<br />

scenes of dancing mobs and young men with<br />

hammers beating up on what had been Saddam’s<br />

head. Many networks showed that dramatic<br />

“hammering” over and over. They milked the<br />

scene, which seemed to rationalize and justify<br />

the invasion. American officials gushed about<br />

the pictures. If there is one thing this war has<br />

taught us all, it’s that we can’t believe what we’re<br />

told. As an indy media site explained: “For Donald<br />

Rumsfeld these were ‘breathtaking.’ For the<br />

British Army they were ‘historic.’ For BBC Radio<br />

they were ‘amazing.’<br />

BUT – and there is always a big But. “A wide<br />

angle shot in which you can see the whole of Fardus<br />

Square (conveniently located just opposite<br />

the Palestine Hotel where the international<br />

media are based), and the presence of at most<br />

around 200 people – most of them U.S. troops<br />

(note the tanks and armored vehicles) and<br />

assembled journalists.”<br />

Run that by me again? Another IMC reader<br />

adds: “Oddly enough . . . a photograph is taken of<br />

a man who bears an uncanny resemblance to<br />

one of Chalabi’s militia members . . . he is near<br />

Fardus Square to greet the Marines. How many<br />

members of the pro-American Free Iraqi Forces<br />

were in and around Fardus Square as the statue<br />

of Saddam came tumbling down?<br />

202<br />

Picture this<br />

“THE up-close action video of the statue being<br />

destroyed is broadcast around the world as proof<br />

of a massive uprising. Still photos grabbed off of<br />

Reuters show a long-shot view of Fardus Square<br />

. . . it’s empty save for the U.S. Marines, the International<br />

Press, and a small handful of Iraqis.<br />

There are no more than 200 people in the square<br />

at best. The Marines have the square sealed off<br />

and guarded by tanks. A U.S. mechanized vehicle<br />

is used to pull the statue of Saddam from its<br />

base. The entire event is being hailed as an<br />

equivalent of the Berlin Wall falling . . . but even<br />

a quick glance of the long-shot photo shows<br />

something more akin to a carefully constructed<br />

media event tailored for the television cameras.”<br />

Kim Sengupta reported another fascinating<br />

detail yesterday from Baghdad: “It was, by any<br />

measure, an astonishing coincidence. As the<br />

biggest statue of Saddam Hussein in Baghdad<br />

was pulled down ‘spontaneously‘ in front of the<br />

world’s media, the Stars and Stripes which flew<br />

on the Pentagon on 11 September was at hand to<br />

be draped over its face.<br />

“The U.S. army denied that the toppling of the<br />

20-ft edifice by a tank tower was stage-managed.<br />

It was a coincidence, they said, that Lt. Tim<br />

McLaughlin, the keeper of that flag, happened to<br />

be present. And, it has to be noted, the commander<br />

of the U.S. marines who completed the<br />

capture of Baghdad did express concern at the<br />

time that the use of the Stars and Stripes<br />

smacked of triumphalism. It was later changed to<br />

an Iraqi flag. But not before acres of TV footage<br />

had been shot.”

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