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UPDATED - ColdType

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A MILITARY VIEW<br />

EVEN experienced military people were turned<br />

off by all the media pandering. Writing in Army<br />

Times, Gulf War 1 veteran Ralf W. Zimmerman<br />

wrote:<br />

“Often contradictory news coverage of our war<br />

on terror has made me a bit suspicious of the<br />

control the Pentagon and other government<br />

agencies are exercising over what can and can’t<br />

be reported. Without access to the Internet<br />

(despite all its flaws) and other reliable western<br />

media sources, I’m afraid I’d have a rather<br />

incomplete picture of what is really shaping up<br />

in the world around us.<br />

“American war reporting seems to be governed<br />

by extremes, especially on television. We<br />

get either a sketchy tabloid report or the Pentagon’s<br />

edited party line. Both are readily available<br />

and mainly strive to entertain the public or to<br />

whip up superficial patriotism.”<br />

Many media organizations became an adjunct,<br />

to the selling of the war for political and economic<br />

reasons as well.<br />

Why?<br />

There were three principal reasons:<br />

1. Institutional changes in our media system.<br />

2. A shift in our media culture.<br />

3. A new sophistication by the military and<br />

government in the art of news management.<br />

MEDIA SYSTEM CHANGE<br />

THE American media system today is totally corporate<br />

dominated, market driven and hence, at<br />

its core, conservative in the sense that it rarely<br />

rocks the boat or challenges the status quo. It is<br />

more consolidated and, more paradoxically, frag-<br />

WHAT CAN WE DO ABOUT IT?<br />

245<br />

mented than ever. Diverse in appearance, it<br />

tends towards uniformity in content and conformity<br />

in method. Most news outlets act more<br />

alike even as they seem more different through<br />

positioning and “branding.”<br />

All fight for market share and “mind share.”<br />

All target the same demographics, covet the<br />

same advertisers, and offer similarly formatted<br />

and formularized programming. Infotainment<br />

has been dominant for 20 years on television. As<br />

entertainment companies took over news organizations,<br />

showbiz techniques were fused into<br />

newsbiz presentation style.<br />

This institutional dimension to the problem<br />

has been overlooked by most critics.<br />

The rise of Fox News has not changed this<br />

dynamic, even if it has added more polarization<br />

and patriotic correctness to the television spectrum.<br />

Studies have shown that whenever a broadcaster<br />

seems to be winning the constant race for<br />

ratings and revenues, others clone their look and<br />

adapt their attitude. Fox built its format on the<br />

experience of right-wing talk radio, adding personality,<br />

harder edge politics, and aggressive posturing<br />

to a news business known for centrism and<br />

blandness. As the new kid on the block, it played<br />

the patriotic card by hitching its wagon to a popular<br />

president who understood how to play to fear<br />

and insecurity while wrapping himself in the red,<br />

white and blue to boost approval ratings.<br />

By positioning itself as an alternative and antidote<br />

to a non-existent liberal media, it appealed<br />

to a hard core audience and those estranged by<br />

mainstream middle-of-the-road news. It served<br />

as the media shock troops for the Bush war<br />

offensive often framing news in a pro-administration<br />

direction while insisting on its fairness<br />

and balance.

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